传统主题

Aninternal debate was under way between "liberal internationalists" and"assertive nationalists" on whether Beijing should jettison itsdistrust of traditionally western-dominated global bodies.

一场&自由国际主义者&和&专制民族主义者&之间的辩论正在进行，主题是北京当局是否应该放弃它对传统的，由西方国家主导的全球框架的疑虑。

All nonpartisan surveys on the subject have found that Christians (Protestants, Catholics, Mormons, and others) and Jews, as well as members of many other religious traditions, are far more likely than secularists to say they're happy.

所有关于这一主题的无党派调查发现基督教徒(新教徒、天主教徒、摩门教和其他教会)与犹太教信徒，以及其他宗教传统的成员比现实主义者更有可能表示他们是幸福的。

In addition to adopting four traditional forms and thematic development technique, Stravinsky replaced the orchestra part with the second piano and still kept the concertante textural treatment of a traditional concerto format.

双独奏钢琴协奏曲》所包含的创作手法除了采用四种传统曲式及主题发展技巧，并改变一般协奏曲中以管弦乐团与独奏乐器协奏的编制手法，而前所未有的使用两架独奏钢琴编制呈现协奏曲之竞奏型态。

The much-needed revolution came at the beginning of the twentieth century, with the partnership of Michel Fokine and Serge Diaghilev.

20世纪初，在米切尔·福基内，谢尔盖·季阿基廖夫的合作下，出现了十分必要的改革，他们摆脱了传统的芭蕾舞设计，使舞蹈本身叙述剧情，并使其风格和服饰与主题相协调。

The much-needed revolution came at the beginning of the twentieth century, with the partnership of Michel Fokine and Serge Diaghilev. They freed classical choreography to make the dance itself tell the story and to suit the style of dance and dress to the subject.

20世纪初，在米切尔·福基内，谢尔盖·季阿基廖夫的合作下，出现了十分必要的改革，他们摆脱了传统的芭蕾舞设计，使舞蹈本身叙述剧情，并使其风格和服饰与主题相协调。

However, there are certain limitations in the current critical condition of this writer. The New Criticism treats McCullers'loneliness the same as the loneliness long existing in human history, and with no distinctions from the traditional loneliness; the concept of theme is regarded as the elaboration of textual irony and paradox, with no stress on the social and moral meanings embodied in the novels.

然而不足之处在于新批评把麦卡勒斯作品表现的孤独看作是人类历史中一直存在的孤独，对传统的现代孤独的差异没有加以区别；主题的概念被理解为对文本衍生的反讽和悖论的陈述，忽略了其社会意义、伦理道德层面的意义。

Beginning with the legacy of such female playwrights from the South as Carson McCullers and continuing through the works of Southern contemporary female playwrights Naomi Wallace, Marsha Norman, and Rebecca Gilman, incest as a Southern theme has become a dramatic convention.

从Carson McCullers开始，到当代南方女性剧作家，Naomi Wallace、Marsha Norman与Rebecca Gilman，此股来自南方的女性剧作家的遗产，乱伦作为一种南方主题已成为一个戏剧传统。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失