传统主题

Selects in the material on inorder to for person by mystical graceful graceful feminine daydream,both must leave the dust refinedly, and does not lose the nationalclothing characteristic, therefore must select with it feeling closelining, the pure silk, the tissue, the flower bud silk unionutilization, suddenly reveals its mystically, is graceful; Is and theblack gray and so on other colors embellishes using the clothing wholepurple, achieved the harmonious feeling, echoes with the subject;Again take has the national style design, lace element and so onsplicing as the design spot, joins the modern clothing synthesis tocut out the idea, during attenion popular element, needs to derivethis nationality traditional culture and the national specialcharacteristic penetrates from the national clothing color and themodelling into during the fashion female attire design, manifestsAmerica of the fashion which the national culture and the modern tidalcurrent unifies.

在材料的选用上为了给人以神秘曼妙优雅的女性遐想，既要出尘脱俗，又不失民族服装特色，因此要选用与之感觉相接近的面料，真丝、薄纱、蕾丝的结合运用，来突显其神秘、优雅；运用服装整体的紫色系与黑色灰色等其他色点缀，来达到和谐的感觉，与主题相呼应；再以有民族风格的图案、花边的拼接等元素为设计点，加入现代服装合体的裁剪理念，在注重流行元素的同时，更需要汲取本民族传统文化和民族特质从民族服装色彩及造型深入到时尚女装的设计之中，体现民族文化与现代潮流相结合的时尚之美。

Aspect, fixes setting between nations , the world subject is the peculiar change period to "peace and development " from "war and revolution "; The capitalism dilation and promptness of socialism camp develop coexistence; Domestic, Mao Zedong critical point in semicolonial and semifeudal society nation crisis and society crisis, be confronted with revolution the mission, has experienced the secondary Chinese tradition society change to modern society with arduousness building.

背景方面，国际上，世界主题是从&战争与革命&向&和平与发展&转变的特殊时期；资本主义的扩张与社会主义阵营的迅速发展并存；国内，毛泽东处在半殖民地半封建社会民族危机与社会危机的紧要关头，面临着革命与建设的艰巨任务，经历了中国从传统社会向现代社会的转变。

Aspect, fixes setting between nations , the world subject is the peculiar change period to "peace and development " from "war and revolution "; The capitalism dilation and promptness of socialism camp develop coexistence; Domestic, Mao Zedong critical point in semicolonial and semifeudal society nati...

背景方面，国际上，世界主题是从&战争与革命&向&和平与发展&转变的特殊时期；资本主义的扩张与社会主义阵营的迅速发展并存；国内，毛泽东处在半殖民地半封建社会民族危机与社会危机的紧要关头，面临着革命与建设的艰巨任务，经历了中国从传统社会向现代社会的转变。

The theme of the renovation of the historical urban area in Kyoto is how to adjust the preservation of the traditional space structure and townscape to the needs of modernization of the life style and economic activities as the city center.

京都中的历史的城市的区域的革新的主题如何调整的保存和现代化的需要的townscape传统的空间结构作为城市中心在生活风格和经济的活动中。

The traditionalistic type of composer begins with a pattern rather than with a theme.

传统主义型作曲家始于某种格调而非某种主题。

Accenting your Traditional decorating theme with upholstered furniture and plain accessories can help pull your room together .

你的传统装饰主题与家具和平原配件，可帮助拉你的房间在一起。

The work's theme, the Golden Age , also a traditional one, evoking the dawn of humanity in a realm of ideal harmony with nature, is inspired, like Luxe, calme et volupté, by Baudelaire 's L'Invitation au voyage *.

这项工作的主题，黄金时期，也是一个传统，唤起了与自然和谐的理想境界人类的曙光，灵感一来，像豪华，卡尔梅等特Volupte，由波德莱尔氏欧莱雅邀请金航程*。

As the main deputy of modern western philosophy, Marx"s philosophy realize a turning that making "the freedoms of people liberate as the value themes of philosophy, by animadverting and changing the tradition thinking mode.

马克思哲学作为现代西方哲学理论的主要代表，通过对传统哲学思维方式的批判和变革，真正实现了以&人的自由解放&作为哲学价值主题的哲学转向。

"No-Name Woman" is one of the more frequently anthologized sections of The Woman Warrior because it encapsulates so many of the rest of the text's themes: the ambiguity and complexity of "talk-story," the place of women in traditional Chinese society, and the difficulty of growing up as a Chinese- American.

&无名女人&是一个更加频繁anthologized章节的女战士，因为它包含有许多其他文本的主题：模棱两可和复杂性&通话故事&的地方妇女在传统中国社会，以及难以成长作为一个华裔美国人。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔，是启蒙神话破裂之后的幻灭叙事，写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态；模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础，欲望化叙事和表象化叙事闪现着一种遗忘意志，作家相对主义式的犹豫表达模糊了必要的价值分野；小说的新闻化倾向作为一种文体现象，是对快速推进的信息时代和全球性的非虚构化潮流的文化回应，但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑；自我重复是反修辞和反诗学的命题，是指相同的叙事成分在同一作家的不同作品中的机械重复，自我重复有细节重复、情节与结构重复、扩写与改写等表现形式，媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源；反讽与讽刺相比，是一种相对温和却又更具普遍性的文化反抗形式，但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无，虚伪的反抗成为一种遮蔽现实的屏障；九十年代小说的叙事视角从传统的全知视角转向限知视角，具体表现为旁观视角和窥视视角，这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径，但由于它们被过分地利用于渲染感官刺激和心理刺激，与大众趣味不谋而合。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失