伊伦

"Oh, I think coming down here certainly improves their — Joseph please sit up straight in your chair — table manners," she says in Joyce Grenfell manner.

"哦，我想一定到这里来改善他们的-约瑟夫请坐直在你的椅子-餐桌礼仪，"她说，在乔伊斯格伦费尔方式。

It was a snowy day,and when I arrived late after a Halas Hallpress conference announcing coach DickJauron's extension, I was greeted by an oddsight:Floyd's wife and daughter sitting ONTHE FLOOR of the Berto Center. There weremaybe nine or 10 people in the place. One ofthem was Krause, who noticed me brushingsnow off my coat and ordered me to wipe asmirk off my face, a smirk I wasn't wearing.

那是一个雪天，在参加完在哈拉斯大厅举行的关于迪克·乔伦教练续约的新闻发布会之后，当我赶到珀托中心的时候却看到了奇怪的一幕：弗洛伊德的妻子女儿正坐在地板上，周围大概有九到十个人，其中一个就是克劳斯，他注意到我正在把雪从大衣上捋下来，还"命令"我摘掉脸上虚假的笑容，而我当时根本没有假笑。

There was an old Greek Testament and the Eton Latin Grammar: a French pamphlet on the cavalry sword exercise; an odd volume of Tom Jones, with one half of its stiff leather cover hanging to it by a thread; Byron's Don Juan, printed in a murderous type, which must have been invented for the special advantage of oculists and opticians; and a fat book in a faded gilt and crimson cover.

其中有一本希腊文的《旧约全书》和一本伊顿版的《拉丁文法》；一本法文的关于骑兵击剑训练的小册子；一部不完整的《汤姆·琼斯》，剩下半爿皮封面仗着一根线连结在书本上；一部用极伤眼睛的铅字排印的、拜伦的《唐璜》，这种字体必定是为了眼科医生和眼镜商人的利益特地制造出来的；还有一大本封面猩红、烫金已经退色的厚书。

Cast : Reese Witherspoon as Elizabeth, Mark Ruffalo as David, Donal Logue as Jack, Dina Waters as Abby, Ben Shenkman as Brett, Jon Heder as Darryl, Ivana Milicevic as Katrina, Caroline Aaron as Grace, Rosalind ..

演员：瑞茜威瑟斯彭伊丽莎白，马克鲁法洛，大卫，劳格的杰克，迪娜水域，艾比，本申克曼的布雷特，琼海德的达里，伊万娜米利塞维奇的飓风，卡罗琳亚伦的雍容，罗莎琳德。。。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外，5个街区之外的出版社办公室中厄内斯特？海明威(1899-1961，美国著名作家)曾挥拳击中马科斯？伊斯特曼（海明威同时代美国政治家）的鼻子，在4英里外瓦尔特？惠特曼(1819-1892，美国诗人)曾奋力为《鹰报》撰写社论，34个街区之外是威拉？凯瑟(1873-1947，美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道，玛瑟琳曾经常在一个街区之外的马戏场扮演小丑，36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方，哈里？福射在13个街区之外杀了斯坦福？怀特（1906年），5个街区之外是我曾做引座员的大都会歌剧院，而在112个街区之外老克拉伦斯？戴(1874-1935，美国作家)在主现节教堂洗去他的罪过；也因而，我此刻置身的房间可能迎接过无数显赫人物，一些人是在令人窒息的炎热下午到来，孤独而隐退，散发着莫名的自我。

"That," answered Helen, is huge Ajax, bulwark of the Achaeans, and on the other side of him, among the Cretans, stands Idomeneus looking like a god, and with the captains of the Cretans round him.

长裙飘舞的海伦，女人中闪光的佼佼者，答道：他是巨人埃阿斯，阿开亚人的屏障。那位是伊多墨纽斯，在联军的那一头，像神似地站在克里忒人里，身边拥围着克里忒人的军头。

At the end, Daniel Barenboim impishly pushed the piano stool under the keyboard, closed the lid and gestured that he had no more to say.

最后，丹尼尔·巴伦博伊姆顽皮地将琴凳推入，合上钢琴盖，并做了个「无话可说了」的手势。

Helen irresistibility with astounding let men look he entered the Trojan war, for all the world to excuse: there, there, TuoMa sigh of her role means fantasize...

海伦的妖娆和惊艳让男人们看一眼就进入了战争，特洛伊的罪魁，导致了一切世人的借口：有唾骂、有叹息、还有角色意淫中的想入非非。。。。。。

Their amazing architecture remain as great ruins at the centers where they used for religious ceremonies, including Palenque注2, Uxmal and Chichen Itza.

其令人惊叹的建筑现已成为雄伟的遗迹，分布在玛雅人曾用来举行宗教典礼的城邦中心，包括帕伦克、乌斯马尔以及奇琴伊萨等。

Present: Didier Grange; Sharon Alexander-Gooding; Zohar Aloufi; Nestor Bamidis; Marilyn Bier: Kim Eberhard; Mark Greene; Fred Van Kan; Bert De Keyser; Nancy Marrelli; Chantal Ménard; Robert Nahuet; Chiyoko Ogawa; Trudy Peterson; Lars Sandberg; Kazuko Sasaki; Wladyslaw Stepniak; Shelley Sweeney; Katherina Tiemann; Margaret Turner.

与会者：狄迪尔·格朗齐、莎伦·亚历山大·谷丁（ARMA，Association of Records Managers and Administrators，档案管理人员与行政人员协会）、佐哈·阿劳菲、内斯特·巴米迪斯、玛丽琳·毕尔，基姆·爱伯哈德、马克·格林尼、弗雷德·范·坎、伯特·德·基瑟、南希·马瑞利、常塔尔·米纳德、罗伯特·那休伊特、小川千代子（Chiyoko Ogawa？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。