伤感的

Nobby cabin,as a retained pianist ,you tried to read the stories of everyone mixed on the crow and you described the woma's mickey which ever told that she eloped with her leman. You depicted the man who seemed to get into preexistence .

华丽的船舱，你作为一名"特聘钢琴师"，试图透过形形色色、斑斑驳驳的人影中读取每个人的背后故事，洞察烦心的经历，你勾勒了与情夫私奔的贵妇的雍容华贵与骄横；你刻画了一个好像深深陷入前生往事的男人的伤感。

The monotonous blows of woodcutter's axe or carpenter's mallet, the splashing of oars, the merry voices of the naked little children at play, the plaintive tune of the ryot's song, the more dominant creaking of the turning oil-mill, all these sounds of activity do not seem out of harmony with murmuring leaves and singing birds, and all combine like moving strains of some grand dream-orchestra, rendering a composition of immense though restrained pathos.

伐木工的斧头或木匠的木槌单调的撞击声，船桨击打河水的声响，裸露着身体的小孩玩耍发出的欢笑声，农夫们哼出的忧怨的曲调，转动的压油机吱吱作响的声音盖过了其它的声音，这一切所发出的声音与树叶的低语和百鸟鸣啭好像没有不协调的音律，这一切结合在一起宛若一个盛大的梦幻般的交响乐队奏出的动人的乐曲，透过淡雅的伤感传递出一首异常美妙的乐章。

There are some conflicts among his characteristic, his literary theories and his poems. For examples, he declared his famous"non-personality"opinion in his article"Tradition and the Individual Talent", while he was a typical solipsist; he loved the traditional culture and classic literature, but he did reform the language of modern poetry.

事实上艾略特本人的思想背景以及文学观点与他的创作实践之间存在多处看上去矛盾的地方，比如，艾略特本人是位典型的唯我主义者，却在理论论述中强调非个性化对诗歌审美价值的重要；他醉心历史文化及古典文学，却在自己的诗歌创作中大胆进行语言实验，突破前人的表现手法；他大半生深刻感受时代和个人悲苦的折磨，却极力贬低浪漫派的伤感滥情，时刻在诗作中保持嘲讽和幽默的姿态。

They lose themselves in the titillation of language and form; they are infatuated with fragmentary appropriations of the classics; they are infatuated with the emptiness of decline and the passion of desire. As with the Western artists Jan Saudek and Joel-Peter Witkin, 'real-world objects should give up any idea of entering my pictures,' unless they undergo restructuring—by the artist's own taste and proclivities, by an amalgam of memory and fantasy, by a tone of pensive irony, or by seemingly absurd but in fact accurate imagination, thus restructuring the individual's relation to reality. It does not hurt to call these artists' work realism, but it is a kind of 'psychological realism' which 'extracts a deeper level of genuineness from fictive objects.

他们迷恋于语言与形式的快感，迷恋于对文化经典的片断性挪用，迷恋于衰朽的虚无或色欲的激情，与简·索德克、乔·彼得·威金（Joel-Peter Witkin）那样的西方艺术家相似，"现实中的事物永远别想进入画面"，除非是经过了他们的重构——以其个人的趣味与癖好，以混合着追忆与幻想、伤感与反讽的语调，以看似荒诞其实准确的想象力，重构了个人与现实之间的关系，你也不妨将他们的作品称之为现实主义，但那是一种"心理现实主义"——"从虚构的事物之中抽取出更深层的真实。"

Their existing is out of our mind in the past. In their composition, you cannot find historical burden and depressed spirit which were found easily in fore generations rather than see unconstraint way in the aspect of existing and writing.Contemporarily, their novels also had deep sorrow which was not fit for their ages, and it could become a proof that they also would not be regarded as gangsters who only knew to seek for enjoyment, and they also wanted to look for one new life and resources of thought.

他们是我们以前不曾在意的一种存在，在他们的写作中，找不到前几代人的历史的负重与精神压抑，我们看到的，是无拘无束、自由自在的生存与书写的方式，同时，他们的小说也有与他们的年龄不太相称的伤感和沉痛，这证明他们也不愿意只做享乐的群氓，他们也想寻找新的生活和思想资源。

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Shox VC系列的结束是让人觉得伤感，这曾经是我最喜爱的系列，特别是Shox VC1以及Shox VC3都是非常非常棒的款式，之后出给Vince Carter穿的款式也都还不错，但总少了点什麼，Shox Gamer是双漂亮的球鞋，前掌zoom跟后Shox的组合也让人无从挑剔，我很喜欢这双鞋所用的篮网队的配色。

Quite apart from the author's own statement as quoted in his brother's introduction, there are the words spoken by the Stone in his argument with Vanitas in the allegorical opening of the novel's first chapter: 'Surely my "number of females", whom I spent half a lifetime studying with my own eyes and ears, are preferable to this kind of stuff?

除了作者兄弟的小序中提到的作者本人的声明以外，小说第一回寓言式的开头中还有石头与空空道人的争论：&不若我半世亲睹亲闻的这几个女子……&如果这还不足以说明的话，我们还有脂砚斋的评语，他伤感地怀念陈年旧事：&活像活现&，&有是语，有是事&，&如见如闻&，&的是阿凤&，诸如此类

His work has been praised for its mastery of prose, and for its teeming gallery of unique personalities, by writers such as George Gissing and G. K. Chesterton, though the same characteristics have prompted others, such as Henry James and Virginia Woolf, to criticize him for sentimentality and implausibility.

他的著作因散文的技巧和独特人物性格的丰富描绘受到了诸如吉辛(1857-1903)，切斯特顿(1874-1936)这样的作家的称赞，然而这些同样的特点却引起了其他诸如亨瑞·詹姆斯(1843–1916，美国作家，移居英国，离世前短暂的获得了英国国籍)，维吉尼亚·沃尔夫(1882-1941，女)这些人对他的批评，说&伤感和难以置信&。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。