伊丽莎白

The emerald engagement brooch was Elizabeth Taylor's only jewel at her 1964 wedding to Richard Burton.

这枚作为订婚礼物的祖母绿胸针是伊丽莎白泰勒在她与理查德波顿于1964年所举行的婚礼中所佩戴的唯一一件珠宝。

But more of the break-ups later. Enough drama there to make Richard Burton and Elizabeth Taylor look like a couple of Swiss neighbours...

但是以后还有更多的分手故事，足够的戏剧化才能使理查德伯顿和伊丽莎白泰勒（ Richard Burton and Elizabeth Taylor ）看起来像一对瑞士邻居夫妇吧。。。

Elizabeth Taylor with Richard Burton at the 40th Academy Awards when she won as best actress for her extraordinary interpretation in " Who's afraid of Virginia Wolf ?".

1966年，伊丽莎白泰勒与理查德波顿在第40届奥斯卡颁奖典礼中，当年泰勒凭借她在电影《灵欲春宵》中的精湛演绎荣获最佳女主角奖。

Once the media and the world discovered that film box-office queen Elizabeth Taylor was hanging out here with new lover Richard Burton, the quiet Mexican village exploded with tourism.

当媒体和整个世界发现电影票房之后伊丽莎白-泰勒与她的新情人理查德。波顿在此共度假日后，这个墨西哥小村庄成为游客的宠儿。

Great Lovers considers historical and fictional portraits of Antony and Cleopatra, as well as comparing them to another couple from Roman literature, Dido and Aeneas. Plus, Hollywood's own Antony and Cleopatra – Richard Burton and Elizabeth Taylor.

伟大情人将探讨历史上和虚构中的安东尼与克利奥帕特拉，并将二人与罗马文学中另一对-黛朵与埃涅阿斯作一下比较，还有好莱坞自己的安东尼与克利奥帕特拉-理查德·伯顿与伊丽莎白·泰勒。

A strait-laced family is invited to spend the winter with Elizabeth and Pardner is assumed to be her husband.

海峡穿插家庭是应邀来此过冬，与伊丽莎白和乳油设想地是她地丈夫。

He was long-sighted on the issue of Navy,he has invest all his money on NAVY . It constructed the solid the foundation of ENGLAND,King Elizabeth I should thanked his father.

在白金汉公爵的问题上，以及在海军队伍的建设上，都显示了一个强有力国王的形象，伊丽莎白一世应该感谢她的父亲给他留下了强大的海军。

You know Iwould go through fire and water, Elizabeth, to be with you.

你知道，伊丽莎白，就是赴汤蹈火我也和你在一起。

The tumult of Elizabeth's mind was allayed by this conversation .

这番谈话以后，伊丽莎白的骚扰的心境平静了下来。

The tumult of Elizabeth's mind was allayed by this conversation.

这番谈话以后，伊丽莎白的骚忧的心境平静了些。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。