令人精疲力竭的

Arethusa arethusa was once a fairy maiden huntress.she carriedbow and arrows for artemis in her hunting.she was sodevoted to her work that she cared for neither admirationnor love.one sunny summer day ,she felt hot and found a coolstream quite attractive.she jumped into the delightful streamand happily started swimming.presently she heard a bubbling in the stream and was surprised to find it was the thunderingvoice of the rivergod alpheus.the maiden made for the shore and ,fully naked ,started running away.taking a human form,the river-god followed closely in pursuit .onward they spedover hill and valley ,across dark heights and over broad plains, until the waters of the western sea lay stretched out right before them .helplessly the exhausted arethusa cried to her patronessfor help.artemis instantly cast a cloud over her body,but the pigheaded alpheus was not to be tricked.then a cold sweatbroke from the maiden''s arms and legs.the drops of water fellfrom all over her body.she had been turned into a spring!

阿瑞塞莎阿瑞塞莎是位迷人的仙女猎人。每逢阿耳特弥斯打猎时，她负责携带弓箭。她对工作专心致志，既不考虑赞美也不顾及爱情。一个炎热的夏日，她感到很热，便找到一条凉爽的溪流，深感惬意。她跳入令人愉快的溪水中，兴致勃勃地畅游。不一会儿，听到水泡声，她大吃一惊地发现：那是河神发出的闷雷声。仙女向岸边游去，赤身裸体地跑开了。河神便装成凡人的样子在后紧紧地追赶着。他们一直向前飞奔，越过小山，跨过峡谷，翻越大山，掠过广阔的平原，直到西海的水域展现在他们的眼前。绝望中精疲力竭的阿瑞塞莎哭叫着向她的保护神求救。阿耳特弥斯迅速将一层云雾披在仙女的身上。但顽固不化的阿耳法斯并未上当受骗。接着一股冷汗从仙女的肢体上溢出，并且浑身上下淌着水珠，她被变成一眼泉水了。

The poet in the amount of white hair, I found a deep depression; in Beijing, I also see the last descendant of a lonely man, he was exhausted toward the graves of his trip to limp along, from one side of the late The family can not afford the existence of illusory draw is the joy of Men Tong, looking down at the land and in the cold wind shake in the deep grass Yu uncertain, while paying lip service to call:"There is a travelers will come, he had seen I have a good youth "; he would ask: Your QQ's that for the singers there?

在白发诗人的额间，我发现了深深的苦闷；我在北京时也看见了这最后的一位孤独伟人的后代，他正在精疲力竭地向着自己的坟墓蹒跚行去，一边不断从已故亲人的虚幻无力的存在中吸取令人感到闷痛的欢乐，俯视着冰冷的土地和在狂风中摇驭不定的深草，一边口里呼道："有个漂泊者将会到来，他曾见过我的好青春"；他将会问：你的QQ里的那为歌手在那里？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。