伊格莱西亚斯

Working with Music For Relief, Linkin Park, Lupe Fiasco/Kenna (collaboration produced by Mike Shinoda), Alanis Morissette, The All-American Rejects, Dave Matthews Band, Enrique Iglesias, Hoobastank, Kenna (track co-produced by Linkin Park's Mike Shinoda and The Neptunes' Chad Hugo), Peter Gabriel and Slash have all graciously donated never-before-released music to help raise funds and promote awareness of the recovery efforts.

与音乐有关救济工作，林肯公园，卢佩惨败/肯纳，艾拉妮丝莫莉塞特，在全美国的拒绝，戴夫马修斯乐队，恩里克伊格莱西亚斯，胡巴斯坦克，肯纳（追踪共同林肯公园的麦可生产并在海王星'乍得雨果），彼得盖布瑞尔和湿地，都慷慨捐赠以前从未发行的音乐，以帮助筹集资金，促进恢复工作的认识。

He was certainly a demon practicer, but the same quote has been attributed to world-class musicians like Ignace Paderewski and Luciano Pavarotti.

他肯定是玩儿命的练习者。然而像伊格纳茨-巴岱莱夫斯基，帕瓦罗蒂-卢西亚诺这样世界级的音乐大师也说过同样的话。

I find new friends,new listeners ,subtilize my liesHelen Yglesias

我找到新朋友，新听众。我将自己的谎言变得精巧海伦·伊格莱西亚斯

Gregg has performed and recorded with an amazing variety of artists including Santana, Ringo Starr, James Taylor, David Lee Roth, Toto, Joe Satriani, Don Henley, Hans Zimmer, Keiku Matsui, Gino Vannelli, Tania Maria, Brian Wilson, Frank Gambale, Carole King, Robin Zander, Yarborough and Peoples, Andy Summers, Linda Rondstat, Steve Lukather, The Mustard Seeds, David Garfield, Enrique Iglesias, Larry Carlton, Pat Boone's Heavy Metal Big Band, Tribute to Jeff Porcaro, Celine Dion, Steve Vai, and many others.

格雷格的表现和记录的一个了不起的各种各样的艺术家，包括桑塔纳， ringo斯塔尔，詹姆斯泰勒，大卫李罗斯，东陶，乔satriani ，唐亨利，汉斯兹蒙， keiku松井，吉诺vannelli ， tania玛丽亚，布赖恩威尔森，坦诚gambale ，卡罗尔国王，罗宾桑德尔， yarborough和人民，安迪萨默斯，琳达rondstat ，史蒂夫lukather ，芥菜种子，大卫加菲尔德，恩里克伊格莱西亚斯，拉里卡尔顿，八布恩的重金属大乐队，赞扬杰夫porcaro ，席琳狄翁，史蒂夫奥钢联，和许多其他问题。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。