伦巴舞

Beguine:a ballroom dance similar to the rumba, based on a dance of Martinique and St.

比津舞：类似伦巴的舞厅舞，源于马提尼克群岛和圣卢西亚的民间舞。

"Beguine:a ballroom dance similar to the rumba, based on a dance of Martinique and St. Lucia."

比津舞：类似伦巴的舞厅舞，源于马提尼克群岛和圣卢西亚的民间舞。

I like the old styles of dance, such as fox－trot, waltz,rumba,tango so on.

我喜欢老式舞，如快狐步、华尔兹舞、伦巴、探戈等等。

You know what I said about the rumba? And it being pretend?

听我说过跳伦巴舞的时候要感觉到假装相爱？

Which is the most characteristic from Rumba?

伦巴舞的独特性是什么？

Rumba's original meaning is to rub bellybuttons together.

伦巴舞原来的意思是一起磨肚脐吧。

Estrada portrays the adventurers and dreamers who left their mark on Havana, such as explorer Hernando de Soto; Jose Marti, martyr for Cuban independence; from cigars to Hemingway, slavery to Castro, the rhumba to baseball. The book is a deeply personal account of a love affair with a city, as well as an entertaining portrait of a place not easily forgotten.

Estrada活生生的描述了那些冒险者和怀揣理想的人给哈瓦那留下了何等难以磨灭的影响，比如为了古巴的独立运动而壮烈牺牲的探险家Hernando de Soto和Jose Marti；从雪茄烟到美国作家海明威，从奴隶制到Castro，从伦巴舞到棒球运动，作者将对古巴城的深深留恋，转为文字叙述出来，让读者将这个灿烂古都的印象深深的印在了脑海中，久久不能忘怀。

We can press everything down and create more rhythmic body.And ground our powerful to the floor.Which make more stable.More balance , and more characteristic, correctly for the Rumba.

当我们把一切都往下压缩而产生更多身体节奏，靠近地板的力量，会使伦巴舞更稳定，更平衡更有独特性。

Others reduce to a short form specific sounds: a rumba rhythm, a folksong, the bells of Rome, a parlour piano.

另一些则是节录自某种特定的声音：如伦巴舞的节奏，民间歌曲，罗马的钟声或是客厅的钢琴声。

I like the old styles of dance,such as fox-trot,waltz,rumba.tan.go and SO on.Theyre all SO graceful.

我喜欢老式舞，像狐步舞、华尔兹、伦巴、探戈等等毒这些舞都非常优美。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。