伯尼

"THE feeble beginnings of whatever afterwards becomes great or eminent are interesting to mankind." So wrote Charles Burney in 1776, opening his history of music with a subtle apologia for the historian's method.

"人类对于任何一件开头微不足道而之后发展成就辉煌的事总是充满了兴致"。1776年，查理·伯尼在他纂写的音乐史开篇伊始，为史学家的新方法展开了精彩辨析。

Barney said you'd be nice to me.

伯尼说你会照顾我的。

For the road was cut many years ago---by Fanny Burney, by Aphra Behn, by Harriet Martineau, by Jane Austen, by George Eliot —many famous women, and many more unknown and forgotten, have been before me, making the path smooth, and regulating my steps.

道路已被开辟已久，在我之前的许多知名女性----范妮﹒伯尼，阿芙拉﹒贝思，哈丽雅特﹒马蒂诺，简﹒奥斯汀，乔治﹒艾略特，以及无数不详其名的或已被遗忘的，早已将道路铺平并指引着我前进的步伐。

Berne was a practicing psychoanalyst before he developed the theory and practice of Transactional Analysis.

伯尼在提出交互分析的理论和实践之前是精神分析的治疗师。

Annie, Berne and Cloudia are three outstanding women. They have some remarkable characteristics respectively.

安妮、伯尼和克劳迪娅是三位杰出的女性，她们各有一些令人注目的特点。

Berne observed that people need strokes, the units of interpersonal recognition, to survive and thrive.

伯尼观察到人需要安抚，安抚是社会性认可的单位，使人能够生存和成长。

Cars form the symbolic heart of novels looking back at the 1970s - such as Jonathan Coe's The Rotters' Club, set around British Leyland's struggling Longbridge plant, and Louis de Bernières's A Partisan's Daughter, which follows a salesman driving through the winter of discontent in a "shit-brown Allegro".

在回顾20世纪70年代的小说中汽车成为了象征性的核心意象——例如乔纳森·科伊的《无赖俱乐部》，故事发生在英国利兰的一家垂死挣扎的长桥工厂，还有路易·德·伯尼埃尔的《一个党派人士的女儿》，故事中一个售货员在冬季很不满地开着一辆"令人作恶的棕色阿莱格罗"。

Bernie: I'm still young. Give me time.

伯尼：我还年轻，给我点时间。

Bernie: i told him i had nothing to do with this operation.

伯尼：我告诉过他了，我和这桩生意没关系。

Bernie was invited to his friend's home for dinner.

伯尼被邀请到他的朋友家去吃饭。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。