传统

According to making research on its deconstructing subject in the traditional philosophy, We can get a more profound understanding about the relationship between his philosophy and the traditional philosophy Wittgensteinian deconstructing mainly embodies the following points; firstly ,he unloaded magic halation of "self",according to researching 'self'; secondly , he removed the duality of subject .thirdly, he discarded introspection belonging to the subject.

后期维特根斯坦的哲学是以彻底反传统著称的，通过对后期维特根斯坦哲学对传统哲学中的"主体"的消解，我们能更深刻地理解他的哲学与传统哲学之间的关系。维特根斯坦的消解主要体现在三个方面：（1）通过对"我"的考察，卸掉了"我"身上的神秘光环；（2）解除了主体身份的二重性；（3）抛弃了主体的反思功能。

This article is based on the research of Mr. Li Yinghai"s monograph the modes of Music of the Han nationality and their harmony, his music composition and a series of his vocal music works, piano works. From the structure of the chord, the harmonic progression, the modes and tonality, texture composition style, the style of dealing with the skill and technique of national music sound simulation, etc. the author expounds Mr. Li Yinghai"s great achievement and his precious experience on academic research and application on national mode harmony in detail.1. Music composition should regard nationalitys traditional music as foundation, and at the same time use European traditional skill and technique of music composition for reference, seek the harmony of traditional skill and technique, modern idea and national style. Only in this way could we promote research of the national music theory and creation of the national music.2. Theory stems from practice, guides practice again at the same time. And theory is developing, perfecting constantly in practice.

文章以黎英海先生的理论专著《汉族调式及其和声》以及他创作、改编的一系列声乐作品、钢琴作品为研究对象，从和弦结构、和声进行、调式调性、织体写法、间音处理手法、民族音乐音色模拟技法等方面详细论述了黎英海先生在民族调式和声理论的研究与应用上取得的丰硕成果与宝贵经验及其给我们的两点启示：1、音乐创作应以民族传统音乐为根基，以欧洲传统作曲技法为借鉴，努力探求音乐创作中传统技法、现代理念与民族风格的和谐统一，以此推动民族音乐理论的研究与民族音乐的创作。2、理论来源于实践，同时又指导实践，并在实践中不断发展、完善。

Yet if our tradition has been really dead and buried deeply in sand, what is left with us is just to have a good cry before its grave, and take others' tradition as ours, and others' preferences as our standard.

如果传统真的已经被深埋黄土，我们只能在坟前放声一哭，然后拿别人的传统当传统，别人的标准为喜好。

These include Hegelianism, neo-Thomism, Marxism, as well as the contemporary continental philosophical tradition, ranging from Habermas (with close affinities to the analytic tradition) to Foucault and Derrida.

这又包括了黑格尔主义、新托马斯主义、马克思主义与当代大陆哲学传统，其中当代大陆哲学传统从Habermas（与分析哲学传统相当接近）到Foucault和Derrida（这二者之间微妙的联系委实很多）。

Hereinto, the study of Multi-Agent simulation of economies based on the complex adaptive system theory is an important research branch of the complexity of economy.

首先，由于现实经济中涉及的因素众多，相互关系复杂，给数学方法的运用带来了一定困难；其次，传统方法没有很好地解决经济系统的层次性结构问题，因此，无法对不同层次的特性差异给予一个整体性的解释，也就产生了宏观、微观相互脱节的理论体系上的缺陷；再次，传统经济理论对现实经济普遍存在的信息不完备与不确定性尚不能给予系统的解释；最后，传统经济中以观测数据为基础的经验主义的研究方法，无法深入了解经济的微观运行过程，从而降低了理论对现实的解释与预测能力。

It was called "Grave Chicken" in Kinmen for it nested in traditional grave; however, due to the decreasing amount of traditional graves and the increasing amount of traditional residences abandoned, Hoopoe now situates nest in traditional residence and farm mostly. It should be called "Traditional-Residence Bird" in replace.

