人间的

Beneath him with new wonder now he views [ 205 ] To all delight of human sense expos'd In narrow room Natures whole wealth, yea more, A Heaven on Earth, for blissful Paradise Of God the Garden was, by him in the East Of Eden planted; Eden stretchd her Line [ 210 ] From Auran Eastward to the Royal Towrs Of Great Seleucia, built by Grecian Kings, Or where the Sons of Eden long before Dwelt in Telassar: in this pleasant soile His farr more pleasant Garden God ordaind; [ 215 ] Out of the fertil ground he caus'd to grow All Trees of noblest kind for sight, smell, taste; And all amid them stood the Tree of Life, High eminent, blooming Ambrosial Fruit Of vegetable Gold; and next to Life [ 220 ] Our Death the Tree of Knowledge grew fast by, Knowledge of Good bought dear by knowing ill.

那不是为了重获新生，而是企图弄死活的；也不思想那树给予生命的功能，只是利用它作了望的据点，而不知道善用它可以保证永生。应该怎样去正确评价当前的善，除了上帝以外，谁也不知道，却把最好的事曲解为最坏的，或者派作最卑鄙龌龊的用场。于是他怀着新的惊奇俯瞰人间一切的幸福，一块小小区域，全部丰富宝藏，展现出自然界的比天上地下一切的幸福还多。这是上帝在伊甸的东部所安置的极乐的园林。伊甸地区是从浩兰向东延伸，直到希腊诸王所建筑的大都城西流古的王塔，或古代伊甸子孙们所住的提拉撒一带。在这片快乐的土地上上帝营造起十分快乐的园林。

As when a Vultur on Imaus bred, Whose snowie ridge the roving Tartar bounds, Dislodging from a Region scarce of prey To gorge the flesh of Lambs or yeanling Kids On Hills where Flocks are fed, flies toward the Springs [ 435 ] Of Ganges or Hydaspes, Indian streams; But in his way lights on the barren Plaines Of Sericana, where Chineses drive With Sails and Wind thir canie Waggons light: So on this windie Sea of Land, the Fiend [ 440 ] Walk'd up and down alone bent on his prey, Alone, for other Creature in this place Living or liveless to be found was none, None yet, but store hereafter from the earth Up hither like Aereal vapours flew [ 445 ] Of all things transitorie and vain, when Sin With vanity had filld the works of men: Both all things vain, and all who in vain things Built thir fond hopes of Glorie or lasting fame, Or happiness in this or th' other life; [ 450 ] All who have thir reward on Earth, the fruits Of painful Superstition and blind Zeal, Naught seeking but the praise of men, here find Fit retribution, emptie as thir deeds; All th' unaccomplisht works of Natures hand, [ 455 ] Abortive, monstrous, or unkindly mixt, Dissolvd on earth, fleet hither, and in vain, Till final dissolution, wander here, Not in the neighbouring Moon, as some have dreamd; Those argent Fields more likely habitants, [ 460 ] Translated Saints, or middle Spirits hold Betwixt th' Angelical and Human kinde: Hither of ill-joynd Sons and Daughters born First from the ancient World those Giants came With many a vain exploit, though then renownd: [ 465 ] The builders next of Babel on the Plain Of Sennaar, and still with vain designe New Babels, had they wherewithall, would build

好像一只伊马乌斯山上生长的秃鹫，在雪岭环绕着鞑靼人流浪的地方，食饵的缺乏迫使他们到放牧羊群的诸小山上去，吃饱了羊羔的肉之后，飞向印度恒河或印度河的发源地；途中降落在丝利刻奈的荒野，那儿的中国人用风帆驾驶藤的轻车。魔王如同这鸷禽，独自徘徊在如海洋一样多风的大地上，寻觅食饵。他真觉孤单，因为那里还找不到其他生物，无论是活，是死；只是后来，罪恶用虚荣填满了人的事业，才从地上升起一切虚无缥缈的东西，像飘浮的气体一般升腾到那里：包括一切虚幻的东西，以及所有人，那些把他们的光荣希望、不朽声名、今生来世的幸福都建筑在虚无缥缈上的人们。有些人在今世得了报应，即可悲的迷信和盲目的狂热追求所结的果实，只追求凡人的称赞，和他们的空虚行为相称的酬报，空虚。自然所未完成的工程，流产的、畸形的、乱七八糟混杂在一块儿，在地上消灭了，都飞到这里来，在这里徒然彷徨，直到最后破灭；有些人把梦想寄托在邻近的月球上，那同样是荒谬的。在那银色的世界里，有各种各样的类族：近乎真实的居民，超升的圣者，介乎天使和人类之间的中性精灵；神的众子和人间女子所生的巨人族，首先从古代世界来，当时很出名，还带来了许多空幻的功业。其次是示拿平原上巴别塔的建筑者，他们还有虚空的计划，要是材料有余的话，还要建筑些新的巴别塔。

