伊斯的利亚

He had lost the sense of what the Chorus was in the hands of the great masters, say in the Bacchae or the Eumenides. He mistakes, again, the use of that epiphany of a God which is frequent at the end of the single plays of Euripides, and which seems to have been equally so at the end of the trilogies of Aeschylus. Having lost the living tradition, he sees neither the ritual origin nor the dramatic value of these divine epiphanies. He thinks of the convenient gods and abstractions who sometimes spoke the prologues of the New Comedy, and imagines that the God appears in order to unravel the plot. As a matter of fact, in one play which he often quotes, the _Iphigenia Taurica_, the plot is actually distorted at the very end in order to give an opportunity for the epiphany.

亚里士多德还忘了合唱队是由那掌握命运者来控制，比如酒神的女祭司或者复仇女神欧墨尼得斯；他弄错了神的显现的用处，欧里庇德斯的单幕悲剧结尾处常有神显现，埃斯库罗斯三部曲的结尾好像与此相似，由于失去了活生生的传统，亚里士多德没有意识到神灵显现的仪式渊源和戏剧价值，而把神认为是有时去朗诵新喜剧开场白的这样一种方便和抽象，想象神的出现是为了解开情节的死结，而事实上，在他经常引用的《在奥利斯的伊菲革涅亚》里，情节实际上在结尾处被搅乱，目的是为了给神一个显现的机会。

You know the first lines of the Iliad, in which the poet says that Chryses prayed Agamemnon to release his daughter, and that Agamemnon flew into a passion with him; whereupon Chryses, failing of his object, invoked the anger of the God against the Achaeans .

你应该熟悉《伊利亚特》的开头几行诗，诗人在诗句中谈到克莱塞斯乞求阿伽门农释放他的女儿，阿伽门农对他大发雷霆之怒；克莱塞斯的哀求不成，因此将神的愤怒转嫁到亚该亚人身上。

CAGLIARI - Manuel Rui Costa commented on the victpry at the Sant'Elia and said:'It was a very difficult game, Cagliari had always done well at home.

卡利亚里——鲁伊科斯塔在赛后评价这场比赛时说：这场比赛很艰苦，因为卡利亚里在主场的表现总是很好。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志着英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare, Christopher Marlowe,Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney ,John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis, John Taverner, and William Byrd.

在英国，伊丽莎白时代标志着英国文艺复兴的开端，那时流行着作家威廉·莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，汤玛斯·摩尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

You can read and comment on the column as usual , but the A-list is as follows: Benjamin Britten and Peter Pears – The Bonnie Earl o'Moray; Cocteau Twins – Aikea Guinea; Brian Eno – Here Come the Warm Jets; David Bowie – Subterraneans; Adriano Celentano – Prisencolinensinainciusol; Richard Berry and the Pharoahs – Louie Louie; The Fendermen – Mule Skinner Blues; Crystal Castles – Courtship Dating; Busta Rhymes and Twista – Break Ya Neck; Caleb – Baby Your Phrasing Is Bad

你可以阅读和评论专栏像往常一样，但A -名单如下：本杰明布里顿和彼得梨-厄尔的邦尼'马里；科克托双胞胎- Aikea几内亚；布莱恩伊诺-温射流来了；大卫鲍伊- Subterraneans；阿德里亚诺塞伦塔诺- Prisencolinensinainciusol；理查德贝里和Pharoahs -路易路易；的Fendermen -穆利斯金纳蓝调；水晶城堡-恋爱交友，Busta Rhymes和特斯塔-符亚领；迦勒-宝贝你的措词是坏

Upcoming 2008 performances include a recital in Carnegie Hall in New York City singing Brahms' Liebeslieder Walzer with James Levine and Daniel Barenboim, and V.Fleishman's Rothschild's Violin with James Conlon and the Juilliard Opera Center. In 2007, he sang Rossini's Stabat Mater with Antonio Pappano and the Santa Cecilia Orchestra in Rome.

最近，沈洋在英国伦敦获得2008 Borletti-Buitoni艺术家大奖。2008年，他将与音乐大师詹姆斯·列文和巴伦博伊姆在卡内基音乐厅合作勃拉姆斯的《情歌圆舞曲》；与指挥家詹姆斯·康隆和朱莉亚歌剧中心合作演出歌剧《罗斯查尔德的小提琴》。2007年，他曾与著名指挥家安东尼奥·帕帕诺和圣西西利亚交响乐团在罗马成功合作罗西尼的《圣母悼歌》。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志著英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

MILAN – Here is the disciplinary situation with Milan and Cagliari for Saturday night's game at the San Siro. Two of Milan's players have bans: Rui Costa and Stam. Cagliari players Agostini, Budel, Capone and Gobbi have bans, in addition to Langella's disqualification.

米兰-以下是周六米兰VS卡利亚里的圣西罗之战双方球员的伤停情况。2位米兰球员：鲁伊科斯塔和斯塔姆卡利亚里的阿戈斯蒂尼，布德尔，卡波尼和戈比再得到一张黄牌就将停赛，兰杰拉本场停赛。。

As it turned out, Billy Boyd and Dominic Monaghan were the only ones, and one of the tasks he charged them with was to coach Elijah Wood and Sean Astin in the ways of British pub culture.

彼得·杰克逊本来打算找英国人扮演哈比人，但是结果只有比利·伯伊德和多米尼克·莫纳汉是英国人，他必须教伊利亚·伍德和西恩·奥斯汀英国的酒吧文化。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。