他形体

At this dim inceptive stage of the day Tess seemed to Clare to exhibit a dignified largeness both of disposition and physique, an almost regnant power, possibly because he knew that at that preternatural time hardly any woman so well endowed in person as she was likely to be walking in the open air within the boundaries of his horizon; very few in all England.

在一天中这个朦胧的最初的阶段，克莱尔觉得苔丝似乎在性格和形体两个方面都表现出一种尊贵和庄严，那几乎就是一种女王的力量，也可能是因为他知道，在外貌上像苔丝那样天赋丽质的女子，都不大会在这个奇异的时刻里走进露天里来，走进他的视线的范围以内；这在全英国是非常少的。

Helbig and Oskar Lüthy with whom he founded the "Moderner Bund"("Modern League") in 1911. Was one of the organizers of the first exhibition of "Der moderne Bund" in Lucerne, showing works by Amiet, Arp, Friesz, Gauguin, Gimmi, Helbig, Hodler, Lüthy, Matisse, and Picasso.

他的阴刻版画《绝妙的丑角》反映了他在雕刻中的形体变态的艺术风格，而作品《花》则表现了他驾驭多义的线条语言的才能：这里我们可以把"花"看成是高举手臂的人物形象，就象正在逃跑的达夫尼(希腊神话中的人物——译注化成了一棵月桂树)。

The obscurity was now so great that he could see absolutely nothing but a pale nebulousness at his feet, which represented the white muslin figure he had left upon the dead leaves.

黑夜深沉，他隐约看见的只是脚边一片暗淡的白影，表明那是穿着他的衣服躺在枯树叶上的苔丝的形体。

Upon leaving the shadows, Barathrum shocks his opponent into an immobile state for some time.

当巴拉森从阴影中恢复形体时，他会震摄他的敌人，使他们暂时进入无法移动的状态。

Upon seeing him,they fell at his feet and said in sweet words,"O Maharaja Bharata,by your mercy we were freed from the forms of trees."

看到他，她们便拜倒在他足下并献上甜美的话语，&巴茹阿特·玛哈茹阿佳啊，由于您的仁慈，我们已从树的形体中解脱了出来。&

If someone alive today has no knowledge of the pole shift what happens if they die before the pole shift - do they suddenly became aware of what is about to take place on earth when they die and are discarnate, are they told by spirit guides and can they therefore hang around to watch loved ones during the pole shift.

如果今天活著的某人知道极移发生的情况，而在极移之前他就死了，那他在死亡和失去形体的时候，可以突然意识到在地球上将要发生的事情吗？

If someone alive today has no knowledge of the pole shift what happens if they die before the pole shift - do they suddenly became aware of what is about to take place on earth when they die and are discarnate, are they told by spirit guides and can they therefore hang around to watch loved ones during the pole shift.

如果今天活着的某人知道极移发生的情况，而在极移之前他就死了，那他在死亡和失去形体的时候，可以突然意识到在地球上将要发生的事情吗？

Helbig and Oskar Lüthy with whom he founded the "Moderner Bund"("Modern League") in 1911. Was one of the organizers of the first exhibition of "Der moderne Bund" in Lucerne, showing works by Amiet, Arp, Friesz, Gauguin, Gimmi, Helbig, Hodler, Lüthy, Matisse, and Picasso.

他的阴刻版画《绝妙的丑角》反映了他在雕刻中的形体变态的艺术风格，而作品《花》则表现了他驾驭多义的线条语言的才能：这里我们可以把&花&看成是高举手臂的人物形象，就象正在逃跑的达夫尼(希腊神话中的人物——译注化成了一棵月桂树)。

Following them,he discovers that they belong to a loathsome,ape-like creature that lopes along before him,eventually disppearing down a ladder into a shaft.the time traveler cannot believe that this creature is as human as the Eloi until he realizes that the Morlocks,as they are called,are also descended from the human beings of his time.

于是他跟踪他们，结果发现他们属于一种令人厌恶，形体似猿的动物，在他前面阔步慢跑着，最后沿着一架梯子进入一个洞穴时消失了。时间旅行家意识到，这些被称为莫洛克人的就是他那个时代的人类繁衍下来的后代，直到这时他才相信，他们和埃洛伊人一样具有人的属性。

He mentally visualizes a complex form all round itself.

他在脑海里从形体的各个方面来模拟庞杂的形体。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。