享乐主义的

It is among the truths believed to be self-evident by the followers of all religions that godlessness is equivalent to amorality and that ethics requires the underpinning presence of some sort of ultimate arbiter, some sort of supernatural absolute, without which secularism, humanism, relativism, hedonism, liberalism and all manner of permissive improprieties will inevitably seduce the unbeliever down immoral ways.

要知道所有的宗教追随者，都认为这是不证自明的：那就是不承认神的存在，就等同于缺乏道德观念。而且伦理需要有某种形式的最终仲裁者，某种形式的超自然的绝对存在作为支柱支撑着。如果没有这支柱存在，那么世俗主义，人权主义，相对主义，享乐主义，自由主义以及所有的无拘束的不当行为，会不可避免地将非教徒引上堕落的道路。

Cities flowing on the earth one by one, at contemporary society, globalize, capitalism, and epicureanism have already make the boundaries between cities became blur. The boundaries between on-line and off-line, city and country, global and local have all been mixed into a splendor Flower, the habitants of modern cities are mass Flow-er, and they trying to change the cities itself by large consuming, it makes the cities at last became the Flowing City. The students from the Institute of Applied Art, Chiao-Tung University, will try to show off the splendor Flowing-City by their own view in art and design.

一座座的城市漂浮游移在地表上，在当代社会中，全球化、商品化以及享乐主义已经令城市的界线逐渐的模糊，实体及线上、城市与乡村、国际与地域的界线都逐渐的消弭成为艳丽的花朵，城市没有固定的居民，而是被大量的流动者在不停的消费刺激中加速城市的变化，最后促使城市成为一座座的漂浮城市，国立交通大学应用艺术研究所的同学将试图以各自的艺术及设计语言，勾勒出艳丽异常的漂浮城市。

The entertaining elements in his works should be esteemed as the reflection of hedonism in China now. However, it is not the same as the western entertainments. Though Qu's deep observation of society, he narrates the nonsense and the inanity of hedonism, which is his real melancholy comprehension of history.

瞿广慈所呈现的娱乐性确实应被视为中国当下的安逸享乐的反射，但瞿广慈的「娱乐性」并非如西方固有的「娱乐性」般欢乐－瞿广慈经过自我深度、社会深度的理解和观察，将享乐主义后不可摆脱的空虚感「揶揄」的叙事口吻道出，是艺术家对于历史的真实理解的忧郁。

On one, it is the story of a judicial murder for money, an indictment of materialism. On the other, it has nothing to do with motives in the conventional sense. It is a play about religious impulses that are independent of the ways people explain them.

该剧在两个层面上展开：一方面，它讲述了一个看似合法、实为有悖公理的图财害命的的故事，抨击了物质享乐主义；另一方面，它并不涉及通常所说的动机，而表现的是独立于人们解释方式之外而存在的宗教冲动。

It explores the way that the design of the material systems used as a basis for every day experience can help us allow this to happen in different areas; in the island's environmental richness; in the quality standards of European cities; in the hedonistic tradition of Santa Monica's suburban swimming pools; in the 'extreme happiness' related to electronic music and synthetic drug consumption; in nudism and naturism; in fleeting romance; in spontaneous sunset parties, in the fluctuations in the property market or in retirement plan.

它探讨的方式，作为一个经验的基础上，每天使用可以帮助我们让这种情况发生在不同领域的物质系统的设计，在岛上的环境，丰富的欧洲城市的质量标准；在圣享乐主义传统莫尼卡的郊区泳池；在'极端幸福'有关电子音乐和合成毒品的消费，在裸体主义和裸体主义，在短暂的浪漫，在夕阳自发各方在物业市场波动或退休计划。

It explores the way that the design of the material systems used as a basis for every day experience can help us allow this to happen in different areas; in the island's environmental richness; in the quality standards of European cities; in the hedonistic tradition of Santa Monicas suburban swimming pools; in the extreme happiness related to electronic music and synthetic drug consumption; in nudism and naturism; in fleeting romance; in spontaneous sunset parties, in the fluctuations in the property market or in retirement plan.

设计师探讨了一种方式，材料系统的使用作为一种每日基础实践，可帮助我们在不同领域实现：在丰饶的岛屿上，在欧洲标准城市间，在传统的圣莫妮卡郊区游泳池边；在"享乐主义"盛行的电子音乐和消费中，在对自然崇拜的裸体主意思想中；在飞逝的冒险岛……。

By analyzing the construction and structure of contemporary Chinese culture on the basis of the information provided by the preceding chapters, the author tries to prove that driven by the law of maximizing the profits, superficialness and Philistinism will become inevitable for its content, and a tendency for characteristics of mass culture, with a tendency for gastronomy and playfulness.

在前面几章的基础上对中国的大众文化进行了客观的评价，并指出了大众文化在利润最大化原则的驱动之下，内容不可避免地变得肤浅、庸俗，具有明显的享乐主义倾向和游戏化的特征。

Some contemporaries of Bentham and Mill argued that hedonism lowers the value of human life to the level of animals, because it implies that, as Bentham said, a simple game (such as push-pin) is as good as poetry if the game creates as much pleasure.

同时代的一些边沁和密尔认为，享乐主义降低了人的生命价值的动物的水平，因为它意味着，由于边沁说，一个简单的游戏诗一样好，如果游戏创造的感到十分高兴。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。