伊丽莎白

In Elizabethan theater: a playgoer in the cheap standing section.

伊丽莎白一世时代的戏剧观众；在低廉的观众席上的看戏的人。

The genius of Elizabethan England.in Elizabethan theater: a playgoer in the cheap standing section.

伊丽莎白一世时代的戏剧观众；在低廉的观众席上的看戏的人。

Elizabeth tried to join in her father';s pleasantry, but could only force one most reluctant smile.

伊丽莎白尽量凑着父亲打趣，可是她的笑容显得极其勉强。

And with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them.

她比她姐姐的观察力要敏锐得多，脾气比她姐姐暴躁，提到彬莱姐妹，伊丽莎白胸有定见，绝不因为人家待她好就改变主张，也不会对她们产生多大好感的。

I picked up the nearest girl and announced very pointedly to my new mother,"Ill take Elizabeth."

我抱起离我最近的女孩，非常明确地对我的新母亲说："我来抱伊丽莎白。"

We are under the jurisdiction of the king's governor of Port Royal, and you will tell us what we are charged with.

伊丽莎白：我们受皇家港口总督司法权的保护，你必须告诉我，我们被指控的罪名。

To begin with, he'd arrested a blacksmith named Will Turner and the governor of Port Royal's daughter, Elizabeth Swann, on their wedding day.

首先， 他逮捕了一个名叫威尔特纳的铁匠和皇家海港总督的女儿——伊丽莎白斯万。那天正是他们大喜的日子。

Among them was the portcullis for the 12-sided threepenny piece and the

他还曾参与设计了伊丽莎白二世纪念币。

For Clarissa, life exists in cycles: Peter Walsh cannot grasp why she refers to her daughter as 'my Elizabeth' but the possessive pronoun indicates Clarissa's putative regeneration in her daughter who she views as a metaphor for the continuity of life.

克拉莉莎认为生命是一个循环，彼得沃尔什不能理解为什么克拉莉莎称自己的女儿为"我的伊丽莎白"，而这个占有性的措辞暗示了克拉莉莎假定女儿是她的再生，她认为这是生命延续的一种隐喻。

When this painting of Queen Elizabeth I（sometimes called the Virgin Queen） was last displayed to the country in 1921, curators at the National Portrait Gallery noticed spots of discoloration which cast a spiraling shadow across the Tudor posy the monarch held in her right hand.

当女王伊丽莎白一世（后人有时称她「童贞女王」）这幅肖像画最后一次在1921年於英国展出时，国家肖像画廊策展人发现几处褪色的斑点，在女王右手拿的都铎王朝时代的花束上，投下回旋上升的阴影。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。