伊斯特莱克

The wife of Agamemnon who, with the assistance of her lover Aegisthus, murdered him on his return from the Trojan War and was later murdered by her son Orestes.

克莱登妮丝特拉亚格门农的妻子，在情人埃癸斯托斯的帮助下，在其从特洛伊战争返回中将其谋杀，之后她自己也为其子奥瑞提斯所杀

Concordioe inclined towards Urban; Pierre d'Ailly, his friend Philippe de Maizieres, his pupils Jean Gerson and Nicholas of Clemanges, and with them the whole School of Paris, defended the interests of Clement.

concordioe ）倾向于城市；皮埃尔-阿伊，他的朋友菲利普德m aizieres，他的弟子让g erson和尼古拉斯的克莱芒热，并与他们整个学校的巴黎，捍卫利益克莱门特。

I missed a lot of skating history because I wasn't interested in it until I became a figure skater.

我到现在也没看过卡特琳娜·维特在冬奥会上的节目，也没看过布莱恩·博伊塔诺，托勒·克兰斯顿，布莱恩·奥瑟的。

Cast :, Ben Chaplin as George Coulouris , Claire Danes as Sonja Jones , Zac Efron as Richard Samuels , Zoe Kazan as Gretta Alder , Eddie Marsan as John Houseman , Christian McKay as Orson Welles , Kelly Reilly as Muriel Brassler , James Tupper as Joseph Cotten rest of expel listed alphabetically:, Thomas Arnold as George Duthie, Leo Bill as Norman Lloyd, Shane James Bordas as Elliott Reid, Michael Brandon as Les Tremayne, Aaron Brown as Longchamps Child, Janie Dee as Mrs .

演员：，班卓别林乔治Coulouris，克莱尔丹尼斯的宋雅琼斯，醋氨己酸锌埃弗龙的理查德塞缪尔斯，佐伊喀山的Gretta桤木，艾迪玛珊作为奥森韦尔斯，凯利赖利约翰豪斯曼，基督教麦凯的穆里尔Brassler，詹姆斯约瑟夫科顿的其余部分按字母顺序列出驱逐百乐：托马斯阿诺德乔治达西，狮子条例草案诺曼劳埃德，巴蒂尔詹姆斯博尔达斯在Les Tremayne，阿龙的隆尚儿童，珍妮迪布朗的埃利奥特里德，迈克尔布兰登正如刚才。

You can read and comment on the column as usual , but the A-list is as follows: Benjamin Britten and Peter Pears – The Bonnie Earl o'Moray; Cocteau Twins – Aikea Guinea; Brian Eno – Here Come the Warm Jets; David Bowie – Subterraneans; Adriano Celentano – Prisencolinensinainciusol; Richard Berry and the Pharoahs – Louie Louie; The Fendermen – Mule Skinner Blues; Crystal Castles – Courtship Dating; Busta Rhymes and Twista – Break Ya Neck; Caleb – Baby Your Phrasing Is Bad

你可以阅读和评论专栏像往常一样，但A -名单如下：本杰明布里顿和彼得梨-厄尔的邦尼'马里；科克托双胞胎- Aikea几内亚；布莱恩伊诺-温射流来了；大卫鲍伊- Subterraneans；阿德里亚诺塞伦塔诺- Prisencolinensinainciusol；理查德贝里和Pharoahs -路易路易；的Fendermen -穆利斯金纳蓝调；水晶城堡-恋爱交友，Busta Rhymes和特斯塔-符亚领；迦勒-宝贝你的措词是坏

Supported by Freud"s psychological analyses and archetypal criticism of Frye and C. C. Jung, the main body of the thesis firstly analyzes the deep reason for the phantom battle. Charles"s jealousy for James and the phantom pursuit of Hartley take their initial in his transferred "Oedipus complex" towards his aunt. Secondly it presents the artistic means Murdoch employs in the novel, dealing with the language confrontation, and such archetypal images as sea serpent and seals. Lastly, the study reveals how Charles fulfills his spiritual maturity through "down-up experience","the last baptism" and "meditations on stars".

