伊迪

Such was his influence that the Ottoman authorities decided to move him from Baghdad to Istanbul and from there to Edirne.

这些是他的影响，奥斯曼当局决定将他从巴格达到伊斯坦布尔，从那里埃迪尔内。

Ian Mortimer, who has galloped with panache through the English monarchs from Edward II onwards, promises a different Henry: a king set "on the path to his own self-destruction and the negation of his humanity".

匆匆略过爱德华二世以来的英国国王，伊恩·莫迪默写出了一个与众不同的亨利：走在自我毁灭和人性泯灭道路上的国王。

Among them Musee de LaMonnaie in Paris ; Antiguo Colegio de San Ildefonso in Mexico City; Palazzo Reale in Milan, Italy; The Helmut Newton Foundation in Berlin: and at the Barbican Museum in London, to this day the most attended show in the museum's history.

他的作品曾在铸币博物馆、圣伊德梵索学院、卡波迪蒙特王宫、牛顿基金会展出，其中，在伦敦巴比肯美术馆的展览直至今天仍是该馆历史上参观人数最多的展览。

Once the last Muslim rulers were driven out and Spain was united under Ferdinand II and Isabella I, all professing Jews had to choose between baptism and expulsion.

一旦最后的穆斯林统治者被赶出和西班牙是根据美国的费迪南二和伊莎贝拉，我都自称犹太人之间作出选择的洗礼，并驱逐出境。

In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gyies, and Moors were expelled from ain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

In 1492, under the rule of King Ferdinand II Queen Isabella I, Jews, Gypsies, Moors were expelled from Spain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gypsies, and Moors were expelled from Spain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gy ies, and Moors were expelled from ain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

3 E d u 教育网 In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gypsies, and Moors were expelled from Spain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gypsies, and Moors were expelled from Spain.

在国王费迪南二世和女王伊莎贝拉一世统治时期，犹太人、吉卜赛人以及摩尔人在1492年被西班牙驱逐。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。