以扫

And David said to Abiathar, I knew on that day, when Doeg the Edomite was there, that he would surely tell Saul.

大卫对亚比亚他说：「那日我见以东人多益在那里，就知道他必告诉扫罗。

22 Then David said to Abiathar: That day, when Doeg the Edomite was there, I knew he would be sure to tell Saul.

22：22 大卫对亚比亚他说、那日我见以东人多益在那里、就知道他必告诉扫罗。

And David said unto Abiathar, I knew it that day, when Doeg the Edomite was there, that he would surely tell Saul: I have occasioned the death of all the persons of thy father's house.

22：22 大卫对亚比亚他说，那日我见以东人多益在那里，就知道他必告诉扫罗。你父的全家丧命，都是因我的缘故。

Then answered Doeg the Edomite, which was set over the servants of Saul, and said, I saw the son of Jesse coming to Nob, to Ahimelech the son of Ahitub.

22：9 那时以东人多益站在扫罗的臣仆中，对他说，我曾看见耶西的儿子到了挪伯，亚希突的儿子亚希米勒那里。

But Doeg the Edomite, who was standing with Saul's officials, said, I saw the son of Jesse come to Ahimelech son of Ahitub at Nob.

那时以东人多益站在扫罗的臣仆中、对他说、我曾看见耶西的儿子到了挪伯亚希突的儿子亚希米勒那里。

Then answered Doeg the Edomite, which was set over the servants of Saul, and said, I saw theson of Jesse coming to Nob, to Ahimelech the son of Ahitub.

那时以东人多益站在扫罗的臣仆中，对他说，我曾看见耶西的儿子到了挪伯，亚希突的儿子亚希米勒那里

Then Doeg, the Edomite, who was by the side of the servants of Saul, in answer said, I saw the son of Jesse coming to Nob, to Ahimelech, the son of Ahitub.

22：9 那时以东人多益站在扫罗的臣仆中、对他说、我曾看见耶西的儿子到了挪伯亚希突的儿子亚希米勒那里。

Embryologic development, imaging methods, CT features and multiple postprocessing display modalities based on spiral CT were discussed.

目的分析苗勒管囊肿的CT平扫及经皮穿刺精囊造影术后CT扫描的影像表现，以提高对其认识。

It is the first important step in video analysis and will directly affects the effectiveness of indexing Shot boundary detection is one of our major research interests and we will tackle the following existing problems the ambiguity between gradual change and camera motion, the discontinuity during gradual change, false detection caused by illumination variation and flashlight, automatic threshold selection Firstly, we discuss shot boundary detection in non-compressed domain In chapter 2, we compare some of the commonly used detection methods which are based on frame difference and point out that single feature will not generate good results As a conclusion, we use fuzzy logic to combine multiple features Presently, most frame difference based shot boundary detection algorithms rely on threshold and hence the selection of such thresholds will greatly affect the performance of boundary detection We propose a membership function to define frame difference and calculate the membership with self adaptation according to the statistic distribution of frame differences to satisfy different type of video clips Experiments show that the proposed fuzzy shot boundary detection algorithm can be used with different video types and has a high detection precision and recall In chapter 3, we discuss model-based shot boundary detection algorithms regarding chromatic and spatial editing effects such as fade-in, fade-out, dissolve and wipe Various parameters are proposed to better describe the characteristics of each editing type.

镜头边界的检测是把视频自动地分割为一个个镜头，作为基本的索引单元，因此它是视频分析重要的第一步，直接影响到视频检索的成败。镜头边界的检测是本文研究的重点之一。目前镜头边界检测算法主要存在以下问题：渐变与镜头运动难以区别；渐变过程中的不连续与停顿、光照条件的变化及闪光灯等特殊情况会引起误检测；自动选择阈值比较困难等。本文首先针对非压缩域视频进行了镜头边界检测的研究。在第二章中我们采用了比较流行的基于帧间差的方法。在比较各种帧间差计算方法的基础上，指出使用单一的特征难以取得很好的检测效果，提出用模糊逻辑综合使用各种特征。目前大多数基于帧间差的镜头边界检测算法都采用阈值法进行镜头转换的判别。阈值选择的误差对检测性能有较大的影响，本文提出用隶属度函数定义帧间差较大、中等较大和较小等概念，并根据帧间差的统计分布自适应地确定隶属度，以适应不同类型的视频片断。实验结果表明这种基于糊逻辑的镜头边界检测算法可以适应不同的视频，并具有较高的检测精度和检出率。在第三章中采用基于模型的方法进行镜头渐变的检测，研究了淡入／淡出、慢转换和扫换的模型。

A woman sweeps a harvested rice field, gleaning leftover grains to feed her family.

一位妇女在扫已经收割的稻田，以捡拾遗落的穗粒供家人食用。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。