论文主体以弗洛伊德的精神分析理论，弗莱和荣格的原型批评为支点从三个方面着手，首先分析导致查尔斯虚幻之争的深层缘由，阐述查尔斯对詹姆斯的嫉妒和对哈特莉梦的追寻源自对婶婶的"俄狄浦斯"情结；进而重点分析默多克呈现兄弟虚幻之争所运用的艺术手段，其中包括言语对抗，"海怪"，"海豹"等原型意象分析；最终揭示查尔斯如何通过"坠落经历"，"最后的洗礼"，"对星星的冥想"等完成自身的精神成长。

A In the first two centuries there is not in the Apostolic Fathers and other ecclesiastical writers, if we except Theophilus of Antioch (180), a single quotation properly so called from this Epistle; at most there are some more or less probable allusions in their writings, eg, the First Epistle of St. Clement of Rome to the Corinthians, the "Didache", St. Ignatius, the Epistle of Barnabas, the "Pastor" of Hermas, the Epistle of Polycarp to the Philippians, the Dialogue of St. Justin with Trypho, St. Irenus, the Clementine "Recognitions", the "Acts of Peter", etc. The Epistle formed part of the ancient Itala, but is not in the Syriac.

在首两百年有没有在使徒父亲和其他教会作家，如果我们除西奥菲勒斯安提（ 180 ），一个单一的报价，妥善所谓从这个书信；顶多有一些更多或更少可能典故在他们的著作，例如，第一书信圣克莱门特在罗马向哥林多前书，& didache &，圣伊格内修斯，书信巴拿巴，&牧师& hermas ，书信的polycarp向philippians ，对话圣贾斯汀与trypho ，圣irenus ，克莱门汀&认可&，&行为的彼得&等书信的组成部分古代名单，但并没有在叙利亚。

Hume was heavily influenced by empiricists John Locke and George Berkeley, along with various French-speaking writers such as Pierre Bayle, and various figures on the English-speaking intellectual landscape such as Isaac Newton, Samuel Clarke, Francis Hutcheson, and Joseph Butler (to whom he sent his first work for feedback).

休谟深受经验主义者约翰？洛克与乔治？贝克莱的影响，深受不同法语作家的影响，如皮埃尔？贝尔，也深受英语思想背景的不同人物的影响，如伊萨克？牛顿、萨缪尔？克拉克、弗兰西斯？霍彻森和约瑟夫？巴特勒（休谟把第一部作品送给他以求回馈）。

However, they formed themselves into line, all assisting, owing to the importance of the search; the dairyman at the upper end with Mr Clare, who had volunteered to help; then Tess, Marian, Izz Huett, and Retty; then Bill Lewell, Jonathan, and the married dairywomen - Beck Knibbs, with her woolly black hair and rolling eyes; and flaxen Frances, consumptive from the winter damps of the water-meads - who lived in their respective cottages.

但是由于事关重大，他们就都过来帮忙，一起排成一排搜查；克莱尔先生也自动过来帮忙，奶牛场老板就和他站在上边的开头；排在他们后面的是苔丝、玛丽安、伊茨·休特和莱蒂；再往后就是比尔·洛威尔、约纳森，还有已经结了婚住在各自房舍里的女工们——里面有贝克·尼布斯，她长了一头黑色的鬈发和一双滴溜溜直转的大眼睛；还有一个长着亚麻色头发的法兰西斯，她因为水草场上冬季的湿气而染上了肺病。

MA Bowman, Western Mysticism; A Guide to the Basic Sources; L Bouyer, F Vandenbroucke, and J Leclercq, A History of Christian Spirituality; Dictionnaire de spiritualite ascetique et mystique, II; A Louth, The Origins of Christian Mystical Theology; TS Kepler, An Anthology of Devotional Literature; W James, The Varieties of Religious Experience; F von Hugel, The Mystical Element of Religion; E Underhill, Mysticism; RM Jones, Studies in Mystical Religion; R Otto, The Idea of the Holy; RC Zaehner, Mysticism, Sacred and Profane; G Harkness, Mysticism: Its Meaning and Message; HD Egan, What are They Saying about Mysticism?

马鲍曼，西方神秘主义；指南的基本来源；升bouyer ，女范登布鲁克，和J勒克莱尔，历史的基督教灵性；词典spiritualite ascetique等的神秘感，二；劳斯，起源基督教神秘的神学； 6月24日ts开普勒，一集devotional文学；詹姆斯瓦特，品种的宗教经验，女冯胡格尔，神秘的宗教元素，电子商务underhill ，神秘主义；室琼斯，研究在神秘的宗教； r奥托，构思圣地；钢筋混凝土zaehner ，神秘，神圣和亵渎；克哈克尼斯，神秘主义：其意义和信息；房署伊根，什么是他们说，关于神秘主义？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。