Let us not weary of repeating, and sympathetic souls must not forget that this is the first of fraternal obligations, and selfish hearts must understand that the first of political necessities consists in thinking first of all of the disinherited and sorrowing throngs, in solacing, airing, enlightening, loving them, in enlarging their horizon to a magnificent extent, in lavishing upon them education in every form, in offering them the example of labor, never the example of idleness, in diminishing the individual burden by enlarging the notion of the universal aim, in setting a limit to poverty without setting a limit to wealth, in creating vast fields of public and popular activity, in having, like Briareus, a hundred hands to extend in all directions to the oppressed and the feeble, in employing the collective power for that grand duty of opening workshops for all arms, schools for all aptitudes, and laboratories for all degrees of intelligence, in augmenting salaries, diminishing trouble, balancing what should be and what is, that is to say, in proportioning enjoyment to effort and a glut to need; in a word, in evolving from the social apparatus more light and more comfort for the benefit of those who suffer and those who are ignorant.

我们应当不厌其烦地反复提出：要最先想到那些没有生计的痛苦民众，为他们减少困难，让他们得到空气和光明，爱护他们，扩大他们的视野，使他们感到灿烂辉煌，用种种形式为他们提供接受教育的机会，为他们提供劳动的榜样，而不是游手好闲的榜样，减轻他们个人负担的压力，增加他们对总目标的认识，限制穷困而不限制财富，大量创造人民共同劳动的天地，象布里亚柔斯①那样，把一百只手从四面八方伸向受压迫和软弱无力的人，为这一伟大职责运用集体的力量，为所有的胳膊开设工厂，为所有的才能开办学校，为所有的智力设立实验室，增加工资，减轻惩罚，平衡收支，也就是说，调整福利与劳动之间和享用与需求之间的比重。总之，要使社会机器为受苦和无知的人的利益发出更多的光明和更多的温暖，使富于同情心的人不忘记这些，这是人间友爱的第一义务，使自私自利的人懂得这些，这是政治的第一需要。

Let us not weary of repeating, and sympathetic souls must not forget that this is the first of fraternal obligations, and selfish hearts must understand that the first of political necessities consists in thinking first of all of the disinherited and sorrowing throngs, in solacing, airing, enlightening, loving them, in enlarging their horizon to a magnificent extent, in lavishing upon them education in every form, in offering them the example of labor, never the example of idleness, in diminishing the individual burden by enlarging the notion of the universal aim, in setting a limit to poverty without setting a limit to wealth, in creating vast fields of public and popular activity, in having, like Briareus, a hundred hands to extend in all directions to the oppressed and the feeble, in employing the collective power for that grand duty of opening workshops for all arms, schools for all aptitudes, and laboratories for all de GRE es of intelligence, in augmenting salaries, diminishing trouble, balancing what should be and what is, that is to say, in proportioning enjoyment to effort and a glut to need; in a word, in evolving from the social apparatus more light and more comfort for the benefit of those who suffer and those who are ignorant.

我们应当不厌其烦地反复提出：要最先想到那些没有生计的痛苦民众，为他们减少困难，让他们得到空气和光明，爱护他们，扩大他们的视野，使他们感到灿烂辉煌，用种种形式为他们提供接受教育的机会，为他们提供劳动的榜样，而不是游手好闲的榜样，减轻他们个人负担的压力，增加他们对总目标的认识，限制穷困而不限制财富，大量创造人民共同劳动的天地，象布里亚柔斯①那样，把一百只手从四面八方伸向受压迫和软弱无力的人，为这一伟大职责运用集体的力量，为所有的胳膊开设工厂，为所有的才能开办学校，为所有的智力设立实验室，增加工资，减轻惩罚，平衡收支，也就是说，调整福利与劳动之间和享用与需求之间的比重。总之，要使社会机器为受苦和无知的人的利益发出更多的光明和更多的温暖，使富于同情心的人不忘记这些，这是人间友爱的第一义务，使自私自利的人懂得这些，这是政治的第一需要。①布里亚柔斯，神话中的巨人，是天和地的儿子，有五十个头和一百只手。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Bhutan is located in the extraordinary Himalayan region. To the south lies India, with Tibet to the north. The topography is dramatically varied, featuring pine-clad valleys, terraced hills and towering, snow-tipped ranges with impenetrable heights. Monasteries cling to cliffsides and rivers snake through valleys. Orchards line their banks. Villages and towns are unspoilt, and the economy almost exclusively rural.

