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Transcription, and analyzes Wangs inheritance, reproduction and development of Chinese ethical folk music. She also makes transverse comparisons between the musical forms of piano works by composers of both China and abroad, and illustrates that Wang uses for inference but not copies the western musical forms, that he attaches importance but not stickles to the framework of traditional Chinese music, and also that he demonstrates a characteristic of not sticking to one pattern. She makes contrastive comparisons as well of the melodies and harmonies of piano works by composers of both China and abroad, and indicates that in inquiries into the folk style of counterpoint, Wang is flexible and creative in harmonies by inheriting the character of a clear melody and the method of multi-voice in Chinese traditional music and also by absorbing the character of emphasizing the layers of texture in western piano music.

拿民族民间音乐与钢琴改编曲作纵向比较,分析其对中国民族民间音乐的继承再现与发展;拿中外钢琴作品的曲式原则作横向比较,说明他借鉴但不照搬西方音乐曲式规范,重视但不拘泥于传统中国音乐结构方法,在作品的结构上,呈现出不拘一格的特点;拿中外钢琴作品在旋律、和声等方面作相异比较,指出了在探索多声部音乐的民族风格过程中,王建中一方面继承了传统音乐中旋律线条十分突出的特点,另一方面又吸收了西方钢琴音乐注重织体的网状结构的特点,有意识地运用了我国民间多声手法,在和声的运用方面表现出灵活多样而又富于创新的特点。

An Attempt was made to improve the traditional activated sludge process .

尝试一种对传统活性污泥工艺流程的改进方法,与传统活性污泥法做出比较,并对特例进行计算分析。

Traditional Method of holocellulose content detection was improved. Waler-bath heating was replaced by microwave irradiation. By the microwave-assisted method, holocellulose and its alpha-cellulose content in straw material were detected.

将传统的造纸原料的综纤维素提取方法进行改进,使用微波加热代替传统的水浴加热,并对稻草原料进行了综纤维素含量及综纤维素中α-纤维素含量测定。

The unreal elusive background of the picture provided a more abundant space for these disorder brushworks of colors, thus these flowers appeared more energetic here.

刘炜对自然物象的这种模糊混沌中凸现生命张力的方法颠覆了传统美学对客观自然的关照,也是对观众建立在传统美学基础上的审美习性的解构。

And Chinese Spring factory is not only stay in the traditional manufacture, but now all of the springs factory use the traditional cost booking.

而弹簧行业不仅在制造技术方面在传统的技术停留,国内几乎所有的成本计算采用传统的成本计算方法。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识,但关键就是分寸感的把握,不然,或者伦为真的大众趣味,或者切入过多的经英语词汇,而使语言虚弱,就我而言,我不敢重操油画,或是改造扩充,就是由于它本身太文化了,一出手就高雅了,怕弄个不伦不类而失掉语言直接性的强度,文化结构的改变,艺术的俗语是一种趋势,从艺术语言上,我是用传统刺绣方式和手法的,早在圆明园画家村时,我几乎没有画出什么东西,油画肯定觉得使用起来有问题,在当时偶然在颐和园门前,看到很多刺绣的艺术品,一下子感到找到了方法,因为刺绣这种手段属于工业文明之前的东西,它有种土色和平民的感觉,这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求,那种不伦不类的现代性,正好我的家乡唐山有一个很有名的刺绣厂,找师傅做作品可能更方便,有了这个想法之后,也得到朋友的鼓励,刺绣这一传统民间资源的再利用,在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然,它不单单是语言风格样式上的意义,它体现的是深层的社会文化结构改变的宣示。

The result is that we did find the similarities of the two medicines in philosophical assumptions, diagnostic methods, herbals, prescriptions and disciplines of treatment.

为探讨传统医学的学术本质,揭示传统医学认识方法的某些规律,对蒙医学和中医学的思想、理论和技术作系统的比较研究。

Zhu Ziqing抯 essays reflect the age and life. Although his essays are influenced by foreign jottings, they carry on Chinese traditional culture and ideas, employ the national artistic method and thus create the unique essays which are 搑ich but not strong, clear but not tasteless?

朱自清散文反映了时代与人生,尽管受着外国随笔的影响,但是继承的是中国传统文化,传统思想,使用的是民族艺术方法,从而创造出&浓而不烈、清而不淡&的个性散文。

With our country increasing the investment in expressway, expressway newly builded, reconstructed, mileages that extended has increased day by day, the maintenance management task of the administrative department of the expressway increases correspondingly too. The effeciency of traditional method inputing data with pen at paper and some other traditional management being very low and searching inconveniencly has already been far from meeting departments everyday control of the expressway needs.

随着国家对高速公路投资的加大,高速公路新建、改建、扩建的里程日益增多,高速公路管理部门的养护管理任务也相应增加,传统的用笔录入数据于纸上的方法以及其他一些传统的管理手段效率低,检索、查询不便,已经远远不能满足高速公路部门日常管理的需要。

Alongside with these developments,philosophical currents such as humanism,phenomenology,neo-Kantianism,lifephilosophy,existentialism,and so on,have revealed and criticized the weltanschauungand methodology of scientism They tried to explicate the unique attributes characteristicof humanistic world contrasting to the natural world,and establish research methodscongenial to them,thus accomplished the philosophical idea of humanistic methodologyin psychology.

新物理学、生态学、习性学、系统论等科学的发展,从根本上改变了传统自然科学所确立的世界图景,动摇了传统科学主义方法论的基本原则,从而完成了人本心理学方法论的科学奠基;人道主义、现象学、新康德主义、生命哲学、存在主义等哲学流派在揭露和批判科学主义世界观和方法论的同时,试图阐明人文世界之不同于自然世界的特点,确立与人文世界的特性相适应的研究方法,由此完成了人本心理学方法论的哲学准备。

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

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