传记的

Hugh Brogan rescues Tocqueville from sanctification by the right and contemptuous disregard by the left, giving us back the man, his times and his writing.

休奇·布鲁根的传记中既没有右派对托克维尔的神圣化描述，也没有左派对他的轻蔑无礼，向我们还原了真实的托克维尔、他的时代及他的著作。

This evaluation of Chateaubriand Scott:"I think he seems to have established a genre of neither fish nor fowl; he ruined the fiction and history; put pen to paper to write historical novels novelists, historians and historical fiction."

他又说："然而光是阅读伟大的历史学家的东西是不够的；许多重要的东西，许多令人高兴和愉悦的的东西，是只有随意阅读传记和回忆录才能发现的。"

By his contemporary biographer, who tells us: A hundred times a day he bent his knees, and fifty times he prostrated himself raising his body again by his fingers and toes, while he repeated at every genuflexion:'Hail Mary, full of grace, the Lord is with thee, blessed art thou amongst women and blessed is the fruit of thy womb'.

"不得少于定论，是该帐户由于圣何俊仁（四1140 ），由他的当代传记作家，他们告诉我们：" 100次，每天他执意要他跪下，并50倍他prostrated自己，提高他的身体再由他的手指和脚趾，虽然他一再在每一个genuflexion ：'冰雹玛丽，充满恩典，耶和华是祢的，是有福的你是妇女和有福了，是果你的子宫里的说法。

Writers of universal history, who have to deal with all the nations at once, appear to recognise the incorrectness of the views of historians of separate countries as to the force that produces events.

研究各国历史的通史家，似乎觉察到专题传记史家对造成历史事件的力量的观点有欠公允，他们不承认这种力量就是英雄和统治者的天赋的权力，而认为这种力量是各种各样不同倾向的力量相互作用的结果。

In Tocqueville's Discovery of America , the prizewinning biographer Leo Damrosch retraces Tocqueville's nine-month journey through the young nation in 1831–1832, illuminating how his enduring ideas were born of imaginative interchange with America and Americans, and painting a vivid picture of Jacksonian America.

在托克维尔的发现中，美，获奖传记作者利奥达姆罗希追述通过年轻的国家在1831年至1832年托克维尔的一个月之旅9，照亮他的不朽的思想是如何出生的美国和美国人的想象力与交换，以及画生动地描述了杰克逊美国。

Though Freud is hardly mentioned in the biography, it's his intellectual framework that provides the outlines of the story—explaining Kierkegaard's scruples, his broken engagement with Regine Olsen, and his constant literary output.

虽然弗洛伊德几乎不被提及在传记，这是提供故事解释的Kierkegaard 的scruples 的概述的他的智力框架，他残破的订婚与Regine 奥利森，并且他恒定的文艺产品。

From the early love of comedy,"luck with the opposite sex","about love" was going to release the biographies of "Mei","Yeask," to the star-studded "Youlongxifeng","Red Cliff"(Part 2) This year's New Year's file in just over a month's time, thebuild-up of nearly 20 different types of films shown, the intense competition in the industry even the experts are sayingthat: too little screen theater a few not enough.

从前期的爱情喜剧《桃花运》、《爱情左右》，到上映正酣的人物传记《梅兰芳》、《叶问》，再到明星云集的《游龙戏凤》、《赤壁》，今年的贺岁档，短短一个多月的时间里，集结了近二十部类型各异的影片上映，竞争之激烈连业内专家都疾呼：影院太少银幕数不够。

These biographies usually contain an exposition of Swedenborg's doctrine; a more complete presentation will be found in his own works, particularly in: The True Christian Religion; Arcana Coelestia; The Apocalypse Revealed; The Apocalypse Explained; Divine Love and Wisdom, Divine Providence; Heaven and Hell.

这些人物传记，通常含有1斯维登堡论述的学说；一个较完整的介绍会被发现在他自己的作品，尤其是在：真正的基督徒宗教；阿尔克coelestia ；启示显示；启示解释；神圣的爱和智慧，神的普罗维登斯；天堂与地狱。

In spite of the author's entire lack of sympathy with the saint's religious standpoint, his biography of Francis bespeaks vast erudition, deep research, and rare critical insight, and it has opened up a new era in the study of Franciscan resources.

尽管作者的整个缺乏同情与圣的宗教的角度来看，他的传记弗朗西斯bespeaks广大博学，深入研究，并罕见的重要见解，并开辟了一个新的时代，研究济的资源。

The "well-nigh impenetrable brushwood of thorns and briars" in the legend of St. Godric and the Hunted Stag parallels the privet hedge, which protects Harry from Voldemort when he is with the Dursleys; a protection Voldemort refers to as "ancient magic."

在《圣·格德里克与牡鹿》的传记中，&难以渗透的石楠与荆棘的灌木丛&寓意了女贞路——在与德思礼一家相处的日子里，保护了哈利免受伏地魔的伤害，这被伏地魔称作&古老的魔法&。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。