仙境的

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

夜幕降临，那如诗般的薄雾笼罩着河畔，古老的房屋在昏暗的天空中若隐若现，高高的烟囱仿佛钟楼一般，仓库似乎也在夜色中化身成华丽的宫殿，整座城市都悬在空中，仙境般的呈现在眼前。路上的行人加快了回家的脚步，无论辛劳的工人还是儒雅的文人，无论博学的智者还是寻求快乐的人，当他们看不见时也就不能理解。而唯独自然还能尽情的歌唱，向那既是她的孩子又是她的主人的艺术家唱着动听的歌曲，因为他深深地爱着她，并充分地理解她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜色如一袭朦胧的面纱，模糊了匆匆的行人，模糊了河畔涓涓的诗情，当贫瘠之家在暗淡的天空下迷失了自己，直耸如云的烟囱衍变成遗世独立的钟鼓，当富裕之家成了晚间的宫殿，当整座城市悬挂在天堂之间，梦幻的仙境就在我们眼前——而那羁旅之人也正急速地往家的方向赶去；工人和文人，明智者和快乐者停下了思维，他们不再有看的欲望。而自然，又一次哼起了调子，仅对着艺术家唱起了她独有精美的歌，艺术家就像她的儿子和主人——爱着她的儿子，了解她的主人。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

夜幕降临，为河畔蒙上了一层轻纱，如诗般美丽、神秘。而那些毫不起眼的建筑物们则隐没在这昏暗的天空中，乍看之下，高耸的烟囱好似一座钟楼，破旧的仓库宛如宫殿般矗立于夜色之中。此时此刻，整个城市悬浮于半空中，如同仙境般展现在我们面前——接着，行人加快了回家的脚步；而工人、知识分子、智者抑或逍遥之人则驻足而望，停下了思考，故而，他们听不到自然那美妙绝伦的声音。大自然只为艺术家展现了歌喉，因为艺术家是她的孩子，她的主人——之所以这么说，因为孩子爱他的母亲，而主人则理解他的属下。

The main conclusion of course was that mind manipulating technologie does really exist, and not just causing over all symptoms, but very finetuned causing so many sensations, a million of nuances, of things i felt before, aswell things i never felt before, it was like trip of alice in wonderland, but aswell realizing a painfull truth, this really went on, and not just now, but in the past, as far i can guess out of my own experience, end sixties, begin seventies.

主要的结论，当然是精神操纵技术当然是存在的，并且不仅仅是以上症状，但能调整许多的感官，我以前所感受到的事物的一百万的细微差别，那是我以前从没感受到的，它像爱丽丝梦游仙境之旅，但也是一个痛苦的事实，这却是在继续，而且不仅仅是现在，而是在过去，我就可以猜想出我自己的经验，60年代底，七十年代开始。

The main conclusion of course was that mind manipulatingtechnologie does really exist, and not just causing over allsymptoms, but very finetuned causing so many sensations, a millionof nuances, of things i felt before, aswell things i never feltbefore, it was like trip of alice in wonderland, but aswellrealizing a painfull truth, this really went on, and not just now,but in the past, as far i can guess out of my own experience, endsixties, begin seventies.

主要的结论，当然是精神操纵技术当然是存在的，并且不仅仅是以上症状，但能调整许多的感官，我以前所感受到的事物的一百万的细微差别，那是我以前从没感受到的，它像爱丽丝梦游仙境之旅，但也是一个痛苦的事实，这却是在继续，而且不仅仅是现在，而是在过去，我就可以猜想出我自己的经验，60年代底，七十年代开始。

No clear conclusions can be made about the predictie alidity of specific measures, they found, except for criteria for the underuse of drugs for cardioascular disease.

除了心血管病不合理用药标准外，对于特定评价方法的预测效度没有明确的结论。

The third and last is that almost all of them, being infinite in number, have been impostures, and by idle and crafty brains merely contrived and feigned after the event past.

第三、即最后一点是：几乎所有这些不胜枚举的预言都是欺人之谈，都是在事件过后由无聊而狡猾的脑筋推测与凭空捏造的。