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January 19, 2006 - by Summer LiuAmerican-born Taiwanese pop star Lee Hom Wang's new album, Heroes of Earth, was released at the end of December. Using the standard hip-pop look on the cover, Lee Hom is a dishy combination of charm and talent. His intention was to create a very Chinese album with a smattering of traditional sounds that has international market appeal. The release of this album marks a new stage in Lee Hom's career.

似乎从Hip-Hop在台湾流行以来，近年来的创作歌手就一直在摸索以及创作Hip-Hop歌曲，而到了现在的阶段，似乎是有志一同的把中国风味的音乐元素加进自己的音乐中极力创作出属于自己的风格，陶喆从他的第一张专辑开始就会在专辑中放一首东方风味的歌曲，周杰伦在自己的唱腔中融入了京戏唱腔，王力宏从上张专辑《心中的日月》也开始作此一尝试，如果说《心中的日月》是在摸索他所称之为Chinked-Out风格的曲风，那这张专辑《盖世英雄》就是趋近成熟的成品了。

This paper from the specific design solutions to explain diskless network technology, from the most basic choose specific server hardware configuration, workstation machine to diskless software support specific parameters are summarized up the sharpness of core technology, diskless series from the history, diskless networks practical solutions, hardware configuration, software configuration.

本论文从具体的设计解决方案来讲解无盘网络技术，从最基本的选购硬件服务器工作站机器的具体配置，到无盘软件支持的具体参数概括了整个锐起系列无盘的核心技术，从无盘网络的历史，到实际的解决方案、硬件配置、软件配置。

In the past years, the settlement to the problem has been mostly bottom disposure: the means only transforms waste from one form to another, and the waste doesn"t disappear from the earth or is reused in the new flow, thus this can"t resolve the problem ultimately.

近几十年，对这一矛盾的解决主要还是停留在废物的末端治理上，但从长远看，这种方法只是将废物从一种形式转化成了另一种形式，该废物并没有从地球上消失，也很少被重新利用进入新的流程，所以这种方法是治标不治本的。

In view of the dominance, fashion must be dominated by the leading persons in the sphere of spiritual culture; in view of its spread, the sense of social responsibility of media has to be strengthened; in view of its manifestation people's a-bility to distinguish beauty from...

从时尚主体来看，必须由精神文化层来主导；从时尚传播来看，必须要加强媒体的社会责任感；从时尚的表现形式来看，必须提高人们分辨美丑的能力，不能以丑为美或以美为丑。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

With reference to the marked li words in the Modern Mandarin Dictionary, 2002 edition, this paper tries to gather up the basic features of the li words from their syllable structures, acceptation structures and internal structures. In syllable aspect, the polysyllable words are dominant. For example, the disyllable words are more than 22 times of the monosyllable words. In acceptation aspects, the multivocal words are less than monovocal words. And in internal structure aspect, the compositive words are much more than the single words.

本文以《现代汉语词典(2002年增补本)》中有标注的詈词为考察对象，从音节结构、词义架构、内部构造方面来考察，初步概括出了这类词的基本特征：从音节结构上看，詈词中多音词占绝对优势，仅双音词就是单音词的22倍强；在词义架构上，詈词以单义词为主，而多义词较少；从词的内部构成情况来看，詈词中合成词大大多于单纯词。

I believe that people want to turn from fear towards hope, from divisiveness towards unity, from intolerance to an understanding that we all belong to one great community.

我相信颠覆性的改变即将到来，我相信人们会从害怕转为希望，从分裂朝着团结，从无法容忍到理解，因为我们都属于这个伟大的团体。

At the beginning, it was substantial money acting as the intermediary of transactions. Then it developed to be token money, In the 1970s, the Bretton Woods Regime collapsed. Us dolor wasn"t related to gold and gold didn"t serve as money. Money gradually changed its form from token money to credit money, totally abstract value symbol. At the end of the 20th century, the development of science and technology and the speed of economic integration have accelerated.

从最初充当交换媒介的实物货币，发展到了铸币和银行券——代用货币。20世纪70年代，随着布雷顿森林体系瓦解，美元脱离黄金、黄金非货币化，货币也逐渐从价值实体向完全抽象的价值符号——信用货币进行转变。20世纪末，随着科学技术的发展和经济一体化进程的加快，货币形态演变的速度也在加快，人类社会正经历着从纸币向电子货币过渡的重要时期。

A can bottom (16) having an approximately frustoconical portion (8) extending downardly and inwardly from the can side wall (4), an annular nose portion (16) extending downwardly from the approximately frustoconical portion, and a central portion (24) extending upwardly and inwardly from the nose.

一种罐头(16)，它具有一个从罐头侧壁(4)向下向内延伸的大致截顶圆锥部分(8)，一个从大致截顶圆锥部分向下延伸的环形凸出部分(16)，以及一个从凸起向上向内延伸的中心部分(24)。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。