任何地方

If you can get there and you can deflect it, well, you can put it where you want to.

如果我们能实现偏转小行星，我们就能把它放到想放的任何地方。

The right to elect the chief and to depose him is nowhere mentioned.

9﹒关于选举和撤换酋长的权利，任何地方都没有提到过。

In that light it seems to me that a big differentiator is actuallly the QC policy of different importers.

根据这一点在我看来，一个很大的区别是actuallly产品质量保证的政策，不同的进有没有中国钢琴是排在任何地方，但三层4。

The small size of the BACtrack means you can take it discreetly anywhere.

该BACtrack小的尺寸意味着它可以采取谨慎的任何地方。

It was a serious thing, in any part of the Land of Oz, to accuse one of stealing, so when the Yips heard Cayke the Cookie Cook declare that her jeweled dishpan had been stolen they were both humiliated and disturbed and forced Cayke to go with them to the Frogman to see what could be done about it.

在奥兹国土地上的任何地方，出现这样的偷窃行为，那可是一个严重的事情。当耶普国的人们听说小甜饼师那镶有宝物的烤饼锅被人偷走了，他们既感到蒙受了极大的耻辱，又感到很不安。因此他们就同肯克一起去问青蛙人，看看他是否知道此事。

The bill before Congress would make it illegal to videotape, photograph, film, broadcast or record a naked person or someone in underwear anyplace where a "reasonable person would believe that he or she could disrobe in privacy."

在立法机关制作出那法案前，非法的录影带、照片、电影、广播或纪录一个赤裸的人或某人穿内衣在任何地方，一个明智的人会相信他或者她脱衣服是一件私密事。

So this is for all dissonance everywhere.

对任何地方的不和谐也都是如此。

It is the best example of a dockyard from the age of sail anywhere in the world, said Garnett.

它是一个从年龄帆船坞最好的例子在世界任何地方，加内特说。

The landlord may reside in any part of his estate, but he is generally to be found in a particular drawing-room.

房东会住在他的物业里的任何地方，但他通常都会在某个特别的休息室里。

Driftwood, which can be found anywhere.

漂流木，其中可以找到任何地方。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。