伊莱

Bond first appeared to the world through the smoky fug of a roulette table in Ian Fleming24's 1953 novel, Casino Royale.

邦德首次露面是在伊恩·弗莱明1953年的小说《皇家赌场》里，在轮盘赌桌的烟雾中，邦德登上了世界舞台。

Elect modern closet is one of international garderobe brands , which is specialized at researching and developing , manufacturing , selling her product .

"伊特莱现代衣柜是一家具备专业研发、生产、销售衣柜为主的国际性衣柜品牌，是国际"衣柜革命的倡导者，现代衣柜的领潮人。

ZOE: Hamlet, I am thy father's gimlet!

1076佐伊：哈姆莱特，我是你父亲的手锥！

Miss Ley looked sharply at Miss Glover, but saw no trace of irony.

莱伊小姐用锐利的眼光瞅了格洛弗小姐一眼，但没发现嘲讽的迹象。

Eden recuperated from the crisis in Ian Fleming's house, Goldeneye, in Jamaica.

在牙买加伊恩？弗莱明在其住所写作的《黄金眼》里，艾登从这次危机里恢复了。

Bertha made the remark, smiling good-naturedly at her husband, but Miss Ley drew conclusions

伯莎温存地对丈夫说着这些话，莱伊小姐却在心里作着结论。

By that I mean Agatha Christie, PG Wodehouse, Ian Fleming best known for his James Bond stories, Grahame Greene.

我说的是阿加莎克里斯汀， PG 沃德豪思，以詹姆士邦德的故事而著称的伊恩弗睐明，，还有格莱翰格林。

The mutineers were bolder than we fancied, or they put more trust in Israel's gunnery.

反叛分子比我们想像的更为大胆，或者是他们过于信任伊斯莱尔的炮术。

There were the two watchmen, sure enough: red-cap on his back, as stiff as a handspike, with his arms stretched out like those of a crucifix, and his teeth showing through his open lips; Israel Hands propped against the bulwarks, his chin on his chest, his hands lying open before him on the deck, his face as white, under its tan, as a tallow candle.

伊斯莱尔靠舷墙坐着，两腿笔直地伸着，下巴耷拉在胸前，双手张开平放在他面前的甲板上，棕黑色的脸已苍白如蜡。刹那间，大船如一匹劣马腾空跃起。帆张满了风，一会向这边，一会又向那边。

There were the two watchmen, sure enough: red-cap on his back, as stiff as a handspike, with his arms stretched out like those of a crucifix, his teeth showing through his open lips; Israel Hands propped against the bulwarks, his chin on his chest, his hands lying open before him on the deck, his face as white, under its tan, as a tallow candle.

伊斯莱尔靠舷墙坐着，两腿笔直地伸着，下巴耷拉在胸前，双手张开平放在他面前的甲板上，棕黑色的脸已苍白如蜡。刹那间，大船如一匹劣马腾空跃起。帆张满了风，一会向这边，一会又向那边。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。