传统主义

James'philosophy has experienced temperament, but he thought the way of thinking of the traditional empiricism (such as associationism and atomism) is rationalist. It has lots of obstacles when it expresses the developing, changing, true experienced state for its character such as mechanical, discontinuous, simple, uncertain and so on.

詹姆士的哲学具有经验主义的气质，但他认为，传统经验主义（这里主要指联想主义和原子主义）的分析方法是理性主义的，它赋予思想以机械性、不连续性、简单性、确定性等特点，这些特点所带来的麻烦是表达不断发展、变化的、真实的经验状态的障碍。3。

The technology creates something new , system creates something new to the policy and create something new treble The Chinese nation whether or not realizes the , of revival and be decided by we Be on one's own and create something new the real main body is enterprise.

要坚持马克思主义基本原理，又要谱写新的理论篇章，要发扬革命传统，又要创造新鲜经验。善于在解放思想中统一思想，用发展着的马克思主义指导新的实践。

In constructivist theory, under the guidance of the network to overcome the traditional teaching essay writing teaching many lack the advantages of network technology to solve the traditional composition of a series of their own can not solve problems, compared with the traditional composition, showing a very significant advantage.

在建构主义理论指导下，网络作文教学克服了传统作文教学的多方面不足，网络技术优势解决了传统作文自身无法解决的一系列难题，与传统作文相比，显示出了十分显著的优势。

Secondly, there are a lot of distillates and dregs in Chinese traditional culture. We should insist the essential standard which judge distillate or dreg of Chinese traditional culture is that the thought whether adapts the development of productivity and forces the progress of the society. We should adopt the attitude of animadverting on and inheriting to Chinese traditional culture.

第二，中国传统文化既有精华，又有糟粕，在马克思主义中国化的过程中，要以适应生产力发展和推动社会进步作为评判传统文化精华与糟粕的根本标准，对中国传统文化采取批判继承的态度。

His paintings were widely nurtured by classical art, impressionism and fauvism. Additionally his study and research on traditional Chinese art and folk art also laid an influence to his paintings. In 1930, Lin devoted himself to the exploration in reforming traditional Chinese painting. He applied tools and materials found in Chinese traditional painting in the representation of contemporary Western format.

其绘画广泛吸收古典艺术、印象主义、野兽主义艺术的营养，并加以消化，同时又研究中国传统美术和民间艺术。1930年代后开始致力于改革传统绘画的探索，用中国传统的绘画工具、材料参以西方现代绘画的某些表现手法。

Through the static analysis, we think that traditional power is a protogenetic power; Tibetan Buddhism is a peculiar religion form that Indian Buddhism blended into the indigenous culture of Tibetan, it has doctrine, sandhana, ceremony and so on, and forms the religion power of worshipping living Buddha as base. The state power forms in the patriarchal clan system society, but it is thought political coercive power, even violence in the XunHua Tibetan area.

通过静态的分析，我们认为传统部落权力依靠循化藏区内对传统部落制度的文化价值认同的惯性得以维持和延续，是一种原生的权力形态；藏传佛教是印度佛教融入到藏族本土文化之中形成的一种独特的宗教形态，具有教义、修行到仪轨等一整套神秘主义的色彩和强化宗教认同的神圣化的意识形态，由此形成了以活佛崇拜为基础的宗教权力；王朝国家权力形成于以汉族为主体的宗法社会之中，它的强制力的一面依靠传统的宗法制度而被塑造成具有神权色彩的政治权威，然而在循化藏区由于文化认同的关系，王朝国家的政治权威被还原为政治强制力乃至于暴力。

On the other, it is a country with a strong traditional familial culture, mixing the Jewish majority's traditions and religious values with those of traditional Muslim, Christian and Druze minorities,s7 Israel's mixed values are reflected in its legal regime, which combines Western liberal constitutionalism with Jewish traditional religious laws and values

在另一个方面，它是有强烈的传统家庭的文化观念的一个国家，还混合着犹太人的多数传统和宗教性的价值和传统回教徒、基督徒和德鲁士，以色列合法政权中的混合价值被反映在一起结合西方自由主义的立宪主义和犹太人的传统宗教性的法律和价值中。

The understanding of Roman classical republicanism is the key way to master American constitutional republicanism.The Neo-Roman theory and American constitutional republicanism are both crucially connected with Roman classical republicanism.As an analysis tool,the Neo-Roman theory is helpful to understand the content of American constitutional republicanism-its origin and its connotation.

新罗马理论认为存在于遥远罗马共和国的古典共和主义和存在于现代美国宪法中的共和主义具有明显的&家族相似性&，而共和主义传统之所以能够跨越不同的时期保持统一，部分的原因在于它们遵循着相同的经典文本，部分的原因在于它们对罗马共和的理想和教训有着共同的热情。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Except that every period had individual expressions in its corresponding social subjects,reforms in contemporary sculpture were around how language acquires self-formation in line with Chinese contemporary spirits.

除了在每一个时期具有对应的社会主题的个人表达之外，当代雕塑的变革一直是围绕著语言如何获得与中国现代精神一体性的自我形式，当代全球主义的后殖民文化的语言策略的背景下：另一个重要实践则是如何转换中国传统语言和文化象征的现代特征，由于中国传统雕塑的民间性，这一实践实际上是以一个更大的文化符号和象征传统作为改造背景。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失