伊利安

By the Babylonian era, Enki's place was taken by Adapa Uan, a human created by Enki as advisor to the first king of Enki's city of Eridu.

在巴比伦时期，伊恩的地位被阿达帕乌安（巴比伦神话中的半人半鱼的可怕怪物），一个由恩奇创造出来的人，是恩奇所在的埃利都市的首位国王的顾问。

The first Aeolus was a son of Hellen and founder of the Aeolian race; the second was a son of Poseidon, who led a colony to the Tyrrhenian Sea; and the third Aeolus was a son of Hippotes who is mentioned in the Odyssey as Keeper of the Winds .

第一个风神是海伦和伊奥利亚比赛创始人的儿子；第二个是海神的儿子，他率领殖民地第勒尼安海；第三风神。是希波忒斯的儿子。

The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

Shakespeares third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

C6 o;{4 Z2 t% ^5 Awww.zikao5.com 19. Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

Cast ::, Gene Hackman as Henry Hearst, Morgan Freeman as Captain Victor Benezet, Thomas Jane as Detective Felix Owens, Monica Bellucci as Chantal Hearst, Nydia Caro as Isabella, Miguel ngel Suárez as Superintendent ..

演员：：，金哈克曼亨利赫斯特，摩根弗里曼船长维克托贝尼泽特，托马斯简费利克斯欧文斯作为侦探，莫妮卡贝鲁奇作为尚塔尔赫斯特，尼迪亚卡罗为伊莎贝拉，米格尔安赫尔苏亚雷斯院长。。。

Geographically, Rome is represented by Clement and Hermas; Polycarp wrote from Smyrna, whence also Ignatius sent four of the seven epistles which he wrote on his way from Antioch through Asia Minor; Papias was Bishop of Hierapolis in Phrygia; the Didache was written in Egypt or Syria; the letter of Barnabas in Alexandria.

在地理上，罗马为代表的克莱门特和hermas ；利卡尔普致斐利写道由Smyrna ，何时也伊格派出4个的七个书信，其中写道，他就一路从安提透过小亚细亚； papias是主教hierapolis在phrygia ； didache写于埃及或叙利亚；信件巴纳巴斯在亚历山大。

As for Friuli and Istria, they can only belong to the left-hand side of Italy, while the islands in the Tyrrhenian - Sicily and Sardinia - clearly belong to the right-hand side, or at least are to be associated with it.

至于弗留利和伊斯特利亚，只能属于意大利的左手边，而第勒尼安海中的岛屿，西西里和撒丁岛，很明显属于右手边，或者至少与其有关联。

Also on view will be Mallett's pair of 1930 polished steel side tables from England, which combine clean contemporary lines with Renaissance gothic design, similar to Asymptote's (Hani Rashid and Lise Anne Couture) use of historic Tula steel and traditional etching for the Ivo _03 coffee table.

还认为将马利特的对1930年的抛光钢方表来自英格兰，清理相结合的当代线，文艺复兴时期的哥特式设计，类似的渐近线的（哈尼族拉希德和利塞安妮女装）使用历史图拉钢材和传统蚀刻的伊沃_03的咖啡桌。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。