伊莱

Cars form the symbolic heart of novels looking back at the 1970s - such as Jonathan Coe's The Rotters' Club, set around British Leyland's struggling Longbridge plant, and Louis de Bernières's A Partisan's Daughter, which follows a salesman driving through the winter of discontent in a "shit-brown Allegro".

在回顾20世纪70年代的小说中汽车成为了象征性的核心意象——例如乔纳森·科伊的《无赖俱乐部》，故事发生在英国利兰的一家垂死挣扎的长桥工厂，还有路易·德·伯尼埃尔的《一个党派人士的女儿》，故事中一个售货员在冬季很不满地开着一辆&令人作恶的棕色阿莱格罗&。

This time out, Michael enlisted the production skills of Teddy Riley, who's "New Jack Swing" sound had already been extremely successful for acts like Bobby Brown and Guy.

这一次了，迈克尔招募叶德利莱利，谁的&新杰克摇摆&的声音的生产技能已经非常像鲍比布朗和盖伊的行为成功。

Sometimes he thought of Judge Miller's big house in the sun-kissed Santa Clara Valley, and of the cement swimming tank, and Ysabel, the Mexican hairless, and Toots, the Japanese pug; but oftener he remembered the man in the red sweater, the death of Curly, the great fight with Spitz and the good things he had eaten or would like to eat.

有时他回忆起沐浴在阳光里的圣克莱拉山谷的米勒法官那所大宅院，想起水泥做的游泳池，想起墨西哥种的秃子伊莎贝尔和日本种的图茨。不过他更经常想到的是那个穿红汗衫的人，克丽的死，跟斯帕斯搏斗，还有吃过的和想吃的好东西。

Supported by Freud"s psychological analyses and archetypal criticism of Frye and C. C. Jung, the main body of the thesis firstly analyzes the deep reason for the phantom battle. Charles"s jealousy for James and the phantom pursuit of Hartley take their initial in his transferred "Oedipus complex" towards his aunt. Secondly it presents the artistic means Murdoch employs in the novel, dealing with the language confrontation, and such archetypal images as sea serpent and seals. Lastly, the study reveals how Charles fulfills his spiritual maturity through "down-up experience","the last baptism" and "meditations on stars".

论文主体以弗洛伊德的精神分析理论，弗莱和荣格的原型批评为支点从三个方面着手，首先分析导致查尔斯虚幻之争的深层缘由，阐述查尔斯对詹姆斯的嫉妒和对哈特莉梦的追寻源自对婶婶的&俄狄浦斯&情结；进而重点分析默多克呈现兄弟虚幻之争所运用的艺术手段，其中包括言语对抗，&海怪&，&海豹&等原型意象分析；最终揭示查尔斯如何通过&坠落经历&，&最后的洗礼&，&对星星的冥想&等完成自身的精神成长。

The Hewitts have a grass court at their home. This was where young Lleyton began his tennis career.

休伊特家里有一个草地网球场，小莱顿正是在那儿开始他的网球生涯的。

The Hewitt s have a grass court at their home. This was where young Lleyton began his tennis career.

休伊特家里有一个草地网球场，小莱顿正是在那儿开始他的网球生涯的。

The Hewitt s have a grass court at their home.

休伊特家里有一个草地网球场，小莱顿正是在那儿开始他的网球生涯的。

The Hewitt s hxdye a grass court at their home. This was where young Lleyton began his tennis career.

休伊特家里有一个草地网球场，小莱顿正是在那儿开始他的网球生涯的。

First of all, sharp-shooting Louie Dampier and the high-scoring Pat Riley.

他们是投篮神准的洛伊丹皮尔和得分手派特莱利

Playboy magazine is launching in the Philippines next month and will be targeting mature men who like well-written articles and tasteful photographs of semi-nude women.

菲版《花花公子》的编辑贝汀·莱伊格·多洛于本周四接受记者采访时说：&《Maxim》和《男人帮》被称为'男孩'杂志，而《花花公子》则是一本'爸爸'杂志，面向的是30岁以上的成熟男性。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。