伦巴舞

In the late 19th century the Cuban habanera influenced the development of American ragtime; the Argentine tango gained worldwide popularity during the 1910s, initiating a craze for Latin ballroom dancing in Paris, London, and New York City; recordings of Hawaiian guitar music, country-and-western music, and ballroom dance orchestras arrived in the port towns of Africa by the 1920s; and the Cuban rumba became popular around the world in the 1930s.

19世纪后期的影响，古巴的哈巴涅拉发展美国拉格泰姆；阿根廷探戈赢得全世界流行的1910年代期间，发起热潮拉丁美洲交际舞在巴黎，伦敦，和纽约市；记录夏威夷吉他音乐，国家和西方的音乐和舞蹈乐团抵达港口城镇由1920年非洲和古巴的伦巴舞流行世界各地的1930年。

I like rumba and jitterbug very much.

我喜欢伦巴舞和吉特巴舞。

I like rumba jitterbug very much.

我很喜欢伦巴舞和吉特巴舞。

B type of dance舞: The rumba is a Latin-American dance.

伦巴舞是拉丁美洲的舞蹈。

I think I'll sit out the rumba.

我不想跳伦巴舞。

So which is the most important from Rumba?

伦巴舞最重要的是什么？

Oh, sorry, I don't dance rumba.

噢，对不起，我不会跳伦巴舞。

I like rumba and iifferbug very much.

我很喜欢伦巴舞和吉特巴舞。

"The Rumba was dull and technically imprecise"; it was too careful.

（这个伦巴舞是乏味的，而且伦巴舞的技巧不精确。

Part of the Latin Ballroom repertoire, the Cha Cha is like the Rumba but quicker.

作为拉丁舞的一种，恰恰舞和伦巴舞类似，但是舞步更快。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。