戴胜常在传统墓穴筑巢，不过这种传统墓穴目前在金门已经非常少见取而代之的是越来越多荒废的传统古厝，现在的戴胜其中有八成以上是筑在古厝和农舍，也许金门的戴胜应该改名叫「古厝鸟」才是。

This article takes the Marxism Humanics and Western Stimulation theory as its foundation stone .It also takes the Marxism Humanics as its guide thought and philosophical foundation which constitute the Stimulation Management Mode . Through reflecting on the traditional Stimulation Mode and studying the logical foundation of stimulation of teachers in elementary and middle schools ,we deeply reflect on the Tradition Stimulation Mode and its thought and attribute the problem of stimulation strategy to the loss of the humanity and the pinch of the value pursuit .From the reality of Chinese culture and modern school culture .we use the essential thought in the Western Stimulation Theory for reference and set a definition on Stimulation from the philosophical view ,that is ,the subject takes the corresponding stimulation mode according to the understanding of the stimulated object needs ,acts on the motivation ,purpose and action of the stimulated and consequently satisfy the purpose of the subject .

本文以马克思人学理论和西方激励理论为理论基石，以马克思人学思想作为建构激励管理模式的指导思想和哲学基础，通过对传统激励模式的反思，通过对中小学教师激励的逻辑基础的研究和外在因素的研究，对传统教师激励模式及思想做深刻反思，将传统中小学教师激励策略问题归结为人文性的缺失和价值追求的匮乏，并从中国文化、现代学校文化实际出发，借鉴西方激励理论中的精华思想，从哲学的视角定义了激励的内涵是行为主体根据对激励对象需要的理解而采取的相应的刺激方式，作用于被激励对象的动机、目的、行为，从而满足行为主体的目的。

In order to succeed traditional architectural culture, only standing on the viewpoint of philosophy to consider inherence connect...

对传统建筑文化的继承，只有站在哲学的高度思考现代建筑与传统文化的内在关联，才能在深层次上把握与创新传统。

The administration of justice in traditional China has been criticized for disregarding established rules and precedents and thus likened to "Khadi justice."

近来祖国大陆的法学界流行着两种对于中国传统的批评：其一指责中国传统司法者不遵循法律和先例，仅仅就事论事，凭天理人情作成判决；其二声称中国传统文化里几乎没有法学可言。

"Monkey Boys" remade the Monkey King Ming dynasty in Beijing 2006, they rebuild Monkey King which in subversion institutional feudalism dynasty into the background of globalization and electronic Monkey King post technology. No matter what games of their art is unthinkable, but the subject of Havocing in the welkin is also clear at a glance,"Monkey Boys" only increase a great many of entertainment and readability for new Monkey King that set up with the contemporary social background of consume, this generation can be seen as independent art students in a sign of China's rise, this generation of artists even see the network integration of this information, more use information itself, they let you feel the zooty and unclean art, also outpouring disdain with tradition art, or just make the tradition art become a back ground of art creative with themselves, only child artist is the first generation artist of the gibberish. This"control+n"group exhibition of artists forced to make fun of the lies about a monkey hero of the ancient Chinese legends and modern society link, trying to create a contemporary, and even is the pop cultural hero of network game.

公猿男孩'在2006年的北京重新制造了明版的孙悟空，他们将颠覆封建王朝制度的孙悟空改造成一个在全球化背景下的、在后科技背景下的电子版的孙悟空，不管他们的艺术游戏怎样的不可思议，但传统大闹天宫的主题还是一目了然，只不过'公猿男孩'他们增加了新孙悟空很多建立在当代社会消费背景下的娱乐性和可读性，这也可以被看作是独生一代艺术在中国崛起的一个标志，这一代艺术家更加看中网络上的这种信息整合，也更加利用资讯本身，他们就想让大家感觉到艺术的花里胡哨、艺术的模棱两可，甚至也流露出对传统艺术的不屑一顾，或者只是将传统艺术变为他们自己艺术创作的一个背景，独生一代艺术家首先是无厘头的一代艺术家，此次'control+n'群展的好玩之处还在于使艺术家强行的将一个中国古代的传说中的猴子英雄和现代社会链接，力图打造一个当代版的、甚至是网络游戏版的流行文化英雄。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失