他生的

She and the goddess Durga battled the demon Raktabija who could reproduce himself from each drop of blood spilled.

她和Durga女神和恶魔Raktabija展开斗争，他可以通过滴下的每一滴血来自我重生。

Pete Seeger was born in 1919 and has received many honors during his long career.

比特西格生於1919年，在他的歌唱生涯中得过许多荣誉奖项。

Mark's Canal in Venice for the legendary lost column of Luxor, photographed nuclear-bomb explosions at Eniwetok, probed the Caribbean for Spanish gold, and searched repeatedly for Scotland's Loch Ness monster.

半个世纪以来他同雅克·库斯托和卡吕普索号的水手们（他们都称他&闪光爸爸&）探索着海底世界，从撒哈拉沙漠追寻着本世纪持续时间最长的日全食，用声纳去探听威尼斯圣马克运河里传说中失落的勒克生廊柱，拍摄了埃尼威托克岛上的核弹爆炸，在加勒比海探查西班牙黄金，并且反复搜寻了苏格兰的尼斯湖水怪。

These men and others should be as easily recognized as Bell, Edison and Salk.

这些人及其他的人应该也能像贝尔，爱迪生及萨尔克一样轻易地为人们所接受。

I was born without teeth—and there Richard III had the advantage of me; but I was born without a humpback, likewise, and there I had the advantage of him

我出生时没长牙齿——在这一点上，理查德三世占了我的上风；但是我生下来并不驼背，在这点上我又把他给比下去了。

The summit has been hosted by the Japanese Prime Minister Taro Aso in his home city of Fukuoka.

这次峰会将会由日本首相麻生太郎在他的家乡日本福冈主持召开。

I will analyze the significances of other people's death in Giacometti's life. These third person's deaths are not taken as an event of accident because he learned lessons from that. Then, he was compelled to live by the way of facing death.

首先，先分析Giacometti生命中，他人之死的遭逢与意义，对Giacometti而言，这些他人之死，绝不能只单纯被视为是一个事件，因为他能够从他人之死的经验中，体认到死亡只是自己的，了解到自己逃避不了死亡，因而，他被迫以面向死亡的方式来生活。

These are kept today in the Andersen Museum , which is in the house where he was born in Odense.

所有这些现在都保存在他在欧登赛出生的那间房子----安徒生展览馆中。

One of the most famous authors of fairy tales in the world, Hans Christian Anderson, was born in Odense in the 19th century.

安徒生是世界上最著名的童话作家之一。19世纪，他出生在欧登塞。

One of the most famous authors of fairy tales in the world, Hans Christian Anderson, was born in Odense in the 19th century.

汉斯。安徒生是世界上最著名的童话作家之一。19世纪，他出生在欧登塞。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。