传统的

Farther, this chapter tries to hold a dialogue between the native and the West on a new level of Sino-western mutual understanding, thus, the chapter, with the basic idea of"comparison equals dialogue", launches a discussion focusing on four features: the widely-ranged introduction from anti-alienation spirit, modern humanitarianism and individualism in Western modern art to the anti-Confucianism in Chinese cultural tradition; the seek for the essence of Western modern abstractionist art in Chinese traditional intellectual art atmosphere; the decoding of Western modern non-rationalism based on native cultural tradition; and the discussion on relations between"The Harmony Between Heaven and Man"and Western postmodernism.

于是本章基于"比较即对话"的观念，围绕四个问题展开了讨论：从西方现代艺术的反异化精神、现代人道主义、个人主义说到中国的"反儒文化"传统；在中国传统文人艺术境界中寻找西方现代抽象艺术的真谛；对西方现代非理性主义进行基于本土文化传统的解读；探讨天人合一精神与西方后现代主义的联系。

Only by uniting could Europe take a seat in international political stage before the bipolarity .

通过对欧洲外交传统的描述，一方面使我们了解到欧洲传统均势外交的模式在二战后不再适合欧洲的发展需要，欧洲在继承传统外交的同时更需要超越它；另一方面也可以与当代的共同外交政策作比较，帮助我们进一步理解共同外交政策形成的深刻原因。

From the angle of culturology, the author discusses the relationship between ecology and culture, and between ecological protection and human rationality .

本文从文化理论的角度探讨了生态与文化、生态保护与人类理性的关系；着重根据云南少数民族的传统文化资料，论述了中国少数民族传统的保护生态的各种观念、行为、习俗和措施，并分别根据传统经济生产、宗教信仰和民族风俗中反映的生态保护事例加以说明。

It is different from the traditional security measures, it is not passiveness but initiative. It is complementarity and technical improvement, too.

该技术有别于传统的安全防护措施，相对于传统的安全保护，入侵检测不再是处于被动激发，而是主动的检测，对防火墙等传统的安全保护技术既是有力的补充又是技术的进步。

Key: The scope of intangible cultural heritage covers: poems, fairy tales, epics, s tories, legends and proverbs that have been spread orally among people for a l ong time; folk performing arts like traditional music, dance, drama, quyi, acr obatics, puppet show, shadow play, etc.; folk practices like rituals, festival s, sports, competitions, production related and life related customs; folk tra ditional knowledge and practices related to nature and the universe; tradition al handcraft skills; and cultural space related to the above-mentioned express ions.

非物质文化遗产涵盖范围包括在民间长期口耳相传的诗歌、神话、史诗、故事、传说、谣谚；传统的音乐、舞蹈、戏剧、曲艺、杂技、木偶、皮影等民间表演艺术；广大民众世代传承的人生礼仪、岁时活动、节日庆典、民间体育和竞技，以及有关生产、生活的其他习俗；有关自然界和宇宙的民间传统知识和实践；传统的手工艺技能；与上述文化表现形式相关的文化场所等。

The Tibetan nationality tradition folk literature andwriter literature have whose oneself narrating tradition, the Tibetan nationality society"story" word in tradition hits construction and Smriti being accomplishing self's socialideology right, and commends the charm appearing proper let nationality narrate.

藏族传统民间文学和作家文学有其自身的叙事传统，藏族社会在传统的&故事&言说中完成着自身的社会意识形态的建构与传承，并且彰显着民族叙事特有的魅力。

The fact that these three traditions have coexisted in Britain, the US and other countries does not mean that they are three phases of the same tradition.

事实是这三项传统共存於英国，美国，及其他国家，并不代表他们是同一传统的三个面向。

Other traditional activities include costume parties, viewing horror films, visiting "haunted houses", and participating in traditional autumn activities such as hayrides.

其他传统活动包括服装，观看恐怖电影，参观&闹鬼屋&，并参与传统的秋季活动，如妈妈。

L In cultures with a rich oral tradition, children can be encouraged to wrote down stories, myths and traditions.

在有丰富口语传统的文化中，可以鼓励儿童写下故事、神话和其他传统形式。

So during monitoring the gel forming in mineral field, for Cr3+ and composite ion cross-linked gel made by produced water and Al3+ cross-linked gel made by fresh water, we advice that the index of viscosity or conventional transition pressure is used to proceed valuation.

当聚合物凝胶体系为区域性网状分子构型时，粘度或传统的转变压力是可以替代阻力系数和残余阻力系数的简单、快捷和有效的评价指标；当聚合物凝胶体系为局部性网状分子构型时，粘度或传统的转变压力指标都很难反映聚合物分子构型特征；在矿场对聚合物凝胶体系成胶效果进行监测时，对于污水配制Cr3+和复合离子交联凝胶体系和清水配制Al3+交联凝胶体系，建议采用粘度或传统转变压力指标进行评价；对于污水配制Al3+交联凝胶体系，建议采用阻力系数和残余阻力系数或本课题提出的转变压力指标进行评价。

No clear conclusions can be made about the predictie alidity of specific measures, they found, except for criteria for the underuse of drugs for cardioascular disease.

除了心血管病不合理用药标准外，对于特定评价方法的预测效度没有明确的结论。

The third and last is that almost all of them, being infinite in number, have been impostures, and by idle and crafty brains merely contrived and feigned after the event past.

第三、即最后一点是：几乎所有这些不胜枚举的预言都是欺人之谈，都是在事件过后由无聊而狡猾的脑筋推测与凭空捏造的。