从文化角度

This thesis attempts to analyze the essence of carnivalization in Ivanhoe from the perspective of the Civil Humoresque Culture, with Bakhtin's Carnival Theory, to fill the gaps in the theoretical perspective, with a view to further promoting the research of Scott.

本文就尝试从民间诙谐文化角度切入，并运用巴赫金"狂欢化诗学"来分析《艾凡赫》民间狂欢化的实质，以填补这一理论视角的空白，以期进一步推动司各特的研究。

The links between the two countries are so strong that linguistically,and probably culturally too, they are closer together than ever.

然而，两国之间的联系毕竟是紧密的，从语言和文化角度讲，英美两国在语言方面的联系将比任何时候更加密切。

In short, the scientific theory of the evaluation process is a very complex process, the evaluation of scientific theories of the problem, it is clear that only committed to the form, the level of logic is not enough, but also from a cultural point of view look at their all-round.

总之，科学理论评价过程是一个非常复杂的过程，对科学理论评价问题的探讨，很显然仅仅致力于形式的、逻辑的层面是不够的，还应从文化的角度对其进行全方位的审视。

It is significant to make a study on sinicization of Marxism from the perspective of culture.

摘 要：从文化的角度考察马克思主义中国化具有重要的意义。

This paper attempt to summarize the metamorphose phenomenon of literature and art and call it "metamorphose genre "and try to reveal its source and course, compare the difference of the world understanding that it shows in the culture of Chinese and Western, display its special artistic quality and the development in future.

本文试图从体裁角度归纳变形文艺现象为"变形体"这一特殊的文艺形式，并力图揭示它的源流，比较它在中西文化中表现出的不同的世界感受，展现其特殊的艺术特质及其在未来的发展与流变。

In respect of botanical aesthetics, the paper introduces the origins and landscape beauty of plantain in order of time and space, and reveals the aesthetic and landscape values of plantain.

在物态文化美专题，对芭蕉的种植源流、景观美从时空角度展开介绍，展现了芭蕉的审美价值及建立在审美价值基础上的园林价值。

Look from this angle, chinese net swims to have very much " commercial culture " temperamental.

从这个角度上看，中国网游就很有"商业文化"的气质。

It is known that causally using taboo words or taboo topics may cause misunderstanding, offence, even unfriendliness.

此外，笔者还从文化语境角度出发，较详尽地对英汉禁忌语的异同进行了对比分析。

This thesis aims to probe into translatability and untranslatability from a dialogic and communicative angle.

本文从文化交流的角度出发，探讨和肯定了可译性。

This dissertation attempts to map out African American dreams for personal fulfillment, for equal opportunity, for recognition in the society, and for a place to start all over again respectively in four major novels written by African American writers in the twentieth century: Their Eyes Were Watching God (1937) by Zora Neale Hurston, Native Son (1940) by Richard Wright, Invisible Man (1952) by Ralph Ellison, and Paradise (1998) by Toni Morrison.

本文以非洲裔美国作家于二十世纪创作的四部作品（佐拉·尼尔·赫斯顿于1937年发表的《他们眼望上苍》、里查德·赖特于1940年发表的《土生子》、拉尔夫·艾里森于1952年发表的《无形人》和托妮·莫里森于1998年发表的《乐园》）为对象，从文化研究的角度分别考察了非洲裔美国人追寻自我价值的实现、平等寻梦的机会、主流社会的认可和获得新生的机会等梦想。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。