人间的

He stood without stirring, looking at the heights that rose out of the fog, and his cold face wore that peculiar shade of confident, self-complacent happiness, seen on the face of a happy boy in love.

他一动不动地停在那里，观看从雾霭里显露出来的高地，他那冷淡的脸上有一种理应享受人间幸福的、特别自信的神情，就像是处于热恋之中的幸福少年脸上常有的表情。

We believe that at the time, Shakespeare had insight into all of human civilization and progress, was human's self-sovereignty will this world greatest dignity God creates.

我们认为，在当时，莎士比亚已经洞察了人类的一切文明的进步，是人的自我主权意志这人间最伟大尊严的神灵造成的。

To the north side there are Drum Tower and the famous Hutong Section. Just walking inside this school you could fully enjoy the long history old culture and modern development of Being.

漫步于什刹海体校校园中，仿佛置身于"物华天宝，人杰地灵"的人间仙境，足不出户便可充分领略到北京的悠久的历史、古老的文化和现代化的气息。

The perfection of his priesthood is established by the sinlessness of his earthly life as the incarnate Son , our fellow human being .

完善他的神职人员，建立了由他的清白人间生活作为肉身的上帝之子，我们的人类同胞的福祉。

Today the classroom studies several hundred several dozens adds several hundred several dozens, in the classroom only then my sounds of people rip the strength to use up, speak one's mind, nobody listens to me to teach, below plays respectively each, all is I is putting on a one-man show, this academic society, has not learned, also the surplus many topics have not done, has not completed the task, this hall class has been defeated, was simply forces an analogy, in the book inspected the wrong topic let the student class get down the office to change wrong, the student did not go.

书是我们俩一起去书店买的，她看只要孩子看，我家孩子最主要的问题是对自然科学兴趣大点，人文科学兴趣小一年级：知识大王，包括舰船知识\飞机知识\西游记\论语\中国寓言\中学生智力竞赛(82版的)\三字经\百家姓\安徒生童话\世界之迷故事\读者二年级：科学家的故事\李白，苏轼，鲁迅\哈佛女孩刘亦婷\童年在人间我的大学\中国京剧脸谱宝典\欧也妮。

Although such achievement would be unable to appear in the future Taiwan theaters due to the political power changes, people would not forget it. To take a broad view of Taiwan modern theatric history, there would be no theatre like "Castrated Rooster" which was favored by both college students and theatric workers, and it would be presented interval.

尽管这样的成果，因为政权更迭而中断，无法出现在日后的台湾剧场，但是《阉鸡》的成就并未完全让人遗忘，除了1960年，台语片导演辛奇就以张文环原著小说《阉鸡》为题材，由周添旺编剧，改编成台语电影《恨命莫怨天》；1987年5月汪其楣编导的《人间孤儿》，更引用了1943年《阉鸡》首演的内容和史实，表达了台湾人在面对历史变化时刻追求主体意识的决心与奋斗。

First, they focus on the plain life of common people; second, they aim at reflecting the feelings and lives of some "small figures"---the humble people living in the understratum of the society, true, unvarnished, though not elegant and lofty.

在他们身上，几乎没有缺点。"新写实小说"则不然，首先在题材上，关注人们的日常生活，琐碎、平凡，带有"原生态"的特色。底层百姓的饮食起居、喜怒哀乐，都成为描写对象，它消解了崇高意义，使文学从天上走向人间。在人物塑造上，"新写实小说"重在刻画"小人物"，甚至是卑微低贱的底层人物，写他们的感情，不论是否高尚，但却是最真实、最质朴的人生体验。

It can be a journey of time on the move, a journey of life with ups and downs, a journey that surpasses the earthliness and a journey that requires toughness, silence and long-suffering.

是时间流转的路途。是生命起伏的路途。是穿越人间俗世的路途。也是一条坚韧静默而隐忍的精神实践的路途。

Talk about reality. The mass movement of digital cameras degrades all people with peering addiction or exposure symptom. All details become rumors and scandals. As I wrote in Miscellanea: Hard Chair ,"these unfree kind-hearted people under the overturn pigheadedly stare at his filth", and the privacy becomes scandals. It is obvious.

若转到现实层面，那我们也可以说，数码相机的大众运动，能让所有人患上窥视癖和暴露症，事无巨细全变成丑闻谣传，就像我在《中国杂技：硬椅子》中写的：&这些倾覆之下的免于自由的好心人，非常死板地紧紧地盯住他的不清洁&，&而人间私事则成了丑闻&。

The eighteenth century is a transitional period during the development course of the human society, it tore the mysterious veil of the God—the heaven deity, meanwhile, it pushed the kingship—the terrestrial deity onto the guillotine, which is the turn of the transposal between the human being and the deity, and is the watershed of the time.

十八世纪是人类社会发展过程中的一个转折期，十八世纪在撕掉天上之神——上帝的神秘面纱的同时，又将人间之神——王权推上了断头台，是人神移位的转折点，是时代的分水岭。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。