伊丽莎白

The tumult of Elizabeth';s mind was allayed by this conversation.

这番谈话以后，伊丽莎白的骚忧的心境平静了

In pompous nothings on his side, and civil assents on that of his cousins, their time passed till they entered Meryton.

他曾经跟伊丽莎白说过，他愿意在任何一间房间里，接见愚蠢和自高自大的家伙，书房里可就不能让那些人插足了。

I am far from attributing any part of Mr.

&我决不是说彬格莱先生的行为是事先有了计谋的，&伊丽莎白说。

Bedazzled is a film which is full of lighthearted stories and directed by famous Hollywood comedy director Harold Ramis.Youth idol Brandon Fraser (once starred 'mummy') has splendid performances in this film,"the world's first beauty"Elizabeth Hurley has been turned into a pretty, flirtatious and charming devil.

Bedazzled是好莱坞著名喜剧导演哈罗德拉米斯推出的一部充满笑料的超级搞笑片，青春偶像布兰登弗雷泽在片中又有精彩的表演，&世界第一美人&伊丽莎白赫利则变成了妖艳迷人的魔鬼。

The diction is simple as compared with that of the Elizabethan or the Neoclassic periods,and echoes the words and cadences of common speech.

区别于伊丽莎白时期或新古典主义时期的诗歌风格，并反映了普通语言和强弱自然的节奏。

She herself never cheapened the brand.

伊丽莎白本人从不给王室抹黑。

The Englishman may be remembered for circumnavigating the world, but Sir Francis Drake also happened to be Queen Elizabeth I's favorite pirate.

这位英国人也许因环绕世界航行而闻名遐迩，但不要忘记，弗朗西斯·德雷克爵士也是伊丽莎白一世女王最喜欢的海盗。

"But perhaps he may be a little whimsical in his civilities," replied her uncle.

伊丽莎白觉得他们完全误解了他的性格，可是并没说出口来。

She coerces Alexis to repeat that he loves her.

伊丽莎白要求亚历克西斯不断重复说，他爱她。

As they walked across the lawn towards the river, Elizabeth turned back to look again; her uncle and aunt stopped also, and while the former was conjecturing as to the date of the building, the owner of it himself suddenly came forward from the road, which led behind it to the stables.

他们穿过草地，走向河边，伊丽莎白这时候又掉过头来看了一直，舅父母也都停住了脚步，哪知道她舅舅正想估量一下这房子的建筑年代，忽然看到屋主人从一条通往马厩的大路上走了过来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。