人相的

The merchant who says:"Montpellier not active, Marseilles fine quality," the broker on 'change who says:"Assets at end of current month," the gambler who says:"Tiers et tout, refait de pique," the sheriff of the Norman Isles who says: The holder in fee reverting to his landed estate cannot claim the fruits of that estate during the hereditary seizure of the real estate by the mortgagor," the playwright who says:"The piece was hissed," the comedian who says:"I've made a hit," the philosopher who says:"Phenomenal triplicity," the huntsman who says:"Voileci allais, Voileci fuyant," the phrenologist who says:"Amativeness, combativeness, secretiveness," the infantry soldier who says:"My shooting-iron," the cavalry-man who says:"My turkey-cock," the fencing-master who says:"Tierce, quarte, break,"the printer who says:"My shooting-stick and galley,--all, printer, fencing-master, cavalry dragoon, infantry-man, phrenologist, huntsman, philosopher, comedian, playwright, sheriff, gambler, stock-broker, and merchant, speak slang.

商人说"蒙培利埃可发售"，"优质马赛"；兑换商说"延期交割，本月底的手续贴补费"；玩纸牌的人说"通行无阻，黑桃完啦"；诺曼底群岛的法庭执达吏说"在租户有禁令的地段，在宣布对拒绝者的不动产有继承权时，不能从这地段要求收益"；闹剧作家说"喝了倒彩"；喜剧作家说"我垮了"；哲学家说"三重性"；猎人说"红野禽，食用野禽"；骨相家说"友善，好战，热中于秘密"；步兵说"我的黑管"；骑兵说"我的小火鸡"；剑术师说"三度，四度，冲刺"；印刷工人说"加铅条"；所有这些印刷工人、剑术师、骑兵、步兵、骨相家、猎人、哲学家、喜剧作家，闹剧作家、法庭执达吏、玩纸牌的人、兑换商、商人，全是在说黑话。

In the case of Athenian autochthony it has the function to explain the mutual relationship among the Athenians, their relation to the land they inhabit, and the difference they have from other peoples.

在雅典人之土生土长的神话中，它具有解释雅典人彼此之间，雅典人与他们所居住之土地，以及他们与其他人如何相异之功能。

Unlike the Dutch in the East Indies, the British in Malaya, or the French in Indochina, the Americans left virtually no legacy of economic exploitation.

相较於荷兰人在东印度，英国人在马来西亚，或法国人在印尼，不同的是，美国并未遗留任何经济性开发。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

This is an intoxicating world of art, skillful watercolor techniques attractive - pleasing colors are transparent; moisture control, with plenty of clever arrangements between deliberately and arbitrarily; color thin, thick, stacked, woven generate the rhythm of sound choir; Dianran hook brush pen, compact quasi-steady, vacuousness of Health to produce a very strong expression; images a sense of sunlight, air and create a sense of even more skill.

这是一个醉人的艺术世界，娴熟的水彩画技巧引人入勝――颜色透明得令人愉悦；水份的控制，留白的巧妙，安排在着意与随意之间；色屋的稀薄、浓重，相叠、交织产生音诗班的节奏；用笔点染勾擦、精巧準稳、虚实相生，产生很强的表现力；画面阳光感、空气感的营造更显功力。

We, then, following the Holy Fathers, all with one consent, teach men to confess the one and same Son, our Lord Jesus Christ, the same perfect in Godhead and also perfect in manhood; truly God and truly man, of a reasonable soul and body; consubstantial with the Father according to the Godhead, and consubstantial to us according to the Manhood; in all things like unto us, without sin; begotten before all ages of the Father of the Father according to the Godhead, and in these latter days, for us and for our salvation, born of the Virgin Mary, the Mother of God, according to the Manhood; one and the same Christ, Son, Lord, Only-begotten, to be acknowledged in two natures, inconfusedly, unchangeably, indivisibly, inseparably; the distinction of natures by no means taken away by the union, but rather the property of each nature being preserved, and occuring in one Person and one Subsistance, not parted or divided into two persons, but one and the same Son, and only begotten, God the Word, the Lord Jesus Christ, as the prophets from the beginning concerning him, and the Lord Jesus Christ himself has taught us, and the Creed of the holy Fathers has handed down to us.

我们跟随圣教父，同心合意教人认识同一位子，我们的主耶稣基督，是神性完全、人性亦完全者；他真是上帝，也真是人，具有理性的灵魂，也具有身体；按神性说，他与父同体；按人性说，他与我们同体；在凡事上与我们一样，只是没有罪；按神性说，在万世之前，为父所生；按人性说，在晚进时日，为求拯救我们，由上帝之母，童女马利亚所生；是同一基督，是子，是主，是独生的，具有二性，不相混乱，不相交换，不能分开，不能离散；二性的区别不因联合而消失；各性的特点反得以保存，会合于一个位格，一个实质之内；而非分离成为两个位格，却是同一位子，独生的，道上帝，主耶稣基督；正如众先知论到他自始所宣讲的，主耶稣基督自己所教训我们的，诸圣教父的信经所传给我们的。

In Chinese traditional physical education the conceptions of conformity to nature,the harmony of Man and the God,respection to virtue,courtesy,neutrality and peace,of appreciation personal loyalty and neglection of individual material benefits,the intimacy of the body and the soul,the support of the outside and the inside hide the implication of harmony between man and nature,an individual and society,man and others or even an individual and himself.

中国传统体育文化&顺应自然、天人合一&、&崇德尊礼、贵中尚和&、&重义轻利、诚信守诺&、&形神相亲、表里相济&的思想观念潜藏着人与自然、人与社会、人与人、人与自身的和谐意蕴。

Stretcher bar there is no flower accompaniment instruments, a pair of two-person lift from flower bar, exercise on a horizontal bar made of bamboo materials, the carrying of objects known as "bar boxes"; people from Periploca Periploca handheld charge card, its paddle-shaped, performers have jun bars, divided bars ugly;抬杠shoulders when the exercise on a horizontal bar should not have, should not bar use of hands, they make the same direction, opposite, running and lift performance.

抬花杠没有任何乐器伴奏，一副花杠由二人抬，杠子用竹料加工制成，所抬之物称为&杠箱&；领杠人手持押杠牌，其为船桨状，表演者有俊杠、丑杠之分；抬杠时杠子不能过肩头，不能用手扶杠，二人做同向、相向、相背而抬的表演。

For though jurists or expositors of the criminal law will certainly speak as I have done up to now , and say that the notion of a man's intention is relevant to his criminal responsibility at many important points , what they refer to is the use by the law of a concept which , though it corresponds at many points to what is ordinarily meant in non-1egal use by intention, cannot be said to be identical with it .

因为虽然法学家或解释刑法的人都显然会象我至今所说的一样来解释，并称人的故意之概念在许多方面[MS2] 都与其刑事责任相关联，但是，他们所指的是法律对 _个[MS3] 概念的运用，这种运用[MS4] 虽然在许多方面都与非法律用法中的故意之普通含义相符合，但两者不能同日而语。

A simple,rapid,sensitive and accurate RP HPLC for simultaneous determination of ketamine, phenobarbitone and atropine in plasma was established.

本文采用ZorbaxC8色谱柱，甲醇－磷酸盐缓冲液（69∶31）为流动相，220nm为检测波长，非那西丁为内标，建立了同时测定人血浆中氯胺酮、苯巴比妥和阿托品浓度的反相高效液相色谱法。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。