从文化角度

The news entertainment is studied in three aspects. In the first part, the roots of the entertainment news are also studied through three ways: the culture background of postmodernism, the fashion of consumerism and epicurism, and the influential position of medium behoof. In the second part, the aesthetics in entertainment news is studied through the relationship among the news, entertainment and aesthetics. In the last part, the judgement in moral and the conduction in entertainment are studied through the moralism of the news and the obligation of the mass media.

本文分为上、中、下三篇，从三个不同方面分别对新闻娱乐化现象进行了探究、思考和评判：上篇从后现代主义的文化语境、消费享乐主义的盛行、媒介商业利益的凸显等角度分析我国新闻娱乐化现象出现的深层原因；中篇从新闻、娱乐、审美三者之间的内在联系上，对新闻娱乐化现象进行审美思考：下篇从新闻的道德性和大众传媒的社会责任等方面对新闻娱乐化现象进行道德评判及引导。

This thesis analyzes theoretical base about the back-to-life curriculum in kindergarten from the angle of life, life and children, life and curriculum, which put forward the point that life is definitely to occupy, enjoy, assimilate and create the material culture, spiritual culture and institutional culture of human beings, and life is an motile activity which exists, develops with a person"s life and which can realize a person"s life values. The thesis also advances the view that the childrens mental and body characters decides that their study style is experiential, integrated, gameful, active and passive. All these make the life world of children become a unique one. Life character is the most basic one of the curriculum in kindergarten.

本文从生活、生活与儿童、生活与课程等角度对幼儿园课程回归生活进行了理论分析，提出：生活就是占有、享受、内化并创造人类物质文化、精神文化和制度文化，围绕人的生命存在和发展，实现人生价值和意义的能动的活动；儿童的身心特点决定了他们的学习具有直接经验性、整体性、游戏性等特性，这就使儿童的生活世界成为一个独特的世界；生活性是幼儿园课程最基本的特性。

Reputation rights and portrait rights. After all .we should control it based on free to talk for every enent.to keep within limit tricks.and to protect popular culture.its easy to innovation propus culture and leading progress of right culture, for reference the right theory.to control such phenomenon.at last perfect regulations of protection tricks.

从学理介和法学界的角度来说，网络&恶搞&在网络的传播可能对应的是歌曲作品的著作权、相关主体的名誉权和肖像权构成侵犯，尽管如此，我们应当在保护公民言论自由的基础上寻求对其进行规制，从而扼制侵权行为，保护正当的当今流行文化，以便于发展正当文化的革新，引领时代文化的发展，对于侵权问题的学说和借鉴，因根据实际情况和现实意义对此种现象进行合理的管制和定论，完善侵权保护制度。

The second part """"The Cultural Ecosystem and Basic Feature for The Creation of The Epic"""", the author discusses the cultural reasons why so many epics are exiting in the minority nationalities community in South-west China. The following angles are under argument: ecosystem, history, literature and psychology factors. At the same time, the author also analyzes the basic feature of the epic, introducing the relationship between the epic and myth.

第二部分&创世史诗产生的文化生态系统及其基本特点&，作者从生态环境、历史文化根源、文学渊源和心理基础等几个角度论述了&创世史诗&集中出现于中国南方少数民族社会中的文化生态原因，具体分析了创世史诗的基本特点，介绍了创世史诗与神话的关系。

The second section, the developing process, cultural characteristic and document analysis of poetry folk tendency.

然后，从大众文化、后现代性、多元文化主义三个角度关照这一时期诗歌民间化趋向呈现出的文化特征。

The thesis research the Romance and Hero novels just use parallel research method, the point of view on the love and altruism, from literarily construe similarities and differences between them.

基于此，本文以骑士文学和侠义小说作为研究对象，运用平行研究的方法，选取&情&和&义&两个角度，从文学现象入手分析异同，再切入到文化层面，发掘深层原因，力求能管中窥豹，揭示中西两种文化的特质，阐释侠义精神和骑士精神在文化性质、价值观念以及对国民性的影响上的差异。

This paper, grounded on the related literature theories, sets as its goal to explore the characteristics and styles of the feminine poetry in the 1990s on the whole. At the same time, it also analyzes the individual poetesses and their poetic works over a span of time. Based on "the Collected Works of China"s Feminine Poetry" published in 1997 yet not confined to this book only, In the meanwhile, three perspectives will be taken into consideration, namely,"feminism","language" and "popular culture.

本文旨在回归诗歌文本，以相关文艺理论为依据，对90年代女性诗歌整体特点与风格进行探索，然而纵向切入的角度则始于单个诗人及作品；以1997年《中国女性诗歌文库》所收录的诗人为出发点，但不局限于此文库：同时横向兼顾从&女性主义&、&语言&和&大众文化&三个角度进行研究。

Derrida's "The Rhetoric of Drugs", discuss how Opium consumption became a problematic in the modern world. By a comparative perspective of cultural history, we try to explain the cultural meanings of the difference of two consumption of opium in the 19th century Europe and in the late imperial China: Opium literature for one and the material culture of opium smoking for the other.

〈毒品的语艺〉一文出发，探讨鸦片如何成为一个现代的问题意识；也从比较文化史的角度探究何以在十九世纪欧洲和晚清中国各发展出两种不同的鸦片消费文化：鸦片文学以及精致的鸦片物质文化，并试图解释其间差异的文化意义。

In the second chapter the author expounds the adapting strategy the missionaries from the Society of Jesus applied in China and its effect.

第一章分析以天主教为主要内容的南蛮文化在日本得以迅速传播的原因，并从社会政治和文化的角度探讨日本统治者与天主教文化激烈冲突的历史逻辑。

It explains "glossematics","syntax" of the symbol in Chu culture from the aspect of linguistics to reveal the interior rule of syntax,pragmatics and morphology so as to analyze using traditional symbol semantic features to express the essence of designed culture in modern times and reflect the special social sense of times and expressions of value oriented.

从语言学的角度，通过对楚文化符号的&语符&、&语法&等方面进行解读，力图揭示楚文化符号的构词及其语法、语用的内在规律，以探讨利用传统符号语义特征传达现代设计的文化内涵，体现特定社会的时代感和价值取向的表达方式。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。