亨利

Hell open to christians they were having, Jimmy Henry said pettishly, about their damned Irish language.

477吉米。亨利不耐烦他说，给他们那该死的爱尔兰语闹腾得地狱都为基督教徒裂开了口。

A leap forward for massage was made in the early nineteenth century by a Swedish physiologist called Per Henrik Ling.

一大跃进，按摩是在十九世纪初，由瑞典生理学家所谓的每亨利克玲。

He produced American plays as a matter of policy, but most of his relations were with Barrie, Pinero, Captain Marshall, Haddon Chambers, Henry Arthur Jones and other British dramatists.

他制作的一项政策，美国次，但他的关系最巴里，皮内罗，马歇尔上尉，哈顿庭，卜亨利琼斯和其他英国剧作家的。

Henry II was the first king of the House of Plantagenet.

亨利二世是金雀花王朝的首位国王。

Henry ∏ was the first king of the House of Plantagenet.

亨利二世是金雀花王朝的首位国王。

Was the founder of the Plantagenet dynasty and ruled England for 35years.

以金雀花王朝而著名的安茹王朝创立了，亨利成为国王，并继续统治了35年

The Poincare Conjecture was first posed by the French mathematician, Jules Henri Poincare, in 1904, and seeks to understand the shape of the universe by linking shapes, spaces and surfaces.

庞加莱猜想最先由法国数学家亨利·庞加莱于1904年提出，是一个关于三维空间形状的问题。

This paper takes those female images in Henry James\'s novels as the point of tangency, analyzing groups of female images and revealing their choices, confusions and pursuits in the European and American cultural collision, and some deep hiden implicature.

本文以亨利·詹姆斯小说中女性形象为切入点，分析了女性群象，展示了她们在欧美文化碰撞中的选择、困惑和追求以及背后的深层意蕴，同时更进一步探讨其"国际题材"小说欧美文化主题与女性独特视角的源起和意义。

FOR the past century mathematicians have struggled to prove the conjecture of a late-19th-century French polymath, Henri Poincaré.

19世纪晚期的法国博学家亨利？庞加莱（Henri Poincaré）提出了一个猜想，结果数学家们为之奋斗了整整一个世纪。

That's what Thierry Henry was like in his pomp.

这就是蒂埃里·亨利的辉煌时期。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。