从文化角度

It's a new research into aboriginality of folk religion in South-East China by a cross-nation-culture beyond Han-nationality's view. The brightness of the article is distinguishing the basic culture of abrigines and the superculture of Han immigrants, and finding the transitional history from aboriginal religion to folk religion in South-East China by the co-research of archeology, history, folklore and anthropology.

东南民间信仰土著性问题的提出突破了汉文化一统演化论的视野，从跨文化的角度考察民间信仰文化，通过考古学、历史学、民俗学、人类学的整合研究，在纷繁复杂的东南民间信仰文化中区分土著越人的基层文化与客来汉人的上层文化，追溯从土著的"万物有灵"和"好巫尚鬼"到东南"汉"人复杂多样的自然崇拜和发达的"救生"神灵的历史过程，理顺其传承与变迁，构建从土著越人原始宗教到东南"汉人"民间信仰历史发展的知识框架。

The article starts from the definition of entertainment news ,takes differences from the culture news, particularize main sorts of problems exist in the current entertainment news of China Mainland, and focus on the view of mass culture, accepter psychological and its own reporters, analyses reason of its formation.

本文从娱乐新闻的定义出发，与文化新闻做了区别，列举了目前中国内地娱乐新闻中存在的几大类问题，并着重从大众文化的角度、受众心理的角度以及娱乐记者本身的角度分析其形成的原因。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The innovation of this paper lay in introducing the innovation theory to study the exploration for the innovation of architectural design of the Pritzker Architecture Prize winners, summarizing the personality characteristics and the time characteristics of the innovations of their architectural designs, studying the innovations of their design conceptions to establish their theoretical system of the innovation of architectural design from the four aspects of nature, culture, city and art, expatiating on their innovation of architectural form to make the basis for the further research from the three aspects of form, space and detail, studying their innovations of building technology to provide valuable suggestions for architects to make use of more new technologies in their architectural design inventively.

论文的主要创新之处在于引入创新学理论，系统地总结了普利茨凯奖获奖建筑师对建筑设计创新的探索；提出了他们建筑设计创新的个性特征和时代特征；从自然、文化、城市和艺术四个角度研究了他们的设计理念创新，初步构建了他们建筑彩钢活动房设计创新的理论体系；从形体、空间和细部三个角度指出了他们的建筑形态创新，为建筑形态创新的进一步研究做了铺垫；从材料、结彩钢活动房构、生态和计算机技术四个角度论述了他们的建筑技术创新，为更多的新技术在建筑设计中的创新应用提供了有益的借鉴。

Therefore, this article outlines three chapters, in which the first chapter discusses the prosperity of the Shanghai tabloids and tabloid literature and the causes; the second chapter discusses, from the discourse of the urban citizens'culture, the prosperity of the tabloid literature, the popular appeal of the tabloids and the urban citizens'cultural psychology of mammonism and plebeianism; the third chapter discusses, from the discourse of the elite culture, the relation between the tabloid literature and the elite literature, which mainly focuses on the tabloid literature's countermeasures and spontaneous choice in the discourse of elite culture.

因此，本文共分三章，第一章概述上海小报及小报文学的繁盛及其原因；第二章从市民文化语境的角度来探讨小报文学的繁荣、小报的大众化欲求以及由此产生的市民拜金与尚俗的文化心理；第三章则从精英文化语境的角度来探讨小报文学与精英文学的关系，主要分析论述小报文学在精英文化语境下的应对策略及自觉选择。

This is, for China and other multiracial countries, very positive and may give some solutions for the future. In the introduction there is an explanation of the reason why I choose this title and also the questions about Switzerland in the field of present research and the meaning of those researches. The first part describes the formation of the community of Switzerland, and there I define the word "community" and the peculiarity of each member of this community, the time the Swiss people take to build this community. The second part describes this formation with more details like geographical problem, language differences, the psychological pugnacity for liberty, the practical art of neutrality and the freedom for religious behavior. Those themes prove the formation of the Swiss community. The third part contains the following topics: the international position of Switzerland and its stability, the balance of economic production, the foundation of the Swiss government and the charm of its feature. For those topics I use the economic, political and cultural angle.

