人格面具

In the system of Jungian psychology, Anima and Animus are the important archetypal images.

在荣格的分析心理学体系中，阿尼玛、阿尼姆斯、人格面具、阴影，都是重要而具有意义的原型意象。

TelePlay has three methods tO cure psychological i1iness. The first isaddition treatInent, Which aiIns to suPPly the insffociency inpsychological need and sense with the drUg of sound and frame system.Ths method can trCat exiSted wodrient, the lack of love, thedegeneration of shame and so on .The second method is subtraCttreaAnen which indicates discarding the wheaible routine ideas, thefaulty mask in personalty and the culthal addendUIn.

电视剧心理疗慰的方法有：加法疗慰，即以声画系统的能指和所指为药物，弥补心理需要不足和意义不足，治疗生存焦虑、爱的缺乏＼羞耻感的退化等症；减法疗慰，指去除日常僵化价值观念网、人格上的虚假面具和文化附加物，治疗安全焦虑、政治情结的淤积等病：反概念疗慰，指给一些消极概念平反，汲取其正价值，进而取消疾病命名。

From a perspective of examining the relationship between expressionistic techniques and main themes of the play, the thesis focuses on expressionistic techniques, namely, the use of mask, monologue, stage settings and directions by which Eugene ONeill displays the multi-themes concerning self-searching, maternal love and brotherhood.

本文通过分析表现主义特征，表现主义手法和剧作主题的关系，本论文重点重在分析尤金·奥尼尔的表现主义手法，及如何在剧作中运用面具，独白，舞台布景及舞台指示语言表现人物的人格分裂，寻求真我，渴望母爱和兄弟之情之主题。

From a perspective of examining the relationship between expressionistic techniques and main themes of the play, the thesis focuses on expressionistic techniques, namely, the use of mask, monologue, stage settings and directions by which Eugene O'Neill displays the multi-themes concerning self-searching, maternal love and brotherhood.

本文通过分析表现主义特征，表现主义手法和剧作主题的关系，本论文重点重在分析尤金·奥尼尔的表现主义手法，及如何在剧作中运用面具，独白，舞台布景及舞台指示语言表现人物的人格分裂，寻求真我，渴望母爱和兄弟之情之主题。

Dave Snowden has warned me that for such mischievous plantings to work in Open Space and other types of event whose group dynamic is based on trust, the provocateurs would have to be Actors, clearly identified as such, wearing the appropriate 'mask' or accoutrements of their persona.

Dave Snowden 曾告诫我，在开放空间会议或其他形式的会议中，小组的热情是建立在信任的基础之上的，进行如此恶作剧的角色扮演，密探可能就是演员，可以明确定义为带着适当的"面具"或者伪装他们的人格。

The novel depicts the conflict in Susan's mind in detail, so this process can also be taken as the fight between shadow and persona. Meanwhile, it demonstrates the conflict between collective persona and collective shadow.

这部小说，演绎了一部心灵痛苦挣扎的辛酸史，展示了一段深层心理中人格面具原型和暗影原型进行惊心动魄生死搏斗的磨难历程，同时，流露出作家自身灵魂中的矛盾和冲突，也揭示了婚姻生活中的社会性集体面具与集体暗影的斗争与交锋。

William Golding; death instinct; persona ; shadow; archetype of characters ; evil; hope

威廉·戈尔丁；死亡本能；人格面具；阴影；原型人物形象；人性恶；希望

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。