伦巴舞

This course practices the basic skill on movements following the direction and partner and on how to lead and move using the various dancing steps in beguine, lumbar,cha cha cha, talung, waltz and others.

在训练社交舞动作基本技能的同时，训练动作方向与舞伴配合，以及如何引导和使用各种舞步，如比律舞、伦巴、恰恰恰、华尔兹等。

I like the old styles of dance, such as fox－trot, waltz,rumba,tango and so on.

我喜欢老式舞，如快狐步、华尔兹舞、伦巴、探戈等等。

Woman: Kizomba was born in the early eighties and it was a fusion of all the rhythms that were happening at the time, and out of the old rhythms that went into the Caribbean sort of, was sort of a bit of a come back and in the early eighties, the rhythm called Zouk came into Angola as well as a lot and with the fusion of other rhythms that were already there, it created Kizomba.

女舞者：基宗巴舞出现在18世纪初，它融合了现代的多种节奏，以及加勒比风味的经典旋律。18世纪伦巴达的旋律在安哥拉流行起来，同时还有新型的其它音律，这些所有元素的融合，产生了基宗巴舞。

These Western social dancing monopolizes Zhoukou dance hall many years later, is called "the Chinese social dancing""north the Beijing scale four" the dance is started in the middle and old aged dancing amateur slowly popular.

恰恰、伦巴、探戈、华尔兹……在这些西方交谊舞垄断周口舞场多年后，被称为&中国交谊舞&的&北京平四&舞开始在中老年跳舞爱好者中慢慢流行。

These Western social dancing monopolizes Zhoukou dance hall many years later, is called "the Chinese social dancing""north the Beijing scale four" the dance is started in the middle and old aged dancing amateur slowly popular.

通讯员：苑昆鹏？？？恰恰、伦巴、探戈、华尔兹……在这些西方交谊舞垄断周口舞场多年后，被称为&中国交谊舞&的&北京平四&舞开始在中老年跳舞爱好者中慢慢流行。

Into Latin Modern and Latin dances: Modern Latin国标舞 Latin国标舞is standardized, strict standards, it is in Latin norms developed on the basis of the formation of a professional dance competition, including Lombardy, precisely, jive, samba, paso doble.

国标舞分为拉丁摩登舞和拉丁舞：国标舞拉丁舞摩登舞拉丁国标舞是规范、严格、标准的，它是在拉丁舞的基础上发展规范形成的竞技专业舞蹈，内容包括伦巴、恰恰、牛仔舞、桑巴、斗牛舞。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。