亨利

Having been raised by her father, Henry Jackson Smart, after her mother died, Sonora wanted her father to know how special he was to her.

索娜拉的母亲过世后，父亲亨利·杰克逊·史玛特把她抚养成人，她想让父亲知道他对她来说有多么重要。

He put sown his gun and picked up Henry's.

他放下他的枪，拿起亨利的。

Lord speechmaker Wotton:What are you?

亨利沃顿：你到底是什么？

Henry VIII was a big fan of the sport and had a court built at his palace.

亨利八世就十分钟爱这项运动，并且在他的皇宫里修建了一个球场。

Set in Australia in the early 19th century, the film concerns the tribulations of Lady Henrietta, who was driven out of her home in disgrace after eloping with unkempt stableman Sam Flusky.

设置在澳大利亚19世纪初，电影关注的磨难夫人亨利埃塔，谁被赶出她家中的耻辱后eloping与蓬头垢面马夫三Flusky 。

Henry's favourite stamping ground when he was a boy was the city's docks—he'd spend hours wandering round looking at ships.

这座城市的修船厂是亨利儿时最爱去的地方—他会转游几个小时，观看各种各样的船只。

The two strands have come together in a recent link-up between Bessemer Trust, a US family office established in 1907 by the steel magnate Henry Phipps, and Stanhope Capital, a London-based office founded recently to manage the assets of four European families.

最近有一起这两种公司的合并案：美国家族事务公司Bessemer Trust与Stanhope Capital合并。前者由钢铁巨子亨利·菲普斯于1907年创建，后者最近建立，总部在伦敦，为四个欧洲家族管理资产。

In dead old Uncle Henry's steamer trunk.

看样子，就像用樟脑球在老亨利叔叔的扁平旅行箱里保存了多年。

Soft'.'' and unworn, as though it had been preserved in mothballs for years in ''.'dead'.'' old Uncle Henry's steamer trunk.

柔软'。''而蓬松，这件双排扣暗钮长大衣显然还没上过身，看样子，就像用樟脑球在老亨利叔叔的扁平旅行箱里保存了多年。

The thick, black wool of the double-***ed chesterfield was soft and unworn, as though it had been preserved in mothballs for years in dead old Uncle Henry's steamer trunk.

厚厚的黑色羊绒柔软而蓬松，这件双排扣暗钮长大衣显然还没上过身，看样子，就像用樟脑球在老亨利叔叔的扁平旅行箱里保存了多年。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。