伦尼

BON: What do you mean by meaning?

布伦丹·奥尼尔：你说的定义是什么意思？

British historian Anthony Design - Bote Lun in "what is design" in his book:"Design, and refers to an article about all the factors, its intentions and plans, The quality of their goods, materials, the use and appearance, including its production and prices."

英国设计史家安东尼-博特伦在《什么是设计》一书中指出："设计，是指与某物品有关的所有因素，它的意图和计划、物品本身的质量、材料、使用和美观，甚至包括价格和生产它的方式。"

They used to be known as Plenary 1 and Plenary 2, but the organisers have been told not to refer to them by their old numbers, lest Brahe, male, be privileged over Blixen, female.

过去，它们被称为会议1厅和2厅，但是现在组织者被告知，不能再指代这些大厅用过去的号码，以免误会过去1号大厅现用凯伦布里森的命名因是男性而优于过去2号大厅现用伊莎丹尼森命名的女性。

Around the country plenty of old boys are becoming available: Anthony Barness from Bolton, Graham Stuart from Norwich, Andy Myers from Brentford, and former youth team players Nathan Blake from Leicester and Ritchie Hanlon from Lincoln are all released.

遍及英伦的数名前切尔西队员成为自由身：博尔顿的安东尼-巴内斯、诺维奇的格拉汉-斯图沃特、布伦特福德的安迪-麦尔斯、以及前青年军成员在莱斯特的内森-布雷克和在林肯的里奇-汉伦都已合同期满。

At the same time, in Brittany, Alan Stivell began to mix his Breton roots with Irish and Scottish roots and with rock music.

在同一时间，在布列塔尼，艾伦stivell开始他混布雷根与爱尔兰和苏格兰的根与摇滚音乐。

On the other hand if you were wealthy and lived in a provincial city like Bulla Regia or Londinium or Trier you were in a position to enjoy the vast luxuries of empire. Buildings, roads, bridges, commerce and protection, all courtesy of the conquering Romans made life in a provincial city quite a bit more comfortable and healthy.

换个立场来说，居住在行省城市的富人，如布拉瑞吉、伦蒂尼亚或特里尔等城市都能直接受益于帝国各项奢侈享受，建筑、道路、桥梁、商业及保护都是罗马征服者的恩赐，使得行省城市更舒适，也更卫生。

Served as France and Taiwan, in order, there is Chawarenqin Senge, Litang sac Long Qu plans, Bayan Jie Qu, tile show Gedun Le beads, bead working class feel, and Bullen Erdeni Jie Qu and others, but they as France and Taiwan during the period (at least 50 years of history, that is, to the Dalai Lama V, period), the monastery is experiencing a relative decline.

先后担任法台的依次有察瓦仁钦森格、理塘囊朗曲则、巴颜曲杰、瓦秀格敦勒珠、工布伦珠班觉以及额尔德尼曲杰等人，但是在他们担任法台期间（至少也有50多年的历史，即到了五世达赖时期），寺院却日渐衰落。

Cult of the hero, as it is expressed by Carlyle and Nietzsche, and the Byronic cult of violentpassion of no matter what kind.

从这种态度就发展了象卡莱尔和尼采所表现的那种英雄崇拜，以及拜伦式的对于任何激情的崇拜。

Firstly, oscillation between events of imperial and of local interest, the anticipated diamond jubilee of Queen Victoria (born 1820, acceded 1837) and the posticipated opening of the new municipal fish market: secondly, apprehension of opposition from extreme circles on the questions of the respective visits of Their Royal Highnesses the duke and duchess of York and of His Majesty King Brian Boru: thirdly, a conflict between professional etiquette and professional emulation concerning the recent erections of the Grand Lyric Hall on Burgh Quay and the Theatre Royal in Hawkins street: fourthly, distraction resultant from compassion for Nelly Bouverist's non-intellectual, non-political, non-topical expression of countenance and concupiscence caused by Nelly Bouverist's revelations of white articles of non-intellectual, non-political, non-topical underclothing while she was in the articles: fifthly, the difficulties of the selection of appropriate music and humorous allusions from Everybody's Book of Jokes (1000 pages and a laugh in every one): sixthly, the rhymes, homophonous and cacophonous, associated with the names of the new lord mayor, Daniel Tallon, the new high sheriff, Thomas Pile and the new solicitorgeneral, Dunbar Plunket Barton.

123首先，有关皇室与当地的两档子事，歌中究竟写哪一桩，令人难以做出抉择。要么是提前描写维多利亚女王（一八二0 年出生，一八三七年即位）的六十周年大庆；要么是将新修建的市营鱼市开张典礼的日期移后。第二，深恐皇族约克公爵和公爵夫人以及布赖恩。勃鲁国王陛下分别前来访问一事，会招致来自左右两方面的反对。第三，新峻工的伯格码头区的大歌剧厅和霍金斯街的皇家剧场，存在着职业的礼仪与职业的竞争之间的矛盾。第四，由于内莉。布弗里斯特的那种非理性、非政治、不时兴的容貌会引起观众的同情；内莉。布弗里斯特身穿非理性、非政治、不时兴的白色衬衣，当她表演时一旦将衬衣袒露出来，会撩拨观众的情欲，令人担心会使观众神魂颠倒。第五，不论是挑选适当的乐曲还是从《笑话共赏集》（共一千页，每个笑话都令人捧腹）里选一些滑稽的隐喻都是困难的。第六，这首主题歌不论谐不谐音，都与新任市长大人丹尼尔。塔仑、新任行政司法长官托马斯。派尔以及新任副检察长邓巴。普伦凯特。巴顿的姓名有联系。

Whilst no documentary evidence exists to support the theory that Caldara was a pupil of Giovanni Legrenzi during his time in Venice, it is clear that his musical training, his experience of performances in the innovative musical climate of Venice and the composition of music in three of the genres that were to dominate his compositional output ie opera, oratorio and cantata provided Caldara with a sound basis for his future musical career.

虽然没有文件证据支持的理论，卡尔达拉是在他在威尼斯的时间乔瓦尼莱格伦齐的学生，很明显，他的音乐训练，他的经验在威尼斯音乐创新的气候表演和音乐组成的三该类型的是他的成分占主导地位的输出，即歌剧，清唱剧和大合唱提供了一种对他未来的音乐生涯的良好基础卡尔达拉。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。