不丹位于壮丽的喜玛拉雅山地区之中，被南边的印度以及北边的西藏紧紧环绕，人间美景由一幕又一幕慑人的景色构成──松树覆盖着的梯田及山谷、白雾迷蒙中的巍峨雪岭、半倚悬崖峭壁而建的僧院、于山谷间蜿蜒的河川、遍布河边的兰花……加上未受污染的市镇以及原始的经济方式令不丹投现出一种别具一格的风韵。

To be specific, the thesis will take the novelist and his works as an integer by putting them into the transformation of the society, its social-historical thoughts and culture context, by observing the novelist and his works from thoughts resources to the development, from the thematic diachronic evolvement to the synchronic cultural comparison, from the innate writing talents to the unavoidable psychological dilemma, and therefore, grasp the research object wholly.

寻根探源历来是研究作家创作思想的重要方法和不可或缺的步骤，但当前对张炜小说创作&思想资源&的研究却不多见。本文认为，张炜小说创作的&思想资源&多元而丰富：儒家文化的入世情怀与仁爱思想，道家文化的天人合一与自为自在精神，鲁迅的启蒙观念与理性精神，俄国文学的道德理想与苦难意识，民间文化自由与奔放的人间情怀，及以&焦虑&、&绝望&为认知特征的现代西方哲学等等，都对张炜小说创作思想的形成、发展产生了重要影响。

A nuptial bed makes a nook of dawn amid the shadows. If it were given to the eye of the flesh to scan the formidable and charming visions of the upper life, it is probable that we should behold the forms of night, the winged unknowns, the blue passers of the invisible, bend down, a throng of sombre heads,around the luminous house, satisfied, showering benedictions, pointing out to each other the virgin wife gently alarmed, sweetly terrified, and bearing the reflection of human bliss upon their divine countenances.

一张新婚的床在黑夜里是一角黎明，如果允许肉眼看见这些可畏而又迷人的上天的形象，我们可能见到夜里的那些形体，长着翅膀的陌生人，看不见的蓝色的旅客，弯着腰，一簇黑影似的人头，在发光的房屋的周围，他们感到满意，祝福新婚夫妇，互相指着处女新娘，他们也略感紧张，他们神圣的容貌上有着人间幸福的反照。

I would thou couldst; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The law's delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i' the adage, Is sicklied o'er with care, And all the clouds that lowered o'er our housetops, With this regard their currents turn awry, And lose the name of action.

但是那世人有去无还的冥界，正向人间喷出毒气阵阵，因此那刚毅的本色，象古语所说的那只可怜的小猫，就被烦恼蒙上了一层病容，一切压在我们屋顶上的阴云，因此改变了漂浮的方向，失去了行动的力量。那正是功德无量。且慢，美丽的峨菲丽雅：别张开你那又大又笨的大理石嘴巴，赶快到女修道院里去吧——快去①。①《文库》本注：&公爵&自以为在背诵哈姆雷特这段著名独白，其实背得颠倒错乱，还胡乱插进了莎剧《麦克白》和《理查三世》中的台词。

In the middle of these Cogitations, Apprehensions and Reflections, it came into my Thought one Day, that all this might be a meer Chimera of my own; and that this Foot might be the Print of my own Foot, when I came on Shore from my Boat: This chear'd me up a little too, and I began to perswade my self it was all a Delusion; that it was nothing else but my own Foot, and why might not I come that way from the Boat, as well as I was going that way to the Boat; again, I consider'd also that I could by no Means tell for certain where I had trod, and where I had not; and that if at last this was only the Print of my own Foot, I had play'd the Part of those Fools, who strive to make stories of Spectres, and Apparitions; and then are frighted at them more than any body.

天命难测，使人生显得多么光怪陆离，变化无穷啊！在不同的环境下，人的感情又怎样变幻无常啊！我们今天所爱的，往往是我们明天所恨的；我们今天所追求的，往往是我们明天所逃避的；我们今天所希翼的，往往是我们明天所害怕的，甚至会吓得胆战心惊。现在，我自己就是一个生动的例子。以前，我觉得，我最大的痛苦是被人类社会所抛弃，孤身一人，被汪洋大海所包围，与人世隔绝，被贬黜而过着寂寞的生活。仿佛上天认定我不足与人类为伍，不足与其他人交往似的。我当时觉得，假如我能见到一个人，对我来说不亚于死而复生，那将是上帝所能赐给我的最大的幸福，这种幸福仅次于上帝饶恕我在人间所犯的罪孽，让我登上天堂。而现在呢，只要疑心可能会看到人，我就会不寒而栗；只要见到人影，看到人在岛上留下的脚印无声无息地躺在那里，我就恨不得地上有个洞让我钻下去。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了