他形体
- 与 他形体 相关的网络例句 [注:此内容来源于网络,仅供参考]
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He is beyond description, beyond all manifestation, beyond limitation of form, time and space.
他在形象之上,在所有显现之上,在受限形体,时间和空间之上。
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He felt himself almost bodiless, a bundle of frightened thoughts bumping down into the cryptic earth.
他觉得自己几乎没有了形体,在这个神秘的地下,所存在着的不过是一些吓坏了的想法。
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He identifies himself with its centre of gravity, its mass, its weight.
他把自己与形体的重心、质量、重量联系在一起。
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As director of the Clave Kazi Dance Company, he has taught and performed at every major Salsa Congress in the USA.
他能够出色的完成舞伴的动作,腿功,形体塑造,计时,与音乐的配合以及旋转等一整套课程的教学。
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He must strive continually to think of,and use,form in its full spatial completeness.
他必须勤于想象并且利用形体在空间中的完整性。
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In fokelore, be in very long a long time ago, god created Adam with mud by his body; Later, the suffering that suffers loneliness to make he is avoided created Eve again------Each a breast is in before the bosom, with a pair electronegative micturition organ is in private parts.
传说中,在很久很久以前,上帝按自己的形体用泥巴创造了亚当;后来,为了使他免受孤独之苦又创造了夏娃------每人都有一个乳房在正胸前,和一副阴性排尿器官在下体。
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Aronofsky's jumping editing style makes the film keep a sense of mystery. Three parts that seem irrelevant finally become one point in the end. Tom puts himself in the universe and lives with his wife who transform into a tree. The time of getting immortal life finally comes, form upgrades into spirit. It keeps Tomas from being killed by the gate keeper and also let him to experience the meaning of being "eternity" after being greed of immortality.
阿朗诺夫斯基的跳跃式剪辑手法使影片保持著一份神秘感,三段看似不相关的支线,终於在最后交集成为一点,在汤姆将自己置身於宇宙中,而和妻子转化而成的大树共生,获得永恒生命的时机终於到来,形体升华成了精神,它让托玛斯幸免於被守门人杀死,也让他在贪婪於长生不老后亲身体验「永恒」的涵义。
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I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and whatnot; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution.
我爱从羊膜中溅出的羊水;我爱生着引起痛苦的的结石、肾砂和诸如此类东西的肾脏;我爱撒出的热呼呼的尿和久治不愈的淋病;我爱歇斯底里的疯话、像拉痢疾一样一泻而出的句子和灵魂全部病态的映像;我爱亚马逊河和奥里诺科河这样的大河,那儿摩拉瓦基乃之流的狂人在一只无顶的小船上漂过了梦和古老的传说,淹死在瞎眼的河口中;我爱流动的一切,甚至爱女人来月经时流出的血,它冲走了生育能力不强的精子;我爱会流动的手稿,不论它们是用象形文字写的、深奥的、反常的、多形体的或是单边音的;我爱流动的一切,一切其中有时间的和适当的东西,它们把我们带回永远不会结束的开始中,即先知们激烈、令人狂喜的猥亵,宗教狂的智慧,牧师和他的橡皮连祷文,妓女的下流话,从排水道里漂走的唾液,乳房里的奶汁和子宫里流出的带苦味的蜜水,以及一切流质的、溶化的、放荡的和有溶解力的,所有在流动中得到静化的脓和脏物,那些失去其出身意识的东西和那些将大循环驱向死亡和瓦解的东西。
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He stretched out his arms in the street to hold fast the frail swooning form that eluded him and incited him.
他在街上伸出双臂去支撑那个既躲避又激奋他的虚弱的晕旋的形体。
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So me of them are voluntarily incarnated on the Earth, each has got h is own task, which he has chosen.
他们其中的一些是自愿地在地球上赋以形体,各自已经获得他自己的任务,他已经选择的使命。
- 推荐网络例句
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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.
索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。
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The relationship between communicative competence and grammar teaching should be that of the ends and the means.
交际能力和语法的关系应该是目标与途径的关系。
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This is not paper type of business,it's people business,with such huge money involved.
这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。