以...对抗

After the human is detected and extracted, we then track body parts of the human by using appearances of these parts as the features and using particle filters as the tracking kernel. In the particle filter, we adopt color histograms as the appearance features and use a specific histogram mapping to enhance the discriminability between different objects. To form a robust tracker that can distinguish target objects from background objects that have color distribution similar to those of target objects, we calculate the target similarity from both the target object model and the background model.

当人体被侦测及切割出来后，接著我们使用人体部位外观当作特徵并且使用粒子滤波器作为核心来追踪此人体，我们采等化之颜色统计表当作粒子滤波器中使用的外观特徵以强化不同物体的鉴别率，为了建立可稳健区别目标物及背景物体的追踪器，我们同时使用目标的模型和背景模型来计算目标物的相似度，为了对抗背景及目标物的外观变化，背景模型及目标物模型都是可适应变化的。

The major characters in the novel, ei the r crazy about power-seeking or lost in self- effacement to resist the power passively, all ended in tragedy.

小说中的人物，或因追逐权力而疯狂，或用消极对抗以虚无自我从而粉碎权力可操纵的对象，但结局都是悲剧性的

We shall not yield to any outside pressure or enter into alliance with any big power or group of countries, nor shall we establish any military bloc, join in the arms race or seek military expansion.

对彼此之间的分歧，要坚持对话，不搞对抗，从双方长远利益以及世界和平与发展的大局出发，妥善加以解决，反对动辄进行制裁或以制裁相威胁。

He raised money for the Republicans in their struggle against the Nationalists under General Francisco Franco, and he wrote a play called The Fifth Column (1938), which is set in besieged Madrid.

他募款资助共和党对抗由佛朗哥领导的民族主义阵线，并以遭到围攻的马德里为背景写成《第五纵队》(The Fifth Column， 1938)。

That is to say, he opposed artistic autonomy and abstraction, and started the advancement of figuration vs abstraction.

也就是说，他反对艺术的自律和抽象化，并开始了以具象的形式对抗抽象的形式的进程。

Retreat was a self-protection for the literary, he gave up the radicalness gesture when he entered the literary world, and antagonized the modern, falsity flourishing Parnassus, or the having floweriness foamy Parnassus and the sweep of the market economy commerce with comparatively low-pitched gesture.

撤退"对韩东来说是对文学的自我保护，他放弃初入文坛时精神领袖的激进姿态，以相对低调的姿态来对抗当代虚假繁荣的诗坛，或者说存在绚烂泡沫的诗坛，以及市场经济商业化大潮的席卷。"

Wang allowed only three hits, burying his sinker against the Tigers and getting one grounder after another.

小民以拿手的伸卡球对抗老虎队，制造出一个又一个的滚地球出局，只让对方击出三支安打。

During the second half, the Oxford team's halfback, who was at fault, was ordered off the field, and thus, the Oxford team had to play against the London team with its 10 players.

下半场，牛津队的前卫犯规了，被判离场，因此，牛津队只好以10名队员与伦敦队对抗。

The probabilities are increasing, in an irregular and immeasurable manner, as knowledge and materials become available to those who wish us ill. Fear may recede with time, but the danger won't the war against terrorism can never be won. The best the nation can achieve is a long succession of stalemates. There can be no checkmate against hydra-headed foes.

这种可能性，正以一种不规则且难以衡量的速度逐渐增加当中，随时仇视我们的敌人渐渐掌握伤害我们的信息及资源，恐惧的心理或许会随着时间慢慢淡化，但危险却依然存在，对抗恐怖活动的战争永远不会结束，我们能够得到最好的结果是让问题控制在一定程度之下，对于铲除仇视我们的狂热份子绝无根治之道。

Because the genetic algorithms could search the optimization of objective function randomly, which via the evolution of groups, our work is based on the embedding/detecting way of "DWT-Based Audio Watermarking Using Support Vector Regression and Subsampling". And this method provides a preliminary discussion on the application of GA, which searching the individual with the highest fitness of attack-resistance in the aggregate of the optimal embedding strength. As an optimization solution of obtaining the optimal embedding strength, it could achieve an adaptive policy, and find a reasonable balance between the robustness and inaudibility of the watermark, just for the better robustness and inaudibility in the algorithm.

遗传算法是通过群体进化来随机搜索目标函数的最优化问题，对于前述基于支持向量回归机的小波域数字音频盲水印算法，进一步地探讨采用遗传算在嵌入强度集合中搜索对抗攻击能力适应度较高的个体，从而得到最佳嵌入强度的一个优化方案，以实现自适应策略，也使本算法能在水印的鲁棒性和不可感知性之间寻找到合理的平衡点，从而具有更良好透明性和鲁棒性。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。