伊迪丝

I gotta talk to you , edith .- bruce , stay here

我有话跟你说，伊迪丝-布鲁斯，待在这

And edith , for the first time in six years, was hurrying home from work

伊迪丝下班之后，马上赶回家来，这是6年以来的第一次

This idea is central to much of Edith Wharton's best writing.

这一思想是伊迪丝。

Edith: Except for those people down there, we might be the only living creatures in the whole world.

伊迪丝：除了下面的那些人，我们或许是这世界惟一活着的生物了。

Edith Wharton is a very significant author of America at the turn of the 20~ century.

伊迪丝·华顿是美国十九世纪末二十世纪初的一位非常重要的作家。

He grew up in the world of Edith Wharton.

他在伊迪丝·华顿[注1]所描绘的世界里长大成人。

It was finally a remark of Edith's that brought him to his feet in a rush of anger.

最后是伊迪丝的一句话，使他气得一下子站了起来。

Then Edith knew that her last gift to Karl could be peace of mind.

伊迪丝知道，她可以送卡尔一件最后的礼物，就是给他安心。

Edith gifts, sincerely welcome new and old customers patronage!

伊迪丝礼品，真诚欢迎新老客户惠顾！

Noting his distress, Edith asks Julian to tell her the reason for it.

注意到他的窘迫，伊迪丝问朱利安告诉她的原因。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。