伊伦

Freud's"Oedipus Complex"pointed out that incest is the human nature desire,which is the sexual instinct that human can not get rid of.

五：弗洛伊德的"俄狄浦斯情结"指出乱伦是人类的本能欲望之一，是人类不能摆脱的性心理。

A tract of timberland that has been clear-cut.Among his operas are the four works that make up the Ring of the Nibelungs, Tristan and Isolde, The Mastersingers of Nuremberg, and Parsifal, his last work.

在他的歌剧作品中有一个四联剧，该剧由《尼伯龙根的指环》、《特里斯坦与伊索尔德》、《纽伦堡的名歌手》和他的最后一部作品《帕西伐尔》组成。

You have brought upon us war, pestilence, and destruction.

你是罗马的特洛伊海伦。

Barenboim can rush passages, fumble notes, blur intricacies and even, on occasion, depart from the score - though he can also draw gasps at the fastest, lightest pianissimo fugal dexterity you could hope to hear.

巴伦博伊姆有时会把乐段和音符匆匆带过，把复杂的段落弹得含混不堪，甚至还忽视乐谱的指示－－虽然他也可以在最快、最轻的复杂多声部片段凭其高超技巧引来惊叹。

In fact, Barenboim, at 65, is by no means a perfect piano player.

事实上，65岁的巴伦博伊姆绝不是一个完美的钢琴家。

From this part, we should understand the course which people have realized the function of consumption in east and west economics, especially the long-time discuss on the relation of consumption and production. In the west economics, there are Adam Smith, David Ricardo, Boisguilbert, Quesnay, Turgot, Sismondi and so on in the classical economics; Say, Malthus in the philistine plutonomy; Marshall, Pigou, Veblen, Pareto and so on in imperialist period; Keynes, Rostov, Mole and so on in the modern west economics.

西方经济学中关于消费的思想从历史来看，主要包括：古典经济学中亚当·斯密、李嘉图、布阿贝尔吉尔、魁奈等人的消费思想和西斯蒙第的"消费居先论"；庸俗政治经济学中法国的萨伊、英国的马尔萨斯等人的消费思想；帝国主义历史时期马歇尔、凡勃伦等人的消费思想；现代西方经济学中凯恩斯、罗斯托、莫尔、加尔布雷茨等人的消费思想。

The only signing up of Valencia in the middle of the season was the Rumanian forward Adrian Ilie, whose first months as Valencia player were spectacular.

赛季中瓦伦唯一签约的球员是罗马尼亚前锋伊利耶，他在俱乐部第一个月的表现很引人注目。

The exhibition includes two paintings by Rembrandt and twenty prints by the master as well as Delft Blue and silver objects and other paintings of famous Dutch artists such as Frans Hals, Jan Steen and Jacob van Ruysdael.

展品中包括伦勃朗的2件油画作品以及20幅铜版画，另外还有银器、代尔夫特陶器以及其他荷兰著名艺术家的油画，这些艺术家中包括弗朗斯·哈尔斯、扬·斯滕和雅各布·范·雷伊斯达尔等。

Visually, Stephen's: The traditional figure of hypostasis, depicted by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as leucodermic, sesquipedalian with winedark hair.

就像大马士革的约翰、罗马的伦图卢斯和隐修士伊皮凡尼乌斯所描述的那样，患了白癜风般的皮肤，一英尺半高的个儿，葡萄紫的头发。

It stands alongside James Joyce's Ulysses and Laurence Sterne's Tristram Shandy as a novel that appears bizarre to the point of being unreadable but proves to be infinitely open to interpretation and discovery.

它与詹姆斯乔伊斯的尤利西斯和劳伦斯斯特恩的狄传作为一种新型的出现奇怪的一点是不可读的，但证明是无限开放的解释和发现。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。