任何事物

In such journals writers never " divide anything." They " dichotomize " or " bifurcate " things.

在这样的杂志里，作者从来不会"分开任何事物"，他们只会"等分"或是"分叉"事物。

It is valued solely as an ersatz and according to its image as a product in itself.

与调侃针对社会政治话语资源和戏仿针对文化传统话语资源不同的是，反讽针对的是人们的日常生活常识，它以现实的表现手法向观众提示，任何事物以及表述事物的方式都是偶然的历史和环境的产物，背后没有任何超越时间和机缘的永恒不变的所谓真理。

Maharaj: Before anything can come into being there must be somebody to whom it comes.

师：任何事物呈现之前必先有此事物呈现之者。

You should know how to use the parlance on right things. it notwork on everthing .

你应该把一些说法用在正确的事物上，它并不适合于任何事物。

"Both psychoanalyst and the historian try to project onto the traces and do not search for something behind the traces."

「精神分析学家和历史学家都试图在那在历史实在中或者在神经病患者的头脑中，没有任何事物符合解释的内容些痕迹之上套上一种模式，他们并不想探求痕迹背后的一些事物。

This covert appreciation of images in dangerous insofar as it accepts not a dialectical relation between political and formal meaning, not their nterpenetration, but a hazier, more reified relation, one in which topicality drops away as epochs fade, and the aesthetic aspect is, if anything, enhanced by the loss of specific reference (although there remains, perhaps, a cushioning backdrop of vague social sentiments limiting the 'mysteriousness' of the image) I would argue against the possibility of a nonidological aesthetic; any response to an image is inevitably rooted in social knowledge- specifically, in social understanding of cultural product.

l s1 o6 A8 l( R$ D7 E)|7 }$}迄今为止，这样的想法已经把对作品的鉴赏力引向了危险的境地，因为它接受的不是政治意义与正式意义之间的辨证关系，不是两者之间互相渗透的关系，而是一种更危险更实在的关系，其中最明显的就是随着几个重要时代的消褪而衰败，就美学角度来说，如果任何事物，因丢失具体的参考文献而被强调出来（尽管这些文献是存在的，可能一股当时社会含糊不请的氛围造成了缓冲力从而限制了作品的神秘性）我一定会反对一种叫非智慧美学的可能性，一幅作品的任何反应都必然植根于社会的知识形态，尤其是社会对文化产物的理解

Replace , the most informal and most neutral in usages, refers to any substitution for whatever reason.

这个词最具中性，表达的是在任何情况下对任何事物的替换，无论任何的理由。

Liberal ironists"" believe there is no final vocabulary to settle all questions, they think anything doesn't have real essence, and they think that anything can be made to look good or bad by redescribed.

自由反讽人不相信有一套答疑解惑的终极语汇，他们认为任何事物都不具有固有的性质或实在的本质，任何事物都可以通过再描述而使其看起来更好一些或更坏一些，再描述活动不必再像以往一样严肃不堪，不必追问何者才是正确的——再描述是一种工具，而不宣称发现事物的本质。

The formal cause tells us what a thing is, that any thing is determined by the definition, form, pattern, essence, whole, synthesis or archetype.

&形式因&告诉我们一个事物是什么，任何事物都是由规定、形式、样式、本质、整体、综合或原型决定的。

A cynic is a man who knows the price of everything and the value of nothing.

玩世不恭者是知道一切事物的价格，却不知道任何事物价值的人。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。