伊斯的利亚

Virgil is known for his epic, the AENEID (written about 29 BCE, unfinished), which had taken as its literary model Homer''s epic poems Iliad and Odyssey.

维吉尔是他的史诗，在埃涅阿斯纪（约29公元前书面，未完成），已采取作为其文学模型荷马史诗诗伊利亚特和奥德赛。

Alexander himself routed the forces of the Illyrian chieftain Clitus in 335 BC, and Illyrian tribal leaders and soldiers accompanied Alexander on his conquest of Persia.

公元前335年，亚历山大掌握了伊利里亚酋长克里特斯的军事力量，其军队随同亚历山大征服了波斯。

Emanuel Ax was born in Lvov and began to study the piano at the age of six in Warsaw. When the family moved to North America in 1961 he continued his studies at the Juilliard School under Mieczylaw Munz.

伊曼纽尔。艾克斯出生于波兰的利沃夫，六岁时开始在华沙学习钢琴。1961年全家移居北美，进入朱丽亚音乐学院继续深造，师随米奇拉夫。

Lindsay Lohan, right, walks the runway with Spanish designer Estrella Archs at the end of her Spring/Summer 2010 collection for Emanuel Ungaro during Paris Fashion Week on Sunday, Oct.

林赛#罗翰，在她的2010年伊曼纽尔#温加罗春夏时装展结束时，与西班牙设计师埃斯特雷利亚讲话。

For readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achill es,whose otivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Cast ::, Jim Carrey as Joel Barish, Kate Winslet as Clementine Kruczynski, Gerry Robert Byrne as Train Conductor, Elijah Wood as Patrick,..

演员：：，如乔尔巴里什金凯瑞，凯特温斯莱特的克莱门汀克鲁琴斯基，格里罗伯特伯恩的火车售票员，伊利亚伍德的帕特里克，。。。

Its subject(to use Maynard Macks categories)is "life-as-spectacle," for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero.

迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Its subject（to use Maynard Macks categories）is "life-as-spectacle," for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Far more typical of post-World War II combat was the employment of CAS/BAI during the "limited" wars of the 1950s-80s, particularly Malaya (where it occasionally worked well), Indochina (where it could not save the French from defeat), Algeria (where it did, but other considerations dictated a settlement), southern Africa (especially Dragon Rouge, the rescue of Belgian hostages in Stanleyville, Congo), Southeast Asia, Morocco (where it proved costly to prosecute), the Falklands (where it had but limited impact), the Iran-Iraq war, and Afghanistan (where it first worked well and then fell apart in the face of the growing shoulder-launched surface-to-air missile threat).4

二战后更为典型的战斗是上世纪50年代到80年代间的&有限&战争里对CAS/BAI的运用，特别是在马来半岛（在那里不时有些好的表现），印度支那（在那里它并没有能够拯救法国人的失败），阿尔及利亚（在那里这种战术被运用了，但却是基于其它考虑而产生的一种安排），南非（尤其是在'龙胭脂'行动中，从刚果的斯坦利维尔拯救出比利时人质的过程），东南亚，摩洛哥（在那里CAS/BAI的运用付出了高昂的代价），福克兰群岛（在那里运用了CAS/BAI但影响有限），两伊战争（在那里BAI成为主要作战方式之一），还有阿富汗（在那里CAS/BAI一开始的表现很好，后来由于肩扛发射的地对空导弹的威胁增加而变得支离破碎）。

"Kevin Costner will be 'committed by September between obsidian and pumice quarries in Lipari, Aeolian Islands, on the set of "Learning Italian", a comedy which he produced and interpreted and directed by Kevin Reynolds Fandango,"" Robin Hood ""Waterworld"

凯文科斯特纳将加盟于今年9月在意大利的伊奥利亚群岛中的里柏利岛上的黑曜石和浮石的采石场开拍的新戏&学习意大利语&，这是一部喜剧片，由凯文本人担任制片和主演，由凯文雷诺兹执导（他曾执导过&三步舞&、&侠盗罗宾汉&和&未来水世界&）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。