从下到上

From wardens to deaf-blind people, from enterprises to media, from Sun Li, Deng Chao to former basketball player Ma Jian, from Badminton world champion Gong Ruina, and Chess master Liu Xiaoguang to actor Liu Bin, He Bin, singer Tian Zhen and Fu Disheng couple, from Zhao Pu, Chunni to journalists in Beijing, from foreign students to foreign guests, from volunteer stations to tourist sites, from office buildings to Olympic stadiums, from busy streets to ordinary communities, over 100,000 people dressed in the same Olympic shirt hand printed by artists and celebrities, unfurling Chinese people's passion and hospitality by showing direction to foreign friends and so forth, without even language communication."Olympic Shirt Direction Guider" made up unique scenery from the city, warm praises came from central government, multi-media, business units and institutions, ordinary citizens, foreign friends, political leaders abroad, athletes and foreign media; massive media coverage from CCTV, Xinhua News Agency, People's Daily, Global Times, BTV, CRI, Top 3 Agencies, Beijing Youth, JB News Media, Southern City Daily, Big River, Xinmin Evening, Qian River Evening, Yangzi Evening, Chinese Merchants, Yanzhao Evening, Sina.com, Sohu.com, MSN.com, Chinanews.com, Phoenix TV, Takungpao, Lianhe Zaobao, China Times, New York Times, Mirror of Germany, Guardian of Britain, Europe Times of France, BBC, CNN and so on, all jointly promoted Beijing and Chinese people's friendly, hospitable image to the world.

上到区长下到聋哑百姓，从企业到媒体，从孙俪邓超到前篮球运动员马建，从世界羽毛球冠军龚睿娜、围棋大师刘晓光到演员刘斌和何冰、歌手田震和付笛声夫妇，从赵普春妮到京城媒体记者，从留学生到留学客，从志愿者站到旅游景点，从写字楼到奥运场馆，从繁华街道到普通社区，近10万人穿上一件由艺术家和社会名人手绘的地图"奥衫"，在不用语言交流的情况下，为初次来京的外国朋友指路，展现中国人的热情好客，"指路奥衫"成为奥运会期间京城一道独特的风景线，受到中央政府、媒体各界、企事单位、普通百姓、外国友人、国际政客、运动员、国外媒体等各行各业的大力赞赏；包括中央台、新华社、人民日报、环球时报、北京台、国际广播电台、国际三大社、北青报、京报集团下各大媒体、南都、大河报、新民晚报、钱江晚报、扬子晚报、华商报、燕赵晚报、新浪网、搜狐网、 MSN 网、中新网、凤凰卫视、香港大公报、联合早报、中国时报、纽约时报、德国镜报、英国卫报、法国欧洲时报、 BBC 、 CNN 等近百家国内外媒体大篇幅报道，将中国北京和中国人民的友好热情与良好形象推广到了全世界。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Shoulder Loop: down upper back; begins at center of upper palate to base of heart.

肩 圈：从上颚中心起，沿着颈部后侧和上背部往下到肩胛骨的下缘，往前到心脏底部和横膈膜顶部，再往上从胸骨底部到胸腔和喉咙，最后至上颚。

With the cahoot of the government and media, as well as the enthusiastic and unbidden cooperation of the most Chinese populace, China becomes one boundless stage in 2008 thoroughly.

在政府、媒体的合谋中，以及大多数民众的积极自主配合下，中国社会从上到下，从里到外在2008年间俨然变成一个无边无际的大戏台。

In this section, applying the method, from abstract to specific and from history to present, it analyzes the operation mechanism of urbanization economy affected by market mechanism; puts forward four theories of urbanization economy from economic perspective, including agriculture surplus and comparison advantage; non-agricultural industry; agglomeration economy and spillover effect, on this basis of the theories, it, on one hand, analyzes two kinds of internal mechanism in the chronologic operation of urbanization economies: increasing mechanism of urbanization economies in urban output industry; and changing mechanism from specialization to integration, which are the representations of the evolution of "mart" development; on the other hand, it analyzes two internal mechanism of dimensional operation of urbanization economy: internal spatial enlargement mechanism of urbanization economies from monocentric city to multi-center city, and external spatial enhancement mechanism which represents city-regionalization and city-chain connection, the later two mechanism represent the evolution of "polis" development.

这一部分，按照由抽象到具体和由历史到现代的研究方法，分析了市场机制作用下的城市化经济运行机理，从经济学角度提出了农业剩余与比较优势、非农产业、聚集经济、外溢效应四大城市化经济定理；在此基础上，一方面分析了城市化经济运行沿时间增长的两个内在内容提要机制：城市输出产业的城市化经济增长机制和从专业化到综合化的城市性质变迁机制，它们主要表现为&市&发展的延续；另一方面分析了城市化经济运行沿空间增长的两个内在机制：从单中心到多中心的城市化经济运行的内部空间扩展机理和表现为城市区域化、城市连绵体的城市化经济运行的外部空间扩展机理，它们主要表现为&城&发展的延续。

First of all,Thanks for wulong academy,it let me be favour in studying english,make me have courage to speak english,I will take progress in a happy and relax environment,it break out forepassed normal method and give us a fire-new way.Finally I wish wulong academy to take a great s

很遗憾，这是篇不完整的随笔，而且写的很差，放在这里留个纪念，反正看到的人不会多，我很痛苦，为什么写作能力在退化）从兰州到敦煌——为了纪念的纪念 2009 年 10 月 16 日到 20 日，我们从兰州走到了敦煌，在祖国的甘肃省这一根大骨头棒子上从下往上舔了一遍，对我这样一个从小生长在江南水乡

It was with the utmost hazard the boat came near us, but it was impossible for us to get on board, or for the boat to lie near the ship side, till at last the men rowing very heartily, and venturing their lives to save ours, our men cast them a rope over the stern with a buoy to it, and then verged it out a great length, which they after great labour and hazard took hold of and we haled them close under our stern and got all into their boat.

小艇上的人冒着极大的危险靠近我们的大船，但我们无法下到小艇，或者让小艇靠拢大船。后来，小艇上的人奋力划着浆，冒着险救我们；我们就从船尾抛下一根带有浮筒的绳子，并尽量把绳子放长。小艇上的人经过很大的努力和危险，终于抓住了绳子。我们就慢慢把小艇拖到我们的船尾下面，然后全都下到他们的小艇。

The results demonstrate that,(1) The average genetic value of the sires of bottom-up scheme are higher than that of conventional progeny-test by 10%, the bulls that enter progeny-test by 55%, and the cows by 6%.

结果表明，（1）和常规后裔测定相比，从下到上计划可以使种公牛的遗传值提高10％，参加后裔测定的青年公牛的遗传值提高55％，母牛的遗传值提高6％。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Look at the rock face from down up.

你看这岩壁从下到上。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。