传记的

After configuration, the general visitor can wander around scene and get associated designer's biography,audiovisuals and texts through friendly multimedia interface.

当完成配置后，使用者所扮演的一般参观者可以依喜好选择参观展示物，也可以漫无目的的闲晃，并透过多媒体拨放，可进一步获得与该项展示物有关的设计师传记，以及文字介绍。

The main intellectual biography of Blanchot is by Christophe Bident: Maurice Blanchot, partenaire invisible.

布朗肖的思想传记主要有克里斯朵夫·比特的《莫里斯·布朗肖，不可见的对话者》。

The latest biograph now calls him "an outstanding statesman,worrior and man of letters."

最近的传记称他为"一位杰出的的政治家，勇士和学者。"

That, in fact, is also a kind of interpretation of the biographee Savage, and reflects the biographer Johnson's political viewpoints, religion, and attitudes toward actors and love as well.

这实际上也是对传主塞维奇的一种理解，反映了传记家约翰生的政治观和宗教信仰，以及对待演员和爱情的态度。

He told his biographer, Randy Taraborrelli, that he had "deep, dark secrets".

他对他的传记作者Randy Taraborrelli说道，他有些掩藏得很深的，很黑暗的秘密。

In this sense, biographic research seems to be a simple way for overcoming the gap between the macro- and micro-perspective. But, a crucial problem in biographic research - subsumption, is hardly to resolve.

但是传记研究有一个难以解决的关键问题－「范括」，也就是研究者以自己预设的范畴作为参照架构来解析他人的叙说。

The term "Artist's materials" denotes any materials which the contestant or the participant uploads to the Contest's website on his/her own behalf or sends to the Contest Entry Centers, including graphic and text materials, name and/or a pseudonym, images, photos, the artist's biographic data.

术语"艺术家的材料"是指任何材料的参赛者，或参与上传到大赛网站上对他/她本人或发送到比赛进入中心，包括图形和文字材料，名称和/或化名，图像，照片，艺术家的传记资料。

It has a history that antedates the individual's birth and is not accessible to his biographical recollection.

它的历史先于个体的诞生，并且无法被他的传记回忆所使用。

It has a history that antedates the individual's birth and is not access ible to his biographical recollection.

它的历史先于个体的诞生，并且无法被他的传记回忆所使用。

His was a most remarkable career, and I have thought that its history would make a valuable addition to our biographical literature

他所经历的是最不平凡的一生，我认为他的历史将给传记文学增添光彩。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。