人性的

Monkey King's life is the history of a microcosm of China's ideology is a reflection of life of hooliganism, an instinctive sense of life resulted from an accumulation of the national character, as well as symbols of humanity.

孙悟空的一生，是历史的中国思想意识的一个缩影，是流氓无赖的人生写照，是生命本能意识积累而成的国民性以及人性的符号。

At a boundless desert of North Africa, Count Almasy piloted the turbo airplane carried Katharine's corpse with deepest love on her circling around the sky again and again, strode over the national boundary、politic、war、responsibility and duty, manifested a complete lures disregard for moral obligation and the shackles of human nature, incapably of extricating themselves from it. The movie reappeared in turn as showing the dramatic personae's recollection and the reality he was in.

在北非广淼无垠的大沙漠上，涡轮飞机几度盘旋，载着奥尔马希的爱和他深爱的女人的尸体，跨越了国界、政治、战争、责任、义务，演绎了脊上凹口的销魂诱惑，逾越了道德的底线，冲破了人性的束缚，身陷其中无力自拔。

The findings are divided into three parts: First, through the archetypal pattern, we see the intercommunity and the intercommunion of human mind, and we also see the permanence and the universality of human nature, therefore the reproduction of archetype in literary work is not only the repetition of fixed literature content in pattern frame, but also the representation of intercommunion and intercommunity in human psychologically emotional activities.

研究结果分为三部份：第一、通过原型的模式，既看到人类心灵的共同性、相通性，也看到人性的永恒性与普遍性，所以文学作品中原型的重现，不只既定的文学内容在模式框架中的重复，也是人类心理情感活动中相通性与共同性的表现。

The author convincingly tells us about the degeneration into savages and evil in human nature and irremediable situation, in particular the end of innocence of the children and vicious deeds without control of law and civilization.

作者令人信服地向我们讲述了人的堕落、人性的邪恶及不可挽救的事实，尤其是它真实地描述了孩子们童心的泯灭及其在没有法律及文明制约的状况下所能做出的邪恶残忍行为。

In the Clan of Red kaoliang, Mo Yan described the essential happiness and satisfaction to chase the nature of life about human beings in the far ancient times, revealed the forever life of the Chinese people, express his desire to make up the Chinese culture of "Spirit of alcohol" and refuted what had harmed the aesthetic conception of humanity in the Great Cultural Revolution.

在《红高粱家族》中，莫言还原了人在远古时代率性而为、稚拙天真、追求生命最本质的快乐和满足的性格特色，开掘了中国民间大地蕴含的生生不息的生命激流，表达了试图建构中国"酒神"文化的渴望，用文本的方式完成了对十年"文革"戕害人性的审美反驳。

As guest of honour a retrospective of his movies took place, most of them never released in Belgium or even Europe, as well as a 2-hour conference by Takahata-san about Japanese animation, but that wasn't all… I had the chance to finally meet the master in person himself and ask him some questions during a personal interview in the 5* Metropole Hotel.

为了表示对他的尊敬，他以前的从来没有在比利时甚至欧洲放映过的作品都进行了展示，另外他还有一个关于日本动漫的2个小时的讨论会。但是还不止这些。。。我有机会在大都会宾馆5楼最终和这个大师有个人的见面而且在一个私人性的访谈中问了他一些问题。

Some of them devoted to eliminate mystification of history, and some of them introspected the folk and nationality culture.

而另外一些新历史小说作家则同样从个体生命的角度介入历史，把对于种族和文化的生存、人性的本质和被压抑被扭曲之后的异态、以及不同文化权力在历史中对峙与争夺等等所关注的思想话题，设置进具体的历史情境之中演示和审视，试图通过构筑民间世界探求民族文化的危机。

This also makes it so that the viewer can never attain complete relaxation or delight, but, when we submerge ourselves in the depths of the seemingly ridiculous scenes of each painting, submerge ourselves in these astounded gazes, we can vividly experience the eccentricity of human nature, the preposterousness of existence, and the questioning approach that is permeates the context and the creative theme.

也使观者尽管不能获得整体上的轻松和愉悦，但是，当我们沉潜于每一幅看似荒谬的场景内部，沉浸于每一幅类似于愕异的目光之中时，我们又可以非常鲜活地感受到人性的乖张，生存的悖谬，以及语境中洋溢出来的创作主体的质疑态度。

Digging the basic motives of heroines" behaviors from their psychodynamics can been seen as the depth which SiMaqian reached on heroines" psychodynamic exploration; the digging in true nature and character can be seen as the height SiMaqian reached on the height which is not in general meaning but in humanity.

对人行为动力的分析，也就是从本质上、本性上对人的探掘，因此，司马迁在这方面的分析，已不是普通意义上的人物心理的研究，而是上升到了传主人性的高度。这可以说司马迁在人物心理的探掘上所达到的高度。

From a human perspective this process takes an unfathomably long time, for alone the period during which our Creation, our Universe, transforms into the next higher Creational form, that of an Ur-Creation or Ur-Universe, takes more than 85 quintillion years (85 x 10 18 or 85,000,000,000,000,000,000 years).

从人性的角度这个过程需要一个深不可测的很长时间，只有在这期间，我们创造，我们的宇宙，进入下一个更高的创力的形式，一乌尔的创或乌尔宇宙，转换时间超过85千万亿岁（ 85 × 10 18或85，000，000，000，000，000，000岁）。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！