全文分为瑞士多民族社会的形成，在这一部分中重点介绍了民族和民族共同体的界定，瑞士各民族的地理分布及主要特征，瑞士民族共同体形成的历史时间断限，在这一部分中特别提出了民族共同体的概念，为全文的行文打下一个概念基础；在瑞士民族共同体形成的表现部分中，共分为语言和地域差别问题的消弭，崇尚独立自由的心理素质的确立，中立外交政策的奉行，宗教多元化的制衡等几个小的部分，四个部分平衡并立，共同来论证瑞士民族共同体的表现；在瑞士民族共同体诞生的原因中，共分为以下几个部分，有瑞士特殊的国际地位与多民族社会的稳定，平衡发达的经济及其吸引力，多元政治体制的建构和灿烂文化和性格的魅力，也就是从政治、经济和文化三个角度对这个问题进行了阐述；在现代瑞士多民族社会问题部分中，有如下几个部分瑞士的外来人口在瑞士国家的生活状况，外来人口融合中的困难，以及瑞士民族共同体中其他的一些社会问题，主要探讨的是瑞士社会中的外国人的生活状况，以及在融合和同化的过程中的成功经验以及给整个瑞士社会带来的几个突出的社会问题；最后是对现代瑞士多民族社会问题的思考，也就是从和睦性，认同感以及民族平等政策三个角度中进行的分析。

Research and explore the intension and composing of university athletics culture ,which will want to hold direction of transitionary, and from the higher angle the esse of the person and the angle of developing go to understand athletics culture and complete harmonious development, set up and bring into effect to adapt to demand at universit...

研究和探索高校体育文化内涵与构成，就是要把握它变迁的方向，从更高的角度———人的存在与发展的角度去认识了解体育文化与人的全面和谐发展。构建和实施适应现代社会所需求的有中国特色的高校体育文化系统，使高校体育文化在培养具有现代素质的人的方面摆脱当前力不从心的局面，使之有较大的改善和进展。

From the point of practice and dvelopment, how to impove the ability of credit risk management for Yinchuan city commercial bank is discussed surrounding the client raiting and credit extention, measures of credit risk, management strategies of credit risk, conclusions of the paper are listed as the following:Through positive analysis, the current methods of client rating and credit extension is simple and convenient for application, there are four disadvantages in index system of it: non-customer subdivision, non-consideration factors on industrial risks, larger quantitative indicators ratio, non-consideration factors on affiliated enterprise risk, and some corrective measures are put forward to solve it, customer subdivision, factors-added on industrial risks, set stationarity indices ratio in reason, factors-added on affiliated enterprise risk; From the point of development, Based on the technology of Value-at-Risk and CreditMetrics model we discussed the methods of credit risk analysis and measurement and gave the example of how to calculate the VaR value of individual loan and combined loan; This paper probes into the strategies which raise the ability of credit risk management for Yinchuan city commercial bank from five aspects, including strengthen the inner control, improve the technique level of risk management through information technique, solve the problem of non-performing loan, adjust the credit orientation and structure, foster credit culture with its core based on risk control.

从实践和发展的角度出发，围绕客户评级授信、信贷风险测量、信贷风险管理策略三个方面，就如何提高银川市商业银行信贷风险管理水平展开研究，得出以下结论：通过实证分析，银川市商业银行现有的客户评级授信方法具有方法简单、易于推广的优点，但客户评级授信指标体系具有客户分组不细、未考虑行业风险因素、定量指标占比过大、未考虑关联企业风险因素的缺点，应通过细化客户分组，增加行业风险因素指标、合理设定定性指标比重、增加关联企业风险评价指标等措施进行改进；从发展的角度出发，在基于VaR框架和CreditMetrics模型技术的基础上，探讨了银川市商业银行信贷风险分析和度量的方法，给出了采用CreditMetrics模型技术计算单笔贷款、组合贷款VAR值的例子；从五个角度探讨了提高银川市商业银行信贷风险管理能力的策略和手段，包括强化信贷风险内控管理机制、利用信息技术提高信贷风险管理技术水平、综合治理化解不良资产、调整信贷结构、建立以风险控制为核心的信贷文化等对策。

Firstly, observed the meaning of shibi culture from the view of minority intangible culture heritage anew. Secondly, researched and recorded the history and actuality of shibi and shibi culture transmission by oral historiography. This data prepare the base of shibi and shibi culture studying. Thirdly, researched and studied the shibi sutra and picture sutra of shibi using frame of reference of ethnonymics, ethnology and linguistics, opened out the inbeing of shibi culture. Fourthly, based on the characteristic of religion system, I observed the conception of deities and ghosts of Ch'iang people anew. Fifthly, researched and studied the folk religion ceremonials for sacrificing offerings to god and deities, and unscrambled the multi-meaning of shibi culture.

论文的创新之处主要体现在五个方面：第一，从非物质文化遗产的角度，重新审视羌族释比与释比文化的价值；第二，运用口述史学的方法最大限度地还原并重构羌族释比传承、释比文化传承的历史、释比文化的内涵、释比文化的现状等，为释比文化的研究奠定了基础；第三，运用民族学、文化人类学、语言学等方法，对释比唱经、释比图经《刷勒日》等进行全面、深入、细致的调查，剖析释比文化的本质内容；第四，从羌族民间信仰的体系的特点，重新审视羌族神鬼观念；第五，重点调查并研究羌族祭山会仪式，解读羌族文化的多重意